Her father, a pioneering interpreter who worked in the League of Nations, was a French-born Jewish army officer of Polish descent, who brought the family to Neuilly-sur-Seine on the outskirts of Paris.

Her parents are Lily and Joseph Cates, who was a major Broadway producer and a pioneering figure in television, who helped create The $ 64, 000 Question.

Her pioneering activities were crucial to the growth of professional nursing in the U. S.

Her popular radio shows spanned more than 40 years ; she is also remembered for her few months of pioneering television, as an early sign of radio success not guaranteeing a transition to the new medium.

Her parents are Pastor Elbert Clark and Dr. Mattie Moss Clark, a pioneering Detroit-based gospel choral director.

Her first day at work she was puzzled by an entry in the doctor's notes on an emergency case.

Her conclusion has been borne out in the experience of many practitioners: `` short-contact interviewing is neither a truncated nor a telescoped experience but is of the same essential quality as the so-called intensive case work ''.

Her husband, who is the son of Alton John Mason of Shreveport, La., and the late Mrs. Henry Cater Parmer, was president of Alpha Tau Omega and a member of Delta Sigma Pi at Lamar Tech, and did graduate work at Rhodes University in Grahamstown, South Africa, on a Rotary Fellowship.

Her first published work was a critical evaluation of D. H. Lawrence called D. H. Lawrence: An Unprofessional Study, which she wrote in sixteen days.

Her husband left her no money, so she has tried different kinds of work, and now hopes to find some work that is not too strenuous.

Her work was selected for exhibition in six subsequent Salons until, in 1874, she joined the " rejected " Impressionists in the first of their own exhibitions, which included Paul Cézanne, Edgar Degas, Claude Monet, Camille Pissarro, Pierre-Auguste Renoir, and Alfred Sisley.

Her work is only now being properly evaluated.

Her work in choreographing the landmark 1986 production of Lully's 1676 tragedie-lyrique Atys was part of the national celebration of the 300th anniversary of Lully's death.

Her later work was more introspective in its lyrics as opposed to aggressive ; Hole's Celebrity Skin and Love's solo album, America's Sweetheart, focused more on celebrity life, Hollywood, and drug addiction, while also carrying on past themes of vanity and body image, and Nobody's Daughter was lyrically reflective of Love's past relationships and her struggle to sobriety, with the majority of its lyrics having been written while Love was in rehab in 2006.

Her other major work is The Dialogue of Divine Providence, a dialogue between a soul who " rises up " to God and God himself, and recorded between 1377 and 1378 by members of her circle.

Her final work was a poem eulogizing Joan of Arc, the peasant girl who took a very public role in organizing French military resistance to English domination in the early 15th century.

In 1975, Day released her autobiography, Doris Day: Her Own Story, an " as-told-to " work with A. E. Hotchner.

Her work has earned her four Grammy Awards and an Academy Award nomination.

Her health broke under the stress of the 17-hour work day and she returned home in April 1839.

Her work involves children's adventure stories, and fantasy, sometimes involving magic.

Her work has been translated into nearly 90 languages.

Her work focuses on beauty and design aspects of graffiti as opposed to Banksy's anti-government shock value.

Her 1872 work, Middlemarch, has been described as the greatest novel in the English language by Martin Amis and by Julian Barnes.

" Her fiction has been nominated for nine Nebula and three Hugo Awards, and her genre-related scholarly work was recognized with a Pilgrim Award in 1988.

Her work is widely taught in courses on science fiction and feminism throughout the English speaking world.

Some of her best-regarded work can be found in the collection Her Smoke Rose Up Forever, available in paperback as of 2004.

* " Her stories and novels are humanistic, while her deep concern for male-female ( even human-alien ) harmony ran counter to the developing segregate-the-sexes drive amongst feminist writers ; What her work brought to the genre was a blend of lyricism and inventiveness, as if some lyric poet had rewritten a number of clever SF standards and then passed them on to a psychoanalyst for final polish.

Her work at Jericho, from 1952 until 1958, made her world famous and established a lasting legacy in the archaeological methodology of the Levant.

Her father eventually allowed her to work in the temple, but asked the monks to give her the toughest chores in order to discourage her.

Her characters have included the 12 year old daughter of an SS officer in 1945, a Polish seasonal worker on a German asparagus farm after the fall of the wall, and a London painter and decorator who killed a civilian as a 19-year old squaddie with the British Army in Northern Ireland.

Her works also include landscapes, portraits, garden settings and boating scenes.

Her observations about the sharing of garden plots amongst the Arapesh, the egalitarian emphasis in child rearing, and her documentation of predominantly peaceful relations among relatives are very different from the " big man " displays of dominance that were documented in more stratified New Guinea cultures — e. g., by Andrew Strathern.

Her body was temporarily buried at Burhanpur in a walled pleasure garden known as Zainabad, originally constructed by Shah Jahan's uncle Daniyal on the bank of the Tapti River.

Her chateau of Malmaison was noted for its magnificent rose garden, which she supervised closely, owing to her passionate interest in roses, collected from all over the world.

Her Villa ad Gallinas Albas north of Rome is currently being excavated ; its famous frescoes of imaginary garden views may be seen at National Museum of Rome.

Her style of designing garden rooms, defined outdoor spaces which transition distinctly from one to another, was inspired by studying Italian Renaissance gardens and villas in her travels.

Her style often used an impressionistic palette of plant color and texture as a counterpoint to her more formal constructed garden elements.

Her blood would drip down from the scaffolding and onto the ground which had been made to represent the Evening Star ’ s garden of all plant and animal life.

Her role in the series is often to prepare meals, tend the garden and help with light construction, while adding a voice of compassion.

Chiaroscuro modelling is now taken for granted, but had some opponents ; the English portrait miniaturist Nicholas Hilliard cautioned in his treatise on painting against all but the minimal use we see in his works, reflecting the views of his patron Queen Elizabeth I of England :" seeing that best to show oneself needeth no shadow of place but rather the open light ... Her Majesty .. chose her place to sit for that purpose in the open alley of a goodly garden, where no tree was near, nor any shadow at all ..."

Her Paris home was a luxurious ground-floor apartment at 23, avenue du Bois de Boulogne ( now 23, avenue Foch ) that opened onto a Japanese garden.

Her body was cremated and her ashes were scattered in the garden of her Connecticut home.

Her pride and joy is growing violets in her garden.

Her body was temporarily buried at Burhanpur in a walled pleasure garden known as Zainabad originally constructed by Shah Jahan's uncle Daniyal on the bank of the Tapti River.

Her body was cremated and the ashes buried under the laurels in the garden of the Ham Spray House in Wiltshire.

Her architects refaced the brownstone street-fronts with pale stucco, and rearranged the interiors so that service rooms faced the noisy street and living areas faced inwards, where the individual back yards were arranged so that each opens into to a common garden of trees and shrubs down the center.

Her family once owned the garden plains which became Yao's later.

Her family believed that there were a great treasure buried in the garden, and sent her to Yao family to work as a servant girl and to find the treasure.

Her poem There are fairies at the bottom of our garden was set to music by English composer Liza Lehmann.

Her bedroom is on the second floor, and there is no long ladder in the garden.

Her ability was first limited to animals, insects in the house and around her garden.

Her book makes reference to the forthcoming design of a garden in the Government House at New Delhi ( now known as Rashtrapati Bhavan ).

Her garden, " Cruden Farm ", at Langwarrin, is one of Australia's finest examples of landscape gardening and is regularly open to the public.

Her remains were later found wrapped in 11 plastic bags, buried above Davies remains in the garden of the house at Salisbury North.