Help


[permalink] [id link]
+
Page "Rhetoric" ¶ 5
from Wikipedia
Edit
Promote Demote Fragment Fix

Some Related Sentences

Gorgias and ,"
The Torah, and the study of ethics which forms a part of practical philosophy and is designated, by an expression borrowed from Plato (" Gorgias ," 464 ), as the " doctrine of the healing of souls ," are the guiding stars to this exalted plane ; but no scientific presentation of practical philosophy approaches in this regard the lofty heights of the Scriptures, wherein are clearly expressed the most sublime moral principles known to philosophers ( ib.
* Andrew Gillett, " Love and Grief in Post-Imperial Diplomacy: The Letters of Brunhild ," in Barbara Sidwell and Danijel Dzino ( eds ), Studies in Emotions and Power in the Late Roman World: papers in honour of Ron Newbold ( Piscataway ( NJ ), 2010 ), 141-180 ( Gorgias Précis Portfolios, 8 ).
* Harold Tarrant, " The Gorgias and the Demiurge ," in Idem, From the Old Academy to Later Neo-Platonism: Studies in the History of Platonic Thought ( Aldershot, Ashgate, 2010 ), ( Variorum Collected Studies Series: CS964 ).

Gorgias and one
Gorgias remarks that no one has asked him a new question in a long time, and when Socrates asks, assures him that he is just as capable of brevity as of long-windedness ( 449c ).
Gorgias has only one misgiving: he fears that the present company may have something better to do than listen to two men try to outdo each other in being wrong ( 458b-c ).
This aspect of rhetoric is one reason why Plato attacked what he saw as empty rhetoric on the part of sophist philosophers, such as Gorgias.
Pease surveys this field from its origins with the defence of Helen ascribed to Gorgias, and cites De Quincey ’ s On Murder Considered as one of the Fine Arts and Lewis Carroll ’ s Through the Looking-Glass as modern examples.

Gorgias and Socratic
Gorgias is a Socratic dialogue written by Plato around 380 BC.

Gorgias and Dialogues
* Michael Vickers, " Alcibiades and Critias in the Gorgias: Plato's ' fine satire '," Dialogues d ' Histoire Ancienne, 20, 2 ( 1994 ), 85 – 112.

Gorgias and Plato
In the Gorgias written years later Plato has Socrates contemplating the possibility of himself on trial before the Athenians: he says he would be like a doctor prosecuted by a pastry chef before a jury of children.
In his dialogues ( e. g. Republic 399e, 592a ), Plato has Socrates utter, " by the dog " ( kai me ton kuna ), " by the dog of Egypt ", " by the dog, the god of the Egyptians " ( Gorgias, 482b ), for emphasis.
Although Plato does not have an explicit theory of natural law ( he almost never uses the phrase natural law except in Gorgias 484 and Timaeus 83e ), his concept of nature, according to John Wild, contains some of the elements found in many natural law theories.
Plato ( 427-347 BC ) famously outlined the differences between true and false rhetoric in a number of dialogues ; particularly the Gorgias and Phaedrus wherein Plato disputes the sophistic notion that the art of persuasion ( the sophists ' art which he calls " rhetoric "), can exist independent of the art of dialectic.
Famously Plato argued against sophist thinkers such as Gorgias of Leontini, who held the physical world cannot be experienced except through language, this meant that for Gorgias the question of truth was dependent on aesthetic preferences or functional consequences.
In the Gorgias, Plato ( c. 400 BC ) wrote that souls were judged after death and those who received punishment were sent to Tartarus.
He was supposed to judge the souls of easterners, Aeacus those of westerners, while Minos had the casting vote ( Plato, Gorgias 524A ).
His favourite style seems to have been dialogues, some of them being vehement attacks on his contemporaries, as on Alcibiades in the second of his two works entitled Cyrus, on Gorgias in his Archelaus and on Plato in his Satho.
The Apology of Plato unites him with Gorgias and Hippias as among those who were considered competent to instruct the youth in any city.
Thrasymachus ’ s views are restatements of a position which Plato discusses earlier on in his writings, in the Gorgias, through the mouthpiece of Callicles.
As a scholar Thompson devoted his attention almost entirely to Plato ; and his Phaedrus ( 1868 ) and Gorgias ( 1871 ), with especially valuable introductions, remained as the standard English editions of these two dialogues for over forty years.
* Plato: Meno, Gorgias, Republic, Apology, Crito, Phaedo, Symposium, Parmenides, Theaetetus, Sophist, Timaeus, Phaedrus
Their influence was likewise longlasting ; Gorgias, a Sophist, argued in the style of the Eleatics in On Nature or What Is Not, and Plato acknowledged them in the Parmenides, the Sophist and the Statesman.
( As Sachs points out, this is indeed what Plato depicts Socrates doing in his Gorgias.
Among his writings and publications are these: Editions of the Alcestis of Euripides ( 1834 ), of the Antigone of Sophocles ( 1835 ), of the Prometheus of &# 198 ; schylus ( 1837 ), of the Electra of Sophocles ( 1837 ), and of the Gorgias of Plato ( 1843 ); an edition of Lieber's Civil liberty and Self Government, and:
Plato mentions Epicharmus in his dialogue Gorgias and in Theaetetus.
Plato made extensive use of this tone in his Gorgias, Euthydemus, Republic, and Laws, and it is thematic in Xenophon's Symposium and the fourth book of his Memorabilia.
Metrodorus also wrote Against the Euthyphro, and Against the Gorgias of Plato.
Some have argued that Gorgias may have been uncharacteristically portrayed by Plato, because "… Plato's Gorgias agrees to the binary opposition knowledge vs. opinion " ( 82 ).

