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is and also
It is also possible, but equally doubtful, that he actually shot down the hundreds of men with which his legend credits him.
Recognizing that the Rule of Law is `` a dynamic concept which should be employed not only to safeguard the civil and political rights of the individual in a free society '', the Congress asserted that it also included the responsibility `` to establish social, economic, educational and cultural conditions under which his legitimate aspirations and dignity may be realized ''.
At General Power's seat in the balcony there is also a gold phone.
In addition to the authentication and acknowledgment procedures which precede and follow the sending of the go messages, again in special codes, each message also contains an `` internal authenticator '', another specific signal to convince the recipient that he is getting the real thing.
He added that he also stresses the works of these favorite masters on tour, especially Mahler's First and Fourth symphonies, and Das Lied Von der Erde, and Bruckner's Sixth -- which is rarely played -- and Seventh.
The test of form is fidelity to the experience, a gauge also accepted by the abstract expressionist painters.
Though he is also concerned with freeing dance from pedestrian modes of activity, Merce Cunningham has selected a very different method for achieving his aim.
The answers derived by these means may determine not only the temporal organization of the dance but also its spatial design, special slips designating the location on the stage where the movement is to be performed.
It is because there is not only darkness but also light that our situation becomes inexplicable.
but there is also compassion.
also he is a drunk, and has lost his job on that account.
And if I have gone into so much detail about so small a work, that is because it is also so typical a work, representing the germinal form of a conflict which remains essential in Mann's writing: the crude sketch of Piepsam contains, in its critical, destructive and self-destructive tendencies, much that is enlarged and illuminated in the figures of, for instance, Naphta and Leverkuhn.
By `` image '' is meant not only a visual presentation, but also remembered sensations of any of the five senses plus the feelings which are immediately conjoined therewith.
he is questioning, also, every epistemology which stems from Hume's presupposition that experience is merely sense data in abstraction from causal efficacy, and that causal efficacy is something intellectually imputed to the world, not directly perceived.
it is true that they are also extremely dull.
Now the detective must save his own skin by informing on the girl he loves, who is also the real murderer.
But it is also the climax to one of the absorbing chapters in our current political history.
Since a civilizational crisis involves also a crisis in private interests and in the ruling class, reaction is normally found among those who feel themselves to be among the ruling class.
`` The Rocking Horse Winner '' is also a story about a boy's love for his mother.
Evidence is plentiful that early and later also he has been indebted to the Gothic romancers, who deal in extravagant horror, to the symbolists writing at the end of the preceding century, and in particular to the stream-of-consciousness novelists, Henry James and James Joyce among them.

is and first
Even the knowledge that she was losing another boy, as a mother always does when a marriage is made, did not prevent her from having the first carefree, dreamless sleep that she had known since they dropped down the canyon and into Bear Valley, way, way back there when they were crossing those other mountains.
And that is the way I first saw her when my Uncle brought her into his antique store.
Why, in the first place, call himself a liberal if he is against laissez-faire and favors an authoritarian central government with womb-to-tomb controls over everybody??
Life is further characterized, in antithesis to Piepsam, as animal: the image of a dog, which appears at several places, is first given as the criterion of amiable, irrelevant interest aroused by life considered simply as a spectacle: a dog in a wagon is `` admirable '', `` a pleasure to contemplate '' ; ;
In the first instance, `` mimesis '' is here used to mean the recalling of experience in terms of vivid images rather than in terms of abstract ideas or conventional designations.
This is the primary function of the imagination operating in the absence of the original experiential stimulus by which the images were first appropriated.
The first half of The Charles Men, ending on the climax of the battle of Poltava in 1709, is more dramatically coherent than the second.
He is, first and foremost, a defender of public morals, a servant of society.
The first of two possible variations on this theme is symbolized by Mickey Spillane's Mike Hammer.
Noting such evidence is the first step ; ;
So it is that we relive his opening statement in the first television address with the dramatic immediacy of the present.
and it is surely clear that the first of these is the result of the way in which the individual's command of language interacts with the other two.
The first thing to do is get her some money by a temporary but definite adjustment pending a final disposition of the case.
When I take over Taliesin, the first thing I'll do is fire you ''.
If `` Jack the Courtier '' is really to be taken as Swift, the following remark is obviously Steele's comment on Swift's change of parties and its effect on their friendship: `` I assure you, dear Jack, when I first found out such an Allay in you, as makes you of so malleable a Constitution, that you may be worked into any Form an Artificer pleases, I foresaw I should not enjoy your Favour much longer ''.
At this point a working definition of idea is in order, although our first definition will have to be qualified somewhat as we proceed.
`` History has this in common with every other science: that the historian is not allowed to claim any single piece of knowledge, except where he can justify his claim by exhibiting to himself in the first place, and secondly to any one else who is both able and willing to follow his demonstration, the grounds upon which it is based.
We saw it frequently afterward, but our suggestion for the very first encounter is near sunset.
Master Gorton, having foully abused high and low at Aquidneck is now bewitching and bemaddening poor Providence, both with his unclean and foul censures of all the ministers of this country ( for which myself have in Christ's name withstood him ), and also denying all visible and external ordinances in depth of Familism: almost all suck in his poison, as at first they did at Aquidneck.

