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Holinshed and Banquo
Shakespeare borrowed the character of Banquo from Holinshed's Chronicles, a history of Britain published by Raphael Holinshed in 1587.
Why Shakespeare's Banquo is so different from the character described by Holinshed and Boece is not known, though critics have proposed several possible explanations.

Holinshed and historical
Another historical parallel found in Holinshed is that Henry is presented as unstable, constantly on the brink of madness, something which is not in Hall, who presents a gentle but ineffective King ( again, Shakespeare follows Hall here ).

Holinshed and figure
One such figure is Margaret of Anjou, and Roger Warren argues that Shakespeare may have taken the inspiration for Margaret's sorrowful departure from Suffolk ( which is found nowhere in Hall, Holinshed or Grafton ) from this poem.

Holinshed and is
Two professors of linguistics have claimed that de Vere wrote not only the works of Shakespeare, but most of what is memorable in English literature during his lifetime, with such names as Edmund Spenser, Christopher Marlowe, Philip Sidney, John Lyly, George Peele, George Gascoigne, Raphael Holinshed, Robert Greene, Thomas Phaer, and Arthur Golding being among dozens of further pseudonyms of de Vere.
The plot of Cymbeline is based on a tale in the chronicles of Raphael Holinshed and is ultimately derived from part of the Historia Regum Britanniae of Geoffrey of Monmouth about the real-life British monarch Cunobelinus.
Shakespeare's most important source is probably the second edition of The Chronicles of England, Scotlande, and Irelande by Raphael Holinshed, published in 1587.
It is logical to infer that Shakespeare had special intentions with Cordelia ’ s death, as he was the only writer to have Cordelia killed ( in the version by the anonymous author, she continues to live happily, and in Holinshed ’ s, she restores her father and succeeds him ).
The manor is said to have been given to Bishop Erkenwald about the year 691 for himself and his successors in the see of London, and Holinshed relates that the Bishop of London was lodging in his manor place in 1141 when Geoffrey de Mandeville, riding out from the Tower of London, took him prisoner.
Nothing is known about Holinshed ’ s civil duties, other scholarly achievements or work for the Church.
Although Holinshed's treatment of the Wars of the Roses is derived in large part from Hall's work, even to the point of reproducing large portions of it verbatim, there are enough differences between Hall and Holinshed to establish that Shakespeare must have consulted both of them.
However, the meeting between Buckingham and York before the Battle of St Albans ( dramatised in 5. 1 ) is found only in Holinshed.
Shakespeare's largest departure from Hall and Holinshed is in his conflation of the Cade rebellion, York's return from Ireland and the Battle of St Albans into one continuous sequence.
The false miracle for example ( dramatised in 2. 1 ) is found only in Grafton, not in Hall or Holinshed ( although a similar scene is also outlined in John Foxe's Acts and Monuments, Book of Martyrs ( 1563 ), with which Shakespeare may have been familiar ).
This is fitting for a writer like Chaucer who wrote a book ( for his son Lewis ) on the use of the astrolabe, was reported by Holinshed to be " a man so exquisitely learned in al sciences, that hys matche was not lightly founde anye where in those dayes " and was even considered one of the " secret masters " of alchemy.

Holinshed and murder
Raphael Holinshed, in his Chronicles of England, Scotland and Ireland ( 1577 ) reports that Richard, " what with purging and declaring his innocence concerning the murder of his nephews towards the world, and what with cost to obtain the love and favour of the communaltie ( which outwardlie glosed, and openly dissembled with him ) ... gave prodigally so many and so great rewards, that now both he lacked, and scarce with honesty how to borrow.
Besides, Holinshed states quite unequivocally that Richard commented on the " murder of his nephews " during his ( Richard's ) reign ( see above ).
Holinshed ’ s Chronicles was Shakespeare ’ s main source for Macbeth, though he diverged from the Chronicles significantly by delaying Macduff ’ s knowledge of his wife ’ s murder until his arrival in England.

Holinshed and King
The most important English chronicles are the Anglo-Saxon Chronicle, started under the patronage of King Alfred in the 9th century and continued until the 12th century, and the Chronicles of England, Scotland and Ireland ( 1577 – 87 ) by Raphael Holinshed and other writers ; the latter documents were important sources of materials for Elizabethan drama.
Frederick Boas believes that " out of all the rich material provided by Holinshed " Marlowe was drawn to " the comparatively unattractive reign of Edward II " due to the relationship between the King and Gaveston.
In Holinshed, Fleance escapes Macbeth and flees to Wales, where he fathers a son who later becomes Steward to the King of Scotland.

Holinshed and plays
* Raphael Holinshed and his collaborators who wrote the Chronicles of England, Scotland and Wales ( 2nd edition, 1587 ), which was Shakespeare's primary source for his history plays.