Gorgias and rhetoric
In his Encomium to Helen, Gorgias even applied rhetoric to fiction by seeking for his own pleasure to prove the blamelessness of the mythical Helen of Troy in starting the Trojan War.
Plato's explores the problematic moral status of rhetoric twice: in Gorgias, a dialogue named for the famed Sophist, and in The Phaedrus, a dialogue best known for its commentary on love.
While Plato's condemnation of rhetoric is clear in the Gorgias, in the Phaedrus he suggests the possibility of a true art wherein rhetoric is based upon the knowledge produced by dialectic, and relies on a dialectically informed rhetoric to appeal to the main character: Phaedrus, to take up philosophy.
Equally important to later developments are texts on poetry, rhetoric, and sophistry, including many of Plato's dialogues, such as Cratylus, Ion, Gorgias, Lesser Hippias, and Republic, along with Aristotle's Poetics, Rhetoric, and On Sophistical Refutations.
Antisthenes first learned rhetoric under Gorgias before becoming an ardent disciple of Socrates.
In contrast with Gorgias and others, who boasted of possessing the art of making the small appear great, the great small, and of expatiating in long or short speeches, Prodicus required that the speech should be neither long nor short, but of the proper measure, and it is only as associated with other sophists that he is charged with endeavouring to make the weaker cause appear strong by means of his rhetoric.
* Gorgias: The famous teacher of rhetoric, he is named in line 421 as the father or teacher of Phillipus, a recent victim of irate jurors.
He was a pupil of the famous orator Gorgias, and teacher of rhetoric from the city of Acragas, Sicily.
In the Gorgias, Socrates argues that philosophy is an art, whereas rhetoric is merely a knack.
Socrates interrogates Gorgias in order to determine the true definition of rhetoric, framing his argument around the question format, " What is X?
Socrates discusses the morality of rhetoric with Gorgias, asking him if rhetoric was just.
The treatise shows the development of Aristotle's thought through two different periods while he was in Athens, and illustrates Aristotle's expansion of the study of rhetoric beyond Plato's early criticism of it in the Gorgias ( ca.

Gorgias and persuasion
Gorgias, whose profession is persuasion, readily agrees that he is also this sort of man, who would rather be refuted than refute another.
Socrates gets Gorgias to agree that the rhetorician is actually more convincing in front of an ignorant audience than an expert, because mastery of the tools of persuasion gives a man more conviction than mere facts.

0.245 seconds.