is and story
It is worth dwelling in some detail on the crisis of this story, because it brings together a number of characteristic elements and makes of them a curious, riddling compound obscurely but centrally significant for Mann's work.
that is, he is suspect, guilty, punishable, as is anyone in Mann's stories who produces illusion, and this is true even though the constant elements of the artist-nature, technique, magic, guilt and suffering, are divided in this story between Jacoby and Lautner.
It is the gradual unfolding and deepening of this contradiction which creates the inner dialectic of the evolution of the mystery story.
It is the growing contradiction between individualism and public service in the mystery story which creates this fatal dilemma.
And the best way to conceal and disguise the elements of an incest story is not to set out to write an incest story.
It is the story of the hopeless love of a little boy for his cold and vain mother.
The rocking is actually felt in the story, a terrible and ominous rhythm that prophesies the tragedy.
The rocking, I realized, is the single element in the story that carries the erotic message, the unspoken and unconscious undercurrent that would mar the innocence of a child's fantasy and disturb the effects of the work if it were made explicit.
And when the child dies in Lawrence's story in a delirium that is somehow brought on by his mania to win and to make his mother rich, the manifest absurdity of such a disease and such a death does not enter into our thoughts at all.
It is most probable that Freud and the Oedipus complex never entered his head in the writing of this story.
An ivory tablet in the infant's cask recounts the story of his sinful origins and is preserved for the child by the monks of a monastery in the fishing village.
Then he would get to his feet, as though rising in honor of his own remarkable powers, and say almost invariably, `` Gentlemen, this is an amazing story!!
Perhaps it is only an analogy, but one of the most obvious differences between cheap fiction and fiction of an enduring quality is the development of a theme or story with leisure and anticipation.
The complexities of Venetian politics eluded him, but the story of the revolution itself is told in restrained measures, with no superfluous passages and only an occasional overemphasis of the part played by its leading figure.
Once the scene is set, Trevelyan skilfully builds up the tense story until it reaches its climax in the dramatic victory of Marlborough and Eugene of Savoy at Blenheim.
There is, of course, nothing new about dystopias, for they belong to a literary tradition which, including also the closely related satiric utopias, stretches from at least as far back as the eighteenth century and Swift's Gulliver's Travels to the twentieth century and Zamiatin's We, Capek's War With The Newts, Huxley's Brave New World, E. M. Forster's `` The Machine Stops '', C. S. Lewis's That Hideous Strength, and Orwell's Nineteen Eighty-Four, and which in science fiction is represented before the present deluge as early as Wells's trilogy, The Time Machine, `` A Story Of The Days To Come '', and When The Sleeper Wakes, and as recently as Jack Williamson's `` With Folded Hands '' ( 1947 ), the classic story of men replaced by their own robots.
Beginning in Cloth Of The Tempest ( 1943 ) he experimented in merging poetry and visual art, using drawings to carry long narrative segments of a story, as in Sleepers Awake, and constructing elaborate `` poems-in-drawing-and-type '' in which it is impossible to distinguish between the `` art '' and the poetry.
The story of the fatal crash is not fully known.

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