In the first instance, `` mimesis '' is here used to mean the recalling of experience in terms of vivid images rather than in terms of abstract ideas or conventional designations.

A dominant motive is the poet's longing for his homeland and its boyhood associations: `` Not men-folk, but the fields where I would stray, The stones where as a child I used to play ''.

So in these pages the term `` technology '' is used to include any and all means which could amplify, project, or augment man's control over himself and over other men.

But what a super-Herculean task it is to winnow anything of value from the mud-beplastered arguments used so freely, particularly since such common use is made of cliches and stereotypes, in themselves declarations of intellectual bankruptcy.

This text from Dr. Huxley is sometimes used by enthusiasts to indicate that they have the permission of the scientists to press the case for a wonderful unfoldment of psychic powers in human beings.

The men who speculate on these institutions have, for the most part, come to at least one common conclusion: that many of the great enterprises and associations around which our democracy is formed are in themselves autocratic in nature, and possessed of power which can be used to frustrate the citizen who is trying to assert his individuality in the modern world ''.

Properly used, the present book is an excellent instrument of enlightenment.

This prospect did not please Mrs. King any more than did the possibility that her daughter might marry a Bohemian, but she used it to suggest to Thompson that, `` It is not in her nature to love you ''.

On the other hand, the consensus of opinion is that, used with caution and in conjunction with other types of evidence, the native sources still provide a valid rough outline for the English settlement of southern Britain.

The trouble with this machinery is that it is not used and the reason that it is not used is the absence of a conscious sense of community among the free nations.

In addition to his experiments in reading poetry to jazz, Patchen is beginning to use the figure of the modern jazz musician as a myth hero in the same way he used the figure of the private detective a decade ago.

When different colors are used, she is just as likely to color trees purple, hair green, etc..

Berlin is merely being used by Moscow as a stalking horse.

The collection of information is meaningless unless it is understood and used for a definite purpose.

This is used as a reference for comparing the ohmic heating and the electrical energy obtained from the measured current through the element and the measured voltage across the element.

This bold self-assertion, after decades of humble subservience, is indeed a twentieth-century phenomenon, an abrupt change in the Southern way of existence.

Yet his concern even here is with a slowly changing socio-economic order in general, and he never deals with such specific aspects of this change as the urban and industrial impact.

This confession serves to make clear in part what is behind this sexual revolution: the craving for sensation for its own sake, the need for change, for new experiences.

For this change is not a change from one positive position to another, but a change from order and truth to disorder and negation.

The division is not between those who wish to preserve what they have and those who want change.

Indeed, it is probable that this point is reached the moment the third level of change begins.

Thus human perception and human volition is the immanent cause of all social change and this most truly when the change reaches the civilizational level.

Further, change is a form of motion, it occurs as the act of a being in potency insofar as it is in potency and has not yet reached the terminus of the change.

With regard to the change we are examining, the question is, at what point does the change become irreversible??

Moreover its posture of stubborn but simple resistance is doomed to failure because of the metaphysical weakness of the existent form of order, once the activation of change has reached visible proportions.

Their great error is to mingle the responses typical of each of the three types of change.

Since civilizational change is the most difficult to perceive and analyze, it seldom is given adequate attention.

If `` Jack the Courtier '' is really to be taken as Swift, the following remark is obviously Steele's comment on Swift's change of parties and its effect on their friendship: `` I assure you, dear Jack, when I first found out such an Allay in you, as makes you of so malleable a Constitution, that you may be worked into any Form an Artificer pleases, I foresaw I should not enjoy your Favour much longer ''.

Britain in the nineteenth century is a textbook designed `` to give the sense of continuous growth, to show how economic led to social, and social to political change, how the political events reacted on the economic and social, and how new thoughts and new ideals accompanied or directed the whole complicated process ''.

The art of Defoe and Richardson is founded on an awareness of this great change.

Thus, there is freshness not only in the individual movements of the dance but in the shape of their continuity as well.

Says he, `` I may never imagine that in the struggle between personal and supra-personal responsibility it is possible to make a compromise between the ethical and the purposive in the shape of a relative ethic ; ;

His suggestion that the prestige colleges be made the training institutions for medical, law and graduate schools will run into strong opposition from these colleges themselves -- even though what he is recommending is already taking shape as a trend.

and the sad part of it is that we had one, which was rounding into excellent shape, and we let it disintegrate and die.

A Barrette Swiss pattern file is handy since its triangular shape with only one cutting face will allow you to work a surface without marring an adjoining one.

If clay is slightly out of shape, square straight sides with guide sticks or rulers pressed against opposite sides, or smooth round pieces with damp fingers.

A stem jig is next cut to the proper shape and temporarily fastened to frame one.

A large picnic area or camping development is most efficient in shape as a square or rectangle several hundred feet in width in preference to a long narrow area less than one hundred feet wide.

There is another means which should show the direction and relative value of the stresses in viscoelastic fluids that is not mentioned as such in the literature, and that is the shape of the suspended drops of low viscosity fluids in shear fields.

Just as the pressure exerted by surface tension in a spherical drop is Af and the pressure exerted by surface tension on a cylindrical shape is Af, the pressure exerted by any curved surface is Af, where **yg is the interfacial tension and Af and Af are the two radii of curvature.

Though it is not easy to apply the evidence of the Iliad to any specific era, this marvelous product of the epic tradition had certainly taken definitive shape by 750.

It was because of this chain-reaction as much as for any other reason -- that is, because of the growing independence of the planar unit in collage as a shape -- that the identity of depicted objects, or at least parts of them, re-emerged in Braque's and Picasso's papiers colles and continued to remain more conspicuous there -- but only as flattened silhouettes -- than in any of their paintings done wholly in oil before the end of 1913.

By using instruments of gradually increasing size, the vagina is gently, and with minimum pain at each stage, taught to yield to an object of the appropriate shape.

Make sure that the metal tube through which the wire passes is in the shape of an inverted `` L '', the foot of the `` L '' about three inches long, so that the puppet can hang directly under the light.

Claude Jannequin's vocal description of a battle ( the French equivalents of tarantara, rum-tum-tum, and boom-boom-boom are very picturesque ) is lots of fun, and the singers get a sense of grace and shape into other chansons by Jannequin and Lassus.

Adobe (, ; Arabic: الطوب ) is a natural building material made from sand, clay, water, and some kind of fibrous or organic material ( sticks, straw, and / or manure ), which the builders shape into bricks ( using frames ) and dry in the sun.

Depending on the form into which the mixture is pressed, adobe can encompass nearly any shape or size, provided drying time is even and the mixture includes reinforcement for larger bricks.

As a group, agnostids are isopygous, meaning that their pygidium is similar in size and shape to their cephalon.