Holinshed and ),
Raphael Holinshed also included her story in his Chronicles ( 1577 ), based on Tacitus and Dio, and inspired Shakespeare's younger contemporaries Francis Beaumont and John Fletcher to write a play, Bonduca, in 1610.
Shakespeare must have used Hall to establish York's claim to the throne ( outlined in 2. 2 ), as the corresponding section in Holinshed adds an extra generation to York's lineage.
Both Hall and Holinshed present these events as covering a four year period ( as they did in reality ), but in the play they are presented as one leading directly, and immediately, to the other.

Holinshed and .
Raphael Holinshed calls her Voadicia, while Edmund Spenser calls her " Bunduca ", a version of the name that was used in the popular Jacobean play Bonduca, in 1612.
Holinshed in turn used an earlier work, the Scotorum Historiae ( 1526 – 7 ) by Hector Boece, as his source.
At the coroner's inquest the next day, the jury, which included Oxford's servant and Cecil's protégé, the future historian Raphael Holinshed, found that Brincknell was drunk when he ran onto Oxford's blade.
According to Holinshed, it was predicted that Henry would die in Jerusalem, and Shakespeare's play repeats this prophecy.
Holinshed himself found the story in the earlier Historia Regum Britanniae by Geoffrey of Monmouth, that was written in the 12th century.
Finally freed in 1440 by the efforts of his former enemies, Philip the Good and Isabella of Portugal, the Duke and Duchess of Burgundy, he set foot on French soil again after 25 years, " speaking better English than French ", according to the English chronicler Raphael Holinshed.
Holinshed was only one contributor to this work ; others involved in its production included William Harrison, Richard Stanyhurst, and John Hooker.
Although Vernon Snow remarks that Holinshed was an experienced Cambridge-educated translator, no other works by Holinshed are available.
A few months after the Chronicle had been licensed, Holinshed retired to the countryside near Warwick.
When Wolfe realised he could not complete this project on his own, he hired Raphael Holinshed and William Harrison to assist him.
They kept Raphael Holinshed who employed William Harrison, Richard Stanyhurst, Edmund Campion and John Hooker.
* Holinshed, Raphael.
* The Holinshed Project at Oxford University, with parallel texts of the 1577 and 1587 editions.

portrays and historical
The historical novel Mayling ( 2012 ) by Dutch author Lucas Zandberg portrays the life of Madame Chiang from a first-person perspective.
Henty, a producer of the Boy's Own Paper fiction who wrote for that magazine, portrays the life of William Wallace, Robert the Bruce, The Black Douglas, and others, while dovetailing the events of his novel with historical fiction.
The most significant difference between the plot and the historical events is the scene that replaces an incident where the captain threw almost all the submarine's small arms overboard out of concern about the possibility of a mutiny ; the film instead portrays an actual attempt at mutiny.
It portrays a Cyrano very close to the historical personage without diminishing his love for freedom and individuality.
Grimassi claims that there was a historical figure called " Aradia di Toscano ", whom he portrays as the founder of a revivalist religion of Italian witchcraft in the 14th century.
This historical concept portrays the Third Republic as a decadent state, forever on the verge of collapse.
Strabo also portrays the peoples of the region as being nomadic, or Hamaksoikoi, " wagon-dwellers " and Galaktophagoi, " milk-eaters " referring, no doubt, to the universal koumiss eaten in historical times.
The seminar's reconstruction of the historical Jesus portrays him as an itinerant Hellenistic Jewish sage and faith healer who preached a gospel of liberation from injustice in startling parables and aphorisms.
In 1868, following the Battle of Ueno, Yoshitoshi made the series Kaidai hyaku sensō in which he portrays contemporary soldiers as historical figures in a semi-western style, using close-up and unusual angles, often shown in the heat of battle with desperate expressions.
Through this the coat of arms portrays the Bosnian and Herzegovinian historical continuity and its historical statehood.
*-German historical mini-series that portrays the events of the Münster Rebellion.
' He portrays historical and mythological characters the best in Hindi movies ', states contemporary actor-producer Chandrashekar.
* Gate to the Sea, a historical novel by Bryher published in 1958, portrays the flight of Harmonia, a Greek high priestess, from Poseidonia ( Paestum ), where the Greek inhabitants have been enslaved and culturally dominated by the Lucani since the death of Alexander the Great in 323 BC
It portrays some understanding of both traditional Khmer culture and contemporary American society, but it is not a historical study of Khmer Americans.
Her historical work portrays the origins of Hinduism as an evolving interplay between social forces.
The series portrays historical events from 1848 to 1918, dealing with the ruling dynasties of Europe in Austria-Hungary, Germany and Russia ; the Habsburgs, the Hohenzollerns and the Romanovs respectively.

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