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Her and themes
Her later work was more introspective in its lyrics as opposed to aggressive ; Hole's Celebrity Skin and Love's solo album, America's Sweetheart, focused more on celebrity life, Hollywood, and drug addiction, while also carrying on past themes of vanity and body image, and Nobody's Daughter was lyrically reflective of Love's past relationships and her struggle to sobriety, with the majority of its lyrics having been written while Love was in rehab in 2006.
Her classical education left its mark ; Christopher Stray has observed that " George Eliot's novels draw heavily on Greek literature ( only one of her books can be printed correctly without the use of a Greek typeface ), and her themes are often influenced by Greek tragedy ".
Her perennial themes include meditations on time and memory, and the difficulties of living and writing in the shadow of Stalinism.
Her reviews consistently confront theological and ethical themes in books written by the most serious and demanding theologians of her time.
Her use of foreign settings and androgynous themes made The Rose of Versailles and Orpheus no Mado " enormous successes ".
" Her columns highlighted black success stories to illustrate broader themes about entrepreneurship, freedom, and creativity.
Her voice was also heard on over 20 audio books, primarily works with socially relevant themes.
Six themes from the last were released on the CD In Her Own Write in 2007.
Her music has been influenced by numerous genres, including pop, rock, gospel, R & B and soul, and her lyrics focus on themes of poverty, world hunger, and spirituality, with an emphasis on love and romance.
Her mother, Masika Szilagyi, was a medium, a practicing witch, and a professional sculptress whose work reflected themes of Goddess and nature spirituality.
Her second volume, Cables to Rage ( 1970 ), which was mainly written during her tenure at Tougaloo College in Mississippi, addressed themes of love, betrayal, childbirth and the complexities of raising children.
Her songs deal mostly with the universal themes of love, longing and loss.
Her follow-up in 1992, Black Pearl was well received by critics, partly because of its focus on positive messages and uplifting themes that contrasted the popular gangsta rap style.
Her sketches are laid out in a fashion similar to Pre-Rapaelite compositions and tend to illustrate Arthurian legend and other idealized Medieval themes.
Her books center on themes such as racism, identity, family, and travel.
The films touched on themes which for earlier film makers in the communist countries had rarely managed to avoid the objections of the censor, such as the misguided youths of Czechoslovak society portrayed in Miloš Forman's Black Peter ( 1963 ) and Loves of a Blonde ( Lásky jedné plavovlásky 1965 ), or those caught in a surrealistic whirlwind in Věra Chytilová's Daisies ( Sedmikrásky 1966 ) and Jaromil Jireš ' Valerie and Her Week of Wonders ( Valerie a týden divů 1970 ).
Her themes include love and friendship, the power of home and family, and the effect of loss on the human spirit.
Her stories often include themes where an alien or supernatural force is either trying to break into the world of the characters, or else trying to drag them into their own unnatural realms.
Her poetry seems not to immediately possess the so-called themes of an Objectivist aesthetic as practiced in the work of a Reznikoff, a Niedecker or an Oppen.
Her later books have also become known for their religious and philosophical themes.
Her childhood spent living in West Africa with her parents and her younger sister would color her perspectives on certain political issues and eventually influence several reoccurring themes in her films, such as colonialism and post-colonialism.
Her other novels have similar themes and are all set in the South.
Her poetry surrounds the themes of Cuba, love and eroticism, poetry itself, neoclassical concepts, historical references, religion, philosophical meditations, personal and public occasions, and poetic portraits.
Her themes of child slavery, motherhood, female independence and freedom through education have won her considerable critical acclaim and honours, including an Order of the British Empire in 2005.

Her and were
Her eyes were glazed as if she didn't hear or even see him.
Her blond hair was frowzy, her dress torn in several places, and her shoes were so completely worn out that they were practically no protection.
Her legs were the full, sexy kind, full bodied like a rare wine and just as tantalizing to the appetite ; ;
Her glance swung past the trailer where the two drivers were standing.
Her long thin arms moved in a slow rhythmical gesture over the family possessions which were placed in front of her.
Her quarters were on the right as you walked into the building, and her small front room was clogged with heavy furniture -- a big, round, oak dining table and chairs, a buffet, with a row of unclaimed letters inserted between the mirror and its frame.
Her thoughts were not discrete.
Her eyebrows were definite and heavy and formed two lines moving upward toward a high forehead and a great head of brown hair that fell to her shoulders.
Her services to the School for many years were of a very high character, and I have often thought that one of the buildings should be named for her ''.
Her eyes were bright with anticipation.
Her `` Rockabye Your Baby '' was as good as it can be done, and her really personal songs, like `` The Man That Got Away '' were deeply moving.
Her hesitation was only momentary and she hoped he didn't notice it, as she settled herself, asked quickly how Miss Jenny and the babies were getting on.
Her nose was higher of bridge, her complexion so pale as to be quite susceptible to sunburn, and the fish and vegetable diet of her forebears had given her teeth that were white and regular and strong.
Her bright eyes were twinkling.
Her hair never seemed to be in place and her skirts were never quite the correct length.
Her eyes were wild.
Her dark cool caresses were sweeter than any woman's ; ;
Her eyes were smiling, too, but so sadly, and there was tiredness and infinite wisdom in them.
Her extendibles were diverted, connected or augmented and the final, delicate-beyond-description brain taps were completed while Helva remained anesthetically unaware of the proceedings.
Her book titles, changed by American publishers, for example Ten Little Niggers to Ten Little Indians, were kept the same across the Atlantic, after bushels of fan mail.
Her two children by Philip II, Philip, count of Clermont ( died 1234 ), and Mary, who married Philip I of Namur, were legitimized by the pope in 1201 at the request of the king.
Her remaining children were raised between her, Livia Drusilla and Germanicus ’ mother Antonia Minor.
Her reputed last words, uttered as the assassin was about to strike, were " Smite my womb ", the implication here being she wished to be destroyed first in that part of her body that had given birth to so " abominable a son.

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