Her temper sparked like charcoal when it first lights up.

Her first day at work she was puzzled by an entry in the doctor's notes on an emergency case.

Her first class wasn't until ten, but she always got up to have breakfast with me.

Her first actual flight, for she and her kind had made mock flights on dummy panels since she was eight, showed her complete mastery of the techniques of her profession.

Her first appearance was in a short story published in The Sketch magazine in 1926, " The Tuesday Night Club ", which later became the first chapter of The Thirteen Problems ( 1932 ).

Her first appearance in a full-length novel was in The Murder at the Vicarage in 1930.

Her mother ’ s marriage to Agrippa was her second marriage, as Julia the Elder was widowed from her first marriage, to her paternal cousin Marcus Claudius Marcellus and they had no children.

Her reputed last words, uttered as the assassin was about to strike, were " Smite my womb ", the implication here being she wished to be destroyed first in that part of her body that had given birth to so " abominable a son.

Her second and last novel, The Tenant of Wildfell Hall, which is considered to be one of the first sustained feminist novels, appeared in 1848.

Her first marriage, at the age of fifteen, was to the son of her father's rival in Italy, Lothair II, the nominal King of Italy ; the union was part of a political settlement designed to conclude a peace between her father and Hugh of Provence, the father of Lothair.

Her goal was to become the first Christian singer-songwriter who was also successful as a contemporary pop singer.

Her father's grandfather had fled France during the Revolution, going first to Saint-Domingue, then New Orleans, and finally to Cuba where he helped build that country's first railway.

Her first published work was a critical evaluation of D. H. Lawrence called D. H. Lawrence: An Unprofessional Study, which she wrote in sixteen days.

Her work was selected for exhibition in six subsequent Salons until, in 1874, she joined the " rejected " Impressionists in the first of their own exhibitions, which included Paul Cézanne, Edgar Degas, Claude Monet, Camille Pissarro, Pierre-Auguste Renoir, and Alfred Sisley.

Her first school was located in a 17th-century house.

Her first act surprises Odrade greatly.

Her mother, Kay Calista, reversed her own first and middle names in naming her Calista Kay.

Her report, Work Accidents and the Law ( 1910 ), became a classic and resulted in the first workers ' compensation law, which she drafted while serving on a New York state commission.

Her first stories appeared in pulp magazines in the 1930s, including two significant series in Weird Tales.

Her first name, Drew, was the maiden name of her paternal great-grandmother, Georgie Drew Barrymore ; her middle name, Blyth, was the original surname of the dynasty founded by her great-grandfather, Maurice Barrymore.

Her recording of " Sentimental Journey " was the first song placed in the Grammy Hall of Fame.

Her first country single, " Dumb Blonde " ( one of the few songs during this era, that she recorded but did not write ), reached number twenty-four on the country music charts in 1967, followed the same year with Something Fishy, which went to number seventeen.

Her first entirely self-produced effort, 1977's New Harvest ... First Gathering, highlighted Parton's pop sensibilities, both in terms of choice of songs-the album contained covers of the pop and R & B classics " My Girl " and " Higher and Higher " – and the album's production.

: Her symphony and song,

Her first performance-art piece — a symphony played on automobile horns — was performed in 1969.

Her concert career included soloing with many major symphony orchestras and took her to venues around the globe.

* Willard, Charity C., Christine de Pizan: Her Life and Works.

Her work is known to have been canonized during the 3rd century B. C., at which time papyrus copies were held in the House of the Muses, the library in Alexandria.

* Samuel C. Chu, ed., Madame Chiang Kai-Shek and Her China ( Norwalk, CT: EastBridge, 2004 ).

Her father, Joseph Smith, worked for United Press International in Paris and moved to Washington, D. C., United States in 1966, where he became The Washington Post < nowiki >'</ nowiki > s first official obituary editor.

Her parents were Frederick C. Peters ( 1875 – 1935 ) and Elizabeth Knight ( 1877 – 1942 ).

