Her work has often been referred to as " difficult ," as a result of her experimental style and abandonment of traditional literary conventions.

Her poetry was now mature and sophisticated, and a profound change from previous modern Iranian poetic conventions.

Her work combines the narrative style of the popular nineteenth-century male-centered bildungsroman with the conventions of women's romantic fiction in this revolutionary exploration of the conflict between a woman's instinct, passion, and will, and the social taboos, family allegiances, and traditional New England restraint that inhibit her.

Her approach parallels the conventions of many African American autobiographies written during the abolitionist period in the US, when truth was often censored for purposes of self-protection.

Her popularity with horror film buffs saw her in demand for guest appearances at horror conventions and film festivals.

Her early films do not follow narrative conventions, instead combining reality and fiction, sound and visuals, to address social and political issues.

Her work revealed her growing knowledge of contemporary poetic conventions, and the themes she addressed included metaphysics, the beauty of nature ( as expressed in " A Nocturnal Reverie "), and the value of friendship ( as in " The Petition for an Absolute Retreat ").

Her 1872 work, Middlemarch, has been described as the greatest novel in the English language by Martin Amis and by Julian Barnes.

Her work is considered important because her writing reflects the creation and development of Japanese writing during a period when Japanese shifted from an unwritten vernacular to a written language.

Her song titles and lyrics aroused controversy by usage of loaded language.

Her first diaries still show limited fluency in Hebrew and influence of the Russian language, but she was determined to write in Hebrew and mastered the language within a short period of time.

Her native language is English, though she also speaks French.

Her favorite class is Physical Education, while in the manga her least favorites are mathematics and the English language.

Her 2002 album, Sean-Nós Nua, marked a departure in that O ' Connor interpreted or, in her own words, " sexed up " traditional Irish folk songs, including several in the Irish language.

Her images characteristically draw from the Australian flora and fauna, yet contain a mythic substrata that probes at the poetic process, limitations of language, and the correspondence between inner existence and objective reality.

Her second UK No. 1 success, " You're My World ", was an English language rendition of the Italian popular song, " Il Mio Mondo ".

Her first movie was the Greek language film Stella ( 1955 ), directed by Zorba the Greek director Michael Cacoyannis.

Her authenticity was attested to by a Dr Wilkinson who identified her language using Edmund Fry's Pantographia and stated that marks on the back of her head were the work of oriental surgeons.

Her native languages were French, Tunisian Arabic, and the Sicilian language of her parents.

Her native language can still be heard in the Val d ' Aran region of Catalonia, Spain where it is known as Aranese.

Her works aim to illuminate parallels between language and other cognitive processes.

Her speech consists of the sounds of a tinkling bell, which is understandable only to those familiar with the language of the fairies.

Microscopic is also commonly used as a hyperbole in the English language to describe small objects of a class that would be expected to be bigger-as in " Her feet are microscopic!

Her parents, Matts Södergran and Helena ( né Holmroos ) were both born in Finland and belonged to the Finnish-Swedish minority with Swedish as their native language.

Her longing for union with Krishna is predominant in her poetry: she wants to be " coloured with the colour of dusk " ( the symbolic colour of Krishna ). Her style of literature is mainly rajasthani mixed with brij language. But one can also see a hint of Gujarati as well as Punjabi in her writings.

Her experimental research focused on memory processes and language, and the influence of drugs on cognitive processes.

Her semiotics is not just the semiotics of language but also the semiotics of visual images and non-verbal practices.

Her development of " nocturnal language " involved the lexicon of dreams and addiction, mental instability and alienation.

Her misuse of the English language was legendary in stories — she was a gifted cook and would always be on hand if a client needed food or a cup of tea.

Her blond hair was frowzy, her dress torn in several places, and her shoes were so completely worn out that they were practically no protection.

Her hat had come off and fallen behind her shoulders, held by the string, and he could see her face more clearly than he had at any time before.

Her own body protested, aching painfully where the blood in her veins had congealed, where cold demon wisps still clung and caressed.

Her impact in the zing commercials had led to her being considered for an excellent part in an upcoming TV series, Underwater Western Eye, a documentary-type show to be sponsored by Oatnut Grits.

Her form was silhouetted and with the strong light I could see the outlines of her body, a body that an artist or anyone else would have admired.

Her heart, her maternal feeling, in fact her being was too busy expressing itself, as quietly thrilled by this sight of her Nicolas curled asleep under a blanket, in a park like a scene from Poussin.

Her white blond hair was clean and brushed long straight down to her shoulders.

Her face was pale but set and her dark eyes smoldered with blame for Ben.

Her long thin arms moved in a slow rhythmical gesture over the family possessions which were placed in front of her.

Her clothes, her hair, everything about her is both graceful and simple.

Her mother called her Paus'l, a Luxemburg endearment meaning `` pussycat ''.

Her parents, pious Roman Catholics, christened her Mary Anne Elizabeth Magdalene Steichen.

Her brother Karl was a very gentle soul, her mother was a quiet woman who said little but who had hard, probing eyes.

Her mother, now dead, was my good friend and when she came to tell us about her plans and to show off her ring I had a sobering wish to say something meaningful to her, something her mother would wish said.

Her quarters were on the right as you walked into the building, and her small front room was clogged with heavy furniture -- a big, round, oak dining table and chairs, a buffet, with a row of unclaimed letters inserted between the mirror and its frame.

Her mother wrote Kate of her grief at the death of Kate's baby and at Jonathan's decision to go with the South `` And, dear Kate '', she wrote, `` poor Dr. Breckenridge's son Robert is now organizing a militia company to go South, to his good father's sorrow.

Her house stood on a rise of ground, and before she got into her car she looked at the houses below.