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Luke and is
The author is traditionally identified as Luke the Evangelist ; see Authorship of Luke – Acts for details.
It is said to be that the author of the Gospel of Luke is the same as the author of the Acts of the Apostles.
Tradition holds that the text was written by Luke the companion of Paul ( named in Colossians ) and this traditional view of Lukan authorship is “ widely held as the view which most satisfactorily explains all the data .” The list of scholars maintaining authorship by Luke the physician is lengthy, and represents scholars from a wide range of theological opinion.
The question regarding the genre of Acts is complicated by the fact that it was written by the same author as the Gospel of Luke.
Evidence for this is found in the prologue to the Gospel of Luke, wherein the author alludes to his sources by writing, " Many have undertaken to draw up an account of the things that have been fulfilled among us, just as they were handed down to us by those who from the first were eyewitnesses and servants of the word.
Since Luke-Acts was originally a single work, it is important to note that the purpose of Acts is normally examined in conjunction with the Book of Luke.
In Luke 1: 3-4, the author states that he decided to “ write an orderly account for you, most excellent Theophilus, so that you may know the truth concerning the things about which you have been instructed .” Theophilus is Greek for lover of God and it is suggested that he may either be an individual who recently converted to the faith or a Roman official of whom the church is seeking acceptance from.
“ Acts, then is a continuation of the Lucan Gospel, not in the sense that it relates what Jesus continued to do, but how his followers carried out his commission under the guidance of his Spirit .” Thus, part of the answer to the purpose of Acts is that Luke is writing to Theophilus, who is also mentioned in Luke 1: 3, in order to explain to him the occurrences that take place in the church that fulfill Jesus ’ promise to his disciples that “ you will be baptized with, the Holy Spirit not many days from now ” ( Acts 1: 5 ).
Though the preface initially states Luke ’ s intentions for writing, by closely examining the contents of the work as a whole, scholars have surmised that Luke ’ s purpose is much more complex.

Luke and heartbroken
A heartbroken Luke rejects her, despite the fact Laura has decided to divorce Scott.

Luke and finds
Buffy reluctantly undergoes training in her abilities by Merrick, and as her responsibility as the Slayer causes her to become alienated from her valley girl peers, she finds friendship and romance with fellow outcast Pike ( Luke Perry ).
He takes his first steps toward his destiny when he finds two droids, C-3PO and R2-D2, the latter of whom is carrying a message for Obi-Wan Kenobi, known to Luke as the hermit old Ben Kenobi.
He soon finds that Luke is in fact Rinaldo, son of Brand of Amber, and has been responsible for yearly attempts on his life, on the anniversary of when Luke found out about Brand's death.
Merlin then finds himself having to rescue Luke from Dalt, the two having apparently come to blows.
In a conversation with his mother Dara-mistress of Corwin once, and a descendant of Benedict, also from the royal house of Chaos-he finds that she was the one who sent the t ' yiga demon which is now Coral's sister Nayda ( and appears to be developing something of an affection for Luke.
The lead character of the book, Sister Luke ( pre-convent name Gabrielle Van Der Mal ), finds her faith tested in Africa where she finds herself at odds with headstrong Dr. Fortunati, operator of a remote Congo hospital, with whom she gradually builds respect, and again during World War II, when she is ordered not to take sides.
In the Gospel of Luke, Pilate not only agrees that Jesus did not conspire against Rome, but Herod Antipas, the Tetrarch of Galilee, also finds nothing treasonable in Jesus ' actions.
On a personal level, Luke finds himself consistently distracted by one of Bakura's senators, Gaeriel Captison, and by the nascent attraction forming between them, despite her religious objections to the Jedi Order.
The Girl Next Door is a 2004 American teen film starring Emile Hirsch, Elisha Cuthbert, and Timothy Olyphant, directed by Luke Greenfield, about an honor student who falls in love for the first time with the girl next door, but finds the situation becoming complicated after he learns that she is a former porn star.
When word spreads about his father's homosexuality, the once popular Luke falls out of favor with his clique and finds himself on the bottom of the social ladder for the first time.
Experiencing loneliness, Luke eventually becomes sexually involved with Marissa's mother, Julie Cooper, which Marissa eventually finds out about.
He finds many parallels between the Egerton Gospel and the canonical Gospels that include editorial language particular to Matthew and Luke.
The rape was revisited in 1998 when Luke and Laura's son, Lucky, finds out about the incident.
Laura writes Luke a letter, which Scott finds on the day of Luke's marriage to Jennifer.
At his flat he finds the corpse of Luke, his photojournalist roommate, who has been shot dead.
This would follow naturally if Luke was using Matthew and Mark, but is hard to explain if he is using Mark and Q. Streeter divides these into six groups and finds separate hypotheses for each.
Luke meets a race of pterodactyl-like creatures and finds Mara, and they embark on a journey to discover more about the fortress they are inside.
After posing an ultimatum to Luke which leads to their break-up, Lorelai finds comfort in Christopher and they start dating again in the seventh season.
He journeys back to Saigon and finds Luke who has been disfigured by hand grenade.
Lourdes ' " daughter " Veronica is jealous and finds comfort with her Aunt Lucia, who has returned home after beginning a new life with her American husband and stepson Luke.
Luke sacrificed his life for Imang / Bernadette ; Bernadette chooses to be with Pablo, while Lorenzo finds another who looks like her.
Robin is saved by Brother Luke, a friar, who finds him and takes him to a monastery and cares for him.