Her homemade mayonnaise became so popular that her company began to focus exclusively on producing and selling the mayonnaise, eventually selling out to the C. F.

Her nickname was " la tragédienne de la chanson ", and amongst her big hits were " Les goélands ", " Johnny Palmer ", " C ' est mon gigolo " and " Tu ne sais pas aimer "-- the latter song became a theme for French sufferers of AIDS.

Her most notable work was at the Dumbarton Oaks estate in the Georgetown district of Washington, D. C. for Mildred and Robert Woods Bliss ( 1922 – 1940 ).

Her numerous private estate projects include the landmark Dumbarton Oaks in the Georgetown neighborhood of Washington, D. C.

Her temple which can be dated to 254 B. C. E was near Jupiter's temple in the Capitol.

Her first solo exhibition, " What a Farm Wife Painted ", opened October 1940 at Otto Kallir's New York City gallery Galerie St. Etienne, followed by a meet-and-greet with the artist and an exhibition of 50 paintings at Gimbel's Department Store November 15, followed by a third solo show in as many months, at the Whyte Gallery, Washington, D. C. " Gimbels had supplemented Moses ' art display with a table beneath the paintings spread samples of Grandma's culinary talents — homebaked bread, rolls and cake, plus some of the preserves which won her prizes at the county fair.

Her new husband, Calvin C. Chaffee, was an abolitionist, who shortly after was elected to the US Congress.

Her second album, newly released at the start of the series, is called " Venus " and her most popular song is " C ' est La Vie ", which is a Japanese pun: in Japanese, the French phrase and the name of her alter-ego, Sailor V, are pronounced almost identically ( as sērāvī ).

Modern swing dance bands active in the U. S. during the 1990s and 2000s include many contemporary jazz big bands, swing revival bands with a national presence such as Lavay Smith and Her Red Hot Skillet Lickers ( based in San Francisco ), and local / regional jazz bands that specialize in 1930s-1940s swing / Lindy dance music, such as The Swingout Big Band, White Heat Swing Orchestra, and Beantown Swing Orchestra ( Boston ), The Boilermaker Jazz Band ( Pittsburgh ), the Southside Aces ( Minneapolis ), Gordon Webster Septet ( New York ), Jonathan Stout and His Campus Five ( Los Angeles ) and The Jonathan Stout Orchestra featuring Hilary Alexander ( Los Angeles ), The Flat Cats ( Chicago ), The Gina Knight Orchestra ( Chicago and Joliet, IL ), the Solomon Douglas Swingtet and the Tom Cunningham Orchestra ( Washington, D. C .), Sonoran Swing ( Arizona ), and The Bill Elliott Swing Orchestra ( Los Angeles ).

Her sharp criticism of the BIA resulted in the dismissal of her husband from it in 1916, following which the couple relocated with their son to Washington D. C.

Ellen Terry and Her Sisters, London: C. A.

Her arrest came about after the U. S. attorney general specially dispatched prosecutor Victor C. Woerheide to Berlin to find and arrest Gillars.

Her family moved to Washington, D. C. in 1939 when Edwin was appointed to a position in the United States Department of Agriculture ; moved to Milwaukee, Wisconsin in 1942 when he was appointed as branch manager of the Office of Price Administration ; and later moved to Minneapolis, Minnesota.

* Carol Channing and Her Country Friends ( guest appearances by Jimmy C. Newman, Hank Locklin, and others ), Plantation Records, 1977

Her mother, Winifred Kimball, was nicknamed " Muzzie " and was a granddaughter of Mormon Patriarch Heber C. Kimball.

Her vocal emission was of perfect equality and her vocal range was wide, from low C to high F ( C < sub > 4 </ sub >-F < sub > 6 </ sub >).

Her students include C. P. First.

Her training with J. C. Williamson led to a succession of theatre roles with the company.

Her many biographies are in Anhang C, pp. 210 – 223.