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both and Poetic
The pair are attested in both the Poetic Edda, compiled in the 13th century from earlier traditional sources, and the Prose Edda, written in the 13th century by Snorri Sturluson.
Compiled in Iceland in the 13th century, but based on much older Old Norse poetry, the Poetic Edda and the Prose Edda contain numerous references to the death of Baldr as both a great tragedy to the Æsir and a harbinger of Ragnarök.
The term Edda ( Old Norse Edda, plural Eddur ) applies to the Old Norse Poetic Edda and Prose Edda, both of which were written down in Iceland during the 13th century in Icelandic, although they contain material from earlier traditional sources, reaching into the Viking Age.
In both the Poetic Edda and Prose Edda, Fenrir is the father of the wolves Sköll and Hati Hróðvitnisson, is a son of Loki, and is foretold to kill the god Odin during the events of Ragnarök, but will in turn be killed by Odin's son Víðarr.
Freyja is attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources ; in the Prose Edda and Heimskringla, both written by Snorri Sturluson in the 13th century ; in several Sagas of Icelanders ; in the short story Sörla þáttr ; in the poetry of skalds ; and into the modern age in Scandinavian folklore, as well as the name for Friday in many Germanic languages.
The problem is that in Old Norse mær means both " daughter " and " wife ," so it is not fully clear if Fjörgynn is Frigg's father or another name for her husband Odin, but Snorri Sturluson interprets the line as meaning Frigg is Fjörgynn's daughter ( Skáldskaparmál 27 ), and most modern translators of the Poetic Edda follow Snorri.
Heimdallr is attested in the Poetic Edda, compiled in the 13th century from earlier traditional material ; in the Prose Edda and Heimskringla, both written in the 13th century by Snorri Sturluson ; in the poetry of skalds ; and on an Old Norse runic inscription found in England.
It is attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources, and in the Prose Edda and Heimskringla, both written in the 13th century by Snorri Sturluson.
The ship is mentioned twice in the Poetic Edda and both incidents therein occur in the poem Grímnismál.
The generally accepted meaning of Old Norse Yggdrasill is " Odin's horse ", even with both the Poetic Edda and Prose Edda defining " Odin's Horse " to actually be Sleipnir instead.
The Vanir are attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources ; the Prose Edda and Heimskringla, both written in the 13th century by Snorri Sturluson ; and in the poetry of skalds.
In both the Poetic Edda and the Prose Edda, Sif is the wife of the god Thor and is known for her golden hair.
In both the Poetic Edda and the Prose Edda, Skaði is responsible for placing the serpent that drips venom onto the bound Loki.
In the Poetic Edda poem Vafþrúðnismál, Vafþrúðnir acts as both ( the disguised ) Odin's host and opponent in a deadly battle of wits, resulting in Vafþrúðnir's defeat.
Vanaheimr is attested in the Poetic Edda ; compiled in the 13th century from earlier traditional sources, and the Prose Edda and ( in euhemerized form ) Heimskringla ; both written in the 13th century by Snorri Sturluson.
In addition, Göndul appears within the valkyrie list in the Poetic Edda poem Völuspá, in both of the two Nafnaþulur lists found in the Prose Edda, and among the valkyries listed in Darraðarljóð.
In both the Poetic Edda, compiled in the 13th century from earlier traditional sources, and the Prose Edda, written in the 13th century by Snorri Sturluson, Nótt is listed as the daughter of a figure by the name of Nörvi ( with variant spellings ) and is associated with the horse Hrímfaxi, while the Prose Edda features information about Nótt's ancestry, including her three marriages.
Dvalin is listed as one of the four stags of Yggdrasill in both Grímnismál from the Poetic Edda and Gylfaginning from the Prose Edda.
In both the Poetic Edda and the Prose Edda, Freyr sees Gerðr from a distance, becomes deeply lovesick at the sight of her shimmering beauty, and has his servant Skírnir go to Jötunheimr ( where Gerðr and her father Gymir reside ) to gain her love.
In both the Poetic Edda and the Prose Edda, Gerðr is described as the daughter of Gymir and the mountain jötunn Aurboða.
Naglfar is attested in both the Poetic Edda and the Prose Edda.
The six tracks were: " Chaos ", " Poetic Terrorism ", and " Amour Fou " ( all from " Chaos: The Broadsheets of Ontological Anarchism "), " Immediatism ", and " The Tong " ( both from the book Immediatism ), and " Boycott Cop Culture " ( from " Communiques of the Association for Ontological Anarchy ").
Poetic references from works like Silappadikaram indicate that during the Sangam period in ancient Tamil Nadu, a single piece of clothing served as both lower garment and head covering, leaving the breasts and midriff completely uncovered.
Poetic passages in both the Old and New Testaments are printed in poetic form.

both and Prose
His publication of Psalms, The Book of Psalmes: Englished both in Prose and Metre with Annotations ( Amsterdam, 1612 ), which includes thirty-nine separate monophonic psalm tunes, constituted the Ainsworth Psalter, the only book of music brought to New England in 1620 by the Pilgrim settlers.
Prose poetry is a hybrid genre that shows attributes of both prose and poetry.
Skáldskaparmál ( Old Icelandic " the language of poetry ") is the third section of the Prose Edda, and consists of a dialogue between Ægir, a god associated with the sea, and Bragi, a skaldic god, in which both Nordic mythology and discourse on the nature of poetry are intertwined.
In both sources, she is described as the wife of the skaldic god Bragi, and in the Prose Edda, also as a keeper of apples and granter of eternal youthfulness.
His most notable misdeed was the kidnapping of the goddess Iðunn, which is related in both the Prose Edda and the skaldic poem Haustlöng.

both and goddess
Alcaeus himself seems to underscore the difference between his own ' down-to-earth ' style and Sappho's more ' celestial ' qualities when he describes her almost as a goddess ( as cited above ), and yet it has been argued that both poets were concerned with a balance between the divine and the profane, each emphasising different elements in that balance.
The archaic xoanon of the goddess and a statue made by Praxiteles in the 4th century BC were both in the sanctuary.
A more recent etymology by Xavier Delamarre would derive it from a Common Celtic * Beltinijā, cognate with the name of the Lithuanian goddess of death Giltinė, the root of both being Proto-Indo-European * gʷelH-" suffering, death ".
In poetry and portraiture, she was depicted as a virgin or a goddess or both, not as a normal woman.
Up to this time, both the sun goddess Amaterasu and the god were enshrined in imperial residence.
Many arguments have been made both for and against the idea that Frigg and Freyja are really the same goddess, avatars of one another.
Here he grew particularly interested in a temple containing statues to both the male deity of Judeo-Christian theology and the pagan goddess Ashtoreth.
With specific reference to Avalokitesvara, he is stated both in the Lotus Sutra ( Chapter 25 " Perceiver of the World's Sounds " or " Universal Gateway "), and the Surangama Sutra to have appeared before as a woman or a goddess to save beings from suffering and ignorance.
It is possible that such a goddess was " imported " to both Greece and Italy from beliefs originating in the Near East during the extreme antiquity.
The name Njörðr corresponds to that of the older Germanic fertility goddess Nerthus, and both derive from the Proto-Germanic * Nerþuz.
These masculist circles worship both the god and the goddess, but tend to emphasise the role of the god in their lives.
The goddess Athena intervenes and persuades both sides to give up the vendetta, a deus ex machina.
In the mystical theories of the Orphics and the Platonists, Kore is described as the all-pervading goddess of nature who both produces and destroys everything and she is therefore mentioned along or identified with other mystic divinities such as Isis, Rhea, Ge, Hestia, Pandora, Artemis, and Hecate.
In 10. 65, she is invoked together with " holy thoughts " () and " munificence " (), consistent with her role as a goddess of both knowledge and fertility.
In poetry and portraiture, she was depicted as a virgin or a goddess or both, not as a normal woman.
Ēostre, a Germanic goddess of dawn, might have been a personification of both dawn and the cardinal points.
The name comes from Aphrodite, the Greek goddess of sexuality and love ; the subset of aphrodisiacs effective on both men and women are known as hermaphrodisiacs.
In the Epic of Creation, dated to 1200 BCE, it explains that the god Marduk killed the mother goddess Tiamat and used half her body to create the earth, and the other half to create both the paradise of šamû and the netherworld of irṣitu.
The outraged goddess sent famine and plague upon the city ; to propitiate her, the inhabitants had to sacrifice both Comaetho and Melanippus to her.
Since then, a young man and a young girl were sacrificed to the goddess each year until, in accordance with the instructions of the Delphian oracle, a strange king ( Eurypylus, son of Euaemon ) introduced the worship of a new deity ( Dionysus, whose image he brought from Troy ) in Patrae, thus both putting an end to the sacrifices and curing himself of madness which had been sent upon him when he had first looked at the god's image.
The Hydra was the offspring of Typhon and Echidna ( Theogony, 313 ), both of whom were noisome offspring of the earth goddess Gaia.
The outraged goddess cursed the country with plague and famine ; in order to put an end to the calamity, the inhabitants of Patrae were instructed by the oracle of Delphi to sacrifice both lovers to the goddess and, from then on, to sacrifice the handsomest young man and the most beautiful girl of the city each year, until a new strange deity is introduced in Patrae.
Luna is not always a distinct goddess, but sometimes rather an epithet that specializes a goddess, since both Diana and Juno are identified as moon goddesses.

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