Luke and strength
* Luke the Evangelist, the author of the third gospel account ( and the Acts of the Apostles ) is symbolized by a winged ox or bull – a figure of sacrifice, service and strength.
), and Christ tells the doctor of the law that we must love God with our whole mind, our whole strength ( Luke 10: 27 ).
Initially a trio consisting of Luke Hannigan ( singer and guitarist ), Dave Lumsdaine ( bass ) and Darren Brollo ( drums ), Lo-Tel were signed to Murmur Records in 1999 on the strength of a demo that reached the label through an industry veteran who saw potential in the band.
Brother Luke teaches Robin how to swim and carve wood and make a harp, to be independent and build self confidence, but Robin also learns patience and strength from the friar.

Luke and with
* The Animal, 2001 US film by Luke Greenfield with Rob Schneider
Schweitzer found many New Testament references to apparently show that 1st-century Christians believed literally in the imminent fulfillment of the promise of the World's ending, within the lifetime of Jesus's original followers, He noted that in the gospel of Mark, Jesus speaks of a " tribulation ", with his coming in the clouds with great power and glory " ( St Mark ), and states when it will happen: " This generation shall not pass, till all these things be fulfilled " ( St Matthew, 24: 34 ) ( or, " have taken place " ( Luke 21: 32 )): " All these things shall come upon this generation " ( Matthew 23: 36 ).
" There be some standing here which shall not taste of death till they see the Son of man coming in his kingdom " ( Matthew 16: 28 ) ( or, " until they see that the kingdom of God has come with power " ( Mark 9: 1 ); or, " till they see the kingdom of God " ( Luke 9: 27 ).
The book presents the second series of novels not as additions to the series ' continuity but as an example of a roleplaying campaign with Merlin, Luke, Julia, Jurt and Coral as the PCs.
Of course, some scholars believe Luke ’ s work may be fulfilling more than one purpose and thus may side with more than one of the claims that are presented here.
By painting the Roman-Christian relations in this light, Luke hopes to persuade Rome that Christians are not enemies of the government and should not be looked upon with suspicion or even fear.
Some believe that this appeal “ thereby shows Christian ’ s of Luke ’ s day both that their predecessors were innocent before the state and that Paul had no political quarrel with Rome ” but rather with the Jews who were accusing him.
Other scholars have even said that Luke wrote this apology in order to support Christians who were becoming allies with local Roman officials.
Some scholars believe that the apologetic view of Luke ’ s work is overemphasized and that it should not be regarded as a “ major aim of the Lucan writings .” While Munck believes that purpose of Luke ’ s work is not that clear-cut and sympathizes with other claims, he believes that Luke ’ s work can function as an apology only in the sense that it “ presents a defense of Christianity and Paul ” and may serve to “ clarify the position of Christianity within Jewry and within the Roman Empire .” Pervo disagrees that Luke ’ s work is an apology and even that it could possibly be addressed to Rome because he believes that “ Luke and Acts speak to insiders, believers in Jesus .” Freedman believes that Luke is writing an apology but that his goal is “ not to defend the Christian movement as such but to defend God ’ s ways in history .”
This view mainly says that Luke is writing to the church in order to legitimate their Christian beliefs and to show that faith in Christ is compatible with allegiance to the Roman Empire.
( Acts 3: 13 ; 5: 30 ; 15: 10 ; 22: 14 ; 26: 6 ; 28: 5 ) Those who agree with this claim often reject that Luke is writing an apology.
Esler, who advanced this legitimation view, has suggested that in Luke ’ s community there were Roman officials who were recent converts and they wanted to make sure that their new found faith could successfully coexist with