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form and frightful
Johnson ( 1724 ) described him as " such a figure that imagination cannot form an idea of a fury from hell to look more frightful.
The engraved panel in considered to be a unique sculpture in the north end of the aisle, and shows Bhairava, or Virabhadra, a frightful form of Shiva.
The crashing of the engine and carriages into a heap of splinters, each of which wounds unfortunate passengers like a sword, is horrible enough to contemplate ; but when fire in its fiercest form is added to the scene, no more frightful occurrence could be imagined.

form and Bhairava
* The Hindu god Bhairava, a form of Shiva.
Shiva then incarnated in the form of Bhairava to punish Brahma.
Cursed to became a ghost Ghanakala prayed at Srikalahasti for 15 years and after chanting Bhairava Mantra many times Lord Shiva restored her original form.

form and Shiva
In general, the Angkorian Khmer represented and worshipped Shiva in the form of a lingam, though they also fashioned anthropomorphic statues of the god.
Tantra in its Káshmiirii and Gaod ' iiya Schools did exist before Shiva, but in a scattered and crude form.
The form is present in most Shiva temples in South India, and is the main deity in the famous temple at Chidambaram.
The image of the Lord as the Cosmic Dancer is shown at the Chidambaram temple, an unusual fact as Shiva is depicted in an anthropomorphic form rather than in the usual non-anthropomorphic form of the linga.
Every religion on Earth see there god in the form of light, the spread of some beam light, Islam noor, Christian rays of light it nothing but it Shiva.
The symbolism of the dance of Shiva ( in the form of Nataraja ) is represented by the attitude called " Ananda Tandavam ".
* The genital organ of Shiva worshiped in the form of a Phallus
According to Saiva Siddhanta, which was for many centuries the dominant school of Shaiva theology and liturgy across the Indian subcontinent ( and beyond it in Cambodia ), the linga is the ideal substrate in which the worshipper should install and worship the five-faced and ten-armed Sadāśiva, the form of Shiva who is the focal divinity of that school of Shaivism.
* Hinduism, especially Shaivism, the form of Hinduism focussed on the worship of Shiva and the lingam as the symbol of Shiva, but also Vaishnavism, the form of Hinduism focussed on the worship of Vishnu ;
She introduced herself in the language of the Rig-Veda, saying she was the form of the supreme female aspect of Brahman ( the male aspect being Shiva ) who had created all the gods.
Consort of Virabhadra was Bhadrakali, also known as the gentle Kali, is generally an auspicious form of the goddess Kali, and the legend states that she came into being by Devi ’ s wrath, when Daksha insulted Shiva.
Shiva and Ganesha are also described as descending in the form of avatars.
The interdependence of Shiva on his power ( Shakti ) as embodied in Parvati is also manifested in this form.
In this form, Shiva in his eternal embrace with Prakriti represents the eternal reproductive power of Nature, whom he regenerates after she loses her fertility.
Shiva, the master of spirituality and restraint, is considered superior to the indulgence ( bhoga ) and materialism celebrated in the female form.
Ardhanarishvara is often described as a form of Shiva, and rarely as that of the goddess, as in her Shakta sects.
He alludes to Ardhanarishvara several times and regards it the ultimate goal of a devotee to be united with Shiva as Parvati is in the Ardhanarishvara form.
* Harihara: composite form of the gods Shiva and Vishnu
* Jumadi: a regional composite form of Shiva and Parvati
Shiva asked if he too could see Vishnu in this female form.

form and is
( Since the time-span of the nation-state coincides roughly with the separate existence of the United States as an independent entity, it is perhaps natural for Americans to think of the nation as representative of the highest form of order, something permanent and unchanging.
And it is expressed, at least to their taste, in a perfect form.
The unit of form is determined subjectively: `` the Heart, by the way of the Breath, to the Line ''.
The test of form is fidelity to the experience, a gauge also accepted by the abstract expressionist painters.
But in this approach it is the artist's ultimate insight, rather than his immediate impressions, that gives form to the work.
It is through the metamorphosed dancer that the germ of form is discovered.
It only means that there will be new form, and that this form will be of such a type that it admits the chaos and does not try to say that the chaos is really something else.
That is why the form itself becomes a preoccupation, because it exists as a problem separate from the material it accommodates.
To find a form that accommodates the mess, that is the task of the artist now ''.
Though sex in some form or other enters into all human activity and it was a good thing that Freud emphasized this aspect of human nature, it is fantastic to explain everything in terms of sex.
How is the beat poet to achieve unity of form when he is at the same time engaged in a systematic derangement of senses.
But the highroad, according to the description of its traffic, belongs to life as it is lived in unawareness of death, while the way to the churchyard belongs to some other sort of life: a suffering form, an existence wholly comprised in the awareness of death.
And if I have gone into so much detail about so small a work, that is because it is also so typical a work, representing the germinal form of a conflict which remains essential in Mann's writing: the crude sketch of Piepsam contains, in its critical, destructive and self-destructive tendencies, much that is enlarged and illuminated in the figures of, for instance, Naphta and Leverkuhn.
All such imitations of negative quality have given rise to a compensatory response in the form of a heroic and highly individualistic humanism: if man can neither know nor love reality as it is, he can at least invent an artistic `` reality '' which is its own world and which can speak to man of purely personal and subjective qualities capable of being known and worthy of being loved.
Whitehead contends that the human way of understanding existence as a unity of interlocking and interdependent processes which constitute each other and which cause each other to be and not to be is possible only because the basic form of such an understanding, for all its vagueness and tendency to mistake the detail, is initially given in the way man feels the world.
In a bold, sometimes careless, form there is nothing academic ; ;
This is brought out in the next to last chapter of the book, `` A Hero's Funeral '', written in the form of an impassioned prose poem.
But let us not complain of the evils of capitalism by referring to a form that is not truly capitalistic.

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