* Ani DiFranco at Rolling Stone

Daria is not featured in the newer episodes, but she will make a cameo, according to an August 2011 Rolling Stone interview with Mike Judge.

The mother later claimed that her son had watched one of the fire-related segments shortly before he burned down the home, although, according to an article in the March 24, 1994 issue of Rolling Stone, neighbors claimed that the family did not have cable television.

Later, in a Rolling Stone interview, Mike Judge was asked if Daria is coming back and he said, " No. There's sort of a cameo in one episode.

John Altschuler, formerly a writer for King of the Hill, told a Rolling Stone reporter that he saw signs that Mike Judge was thinking of reviving Beavis and Butt-Head.

Judge told Rolling Stone that at least 24 episodes ( 12 half-hour programs ) will definitely air.

* Belle and Sebastian on Rolling Stone

In 2004, Rolling Stone ranked Holly # 13 among " The 100 Greatest Artists of All Time ".

" In an August 24, 1978, Rolling Stone interview, Bruce Springsteen told Dave Marsh, " I play Buddy Holly every night before I go on ; that keeps me honest.

Their most famous hit is the song " Fish Heads ", which was named as one of the top 100 videos of all time by Rolling Stone magazine.

In 2004, Rolling Stone ranked him # 20 on their list of the 100 Greatest Artists of All Time.

Throughout her career, Love's wild stage antics and subversive feminist attitude have polarized audiences and critics, with Rolling Stone once calling her " the most controversial woman in the history of rock.

It went on to be declared one of the best albums of all time by Rolling Stone magazine in their 500 Greatest Albums of All Time issue in 2003.

Rolling Stone called the album " accessible, fiery and intimate — often at the same time [...] a basic guitar record that's anything but basic.

Spin called it a " jaw-dropping act of artistic will and a fiery, proper follow-up to 1994 ’ s Live Through This " and awarded it eight out of ten stars, while Rolling Stone suggested that, " for people who enjoy watching celebrities fall apart, America's Sweetheart should be more fun than an Osbournes marathon.

Rolling Stone gave the album three out of five stars, saying that Love " worked hard on these songs, instead of just babbling a bunch of druggy bullshit and assuming people would buy it, the way she did on her 2004 flop, America's Sweetheart.

Once labelled by Rolling Stone as " the most controversial woman in the history of rock ", Love's sometimes outrageous behavior has given her a lasting place in pop culture, as well as a polarizing reputation in the media.

Salinger, Upton Sinclair, and the journalist Hunter S. Thompson, who was primarily known for his works in the American magazine Rolling Stone.

* " Rolling Away the Stone: Mary Baker Eddy's Challenge to Materialism ( Religion in North America ) Stephen Gottschalk ( 2011 )

The first article about disco was written in September 1973 by Vince Aletti for Rolling Stone magazine.

However, in the original article on Young from the first edition of the Rolling Stone Illustrated History of Rock and Roll and a subsequent article in the 1983 Rolling Stone Record Guide, critic Dave Marsh used this album to accuse Young of deliberately manufacturing a self-mythology, arguing that while his highlights could be seen to place him on a level with other artists from his generation like Bob Dylan or The Beatles, the particulars of his catalogue did not bear this out.

In 2004, Rolling Stone ranked him 39th on their list of the " 100 Greatest Artists of All Time ", and 23rd on their list of the best singers of all-time.

A review in Rolling Stone magazine referred to Physical Graffiti as Led Zeppelin's " bid for artistic respectability ", adding that the only bands Led Zeppelin had to compete with for the title " The World's Best Rock Band " were The Rolling Stones and The Who.

Also, when The Beatles ' Let It Be was released in 1970, the magazine originally gave the album a poor review, yet in 2003, Rolling Stone ranked it number 86 in the magazine's list of the 500 Greatest Albums of All Time.

Referring to the book's original 1987 publication in a Rolling Stone review pegged to the book's republication in 2002, the critic Jon Caramanica wrote, " It might well be the most comprehensive biography ever written about a pop act while it was still in its prime.

In fact, the Maxinquaye album review by the Rolling Stone magazine read, " Tricky devoured everything from American hip-hop and soul to reggae and the more melancholic strains of 80s British rock.

Conversely, the band's transition from lengthy, complex songs to more compact, simplistic, radio-friendly material was not welcomed by critics ; Rolling Stone's review of ... And Then There Were Three ... read: "... this contemptible opus is but the palest shadow of the group's earlier accomplishments.

Furthermore, he had read a scathing Cream review in Rolling Stone, a publication he had much admired, in which the reviewer, Jon Landau, called him a " master of the blues cliché.

Rolling Stone gave Asia an indifferent review, while still acknowledging the band's musicianship was a cut above the usual AOR expectations.

A 2004 Rolling Stone magazine review begins with the words: " This is music of such enigmatic beauty that thirty-five years after its release, Astral Weeks still defies easy, admiring description.

Lester Bangs and Greil Marcus had a combined full page review in Rolling Stone, stating that Morrison now had " the striking imagination of a consciousness that is visionary in the strongest sense of the word.

In a 1973 Rolling Stone review, it was described as: " psychologically complex, musically somewhat uneven and lyrically excellent.

In a 2008 Rolling Stone review, Andy Greene writes that when released in late 1974: " it was greeted by a collective shrug by the rock critical establishment " and concludes: " He's released many wonderful albums since, but he's never again hit the majestic heights of this one.

A Sense of Wonder, Morrison's 1985 album, pulled together the spiritual themes contained in his last four albums, which were defined in a Rolling Stone review as: " rebirth ( Into the Music ), deep contemplation and meditation, ( Common One ); ecstasy and humility ( Beautiful Vision ); and blissful, mantra like languor ( Inarticulate Speech of the Heart ).

In his review for Rolling Stone, Peter Travers wrote, " Action flicks are usually written off as a debased genre, unless, of course, they work.

The album received unanimously positive reviews, with praise from music periodicals such as Rolling Stone, NME, and Blender, as well as a four-star review from the Los Angeles Times, calling it a " wild emotional ride " sure to be " one of the most dissected and debated collections of the year.

* Rolling Stone Magazine-Transglobal Underground review

Rolling Stone in their retrospective review says that " Black Flag lived up to it, defining L. A. hardcore punk with violent guitar and the pissed-off scream of Henry Rollins, especially on " TV Party " and " Rise Above.

In addition, he wrote his own articles, starting a regular monthly column in Melody Maker, and contributing to Rolling Stone with an article on his guru Meher Baba and a review of The Who's album Meaty Beaty Big and Bouncy.

Rolling Stone said in its review that " Harvey sings the blues like Nick Cave sings gospel: with more distortion, sex and murder than you remember.

However, it received a less positive review in Rolling Stone which criticised the band for what the reviewer considered to be political vacuity.

Peter Travers, in a favourable review for Rolling Stone, praised the film for its timely AIDS parable and described Ryan as miscast in the role of the troubled Katherine.

Rolling Stone gave the album a mixed review, saying that though the transition to shorter songs generally works, the lyrics are " a wan and ridiculous rehash of the bargain-basement exoticism employed by the British art-rock crowd.

The initial critical reception to the album was positive, though sales were slim ; Al Kooper's rave review of the LP in Rolling Stone helped to draw public attention to it.

Bruce Grimes of Rolling Stone gave it a rave review and called it " the announcement of the full emergence of a leading innovator in rock and roll ".

In a review upon the album's release, Lester Bangs of Rolling Stone complimented its " heavy Sly influence " and funk riffs, but noted a lack of originality in songwriting, writing that the songs lack " Sly's sense of derision and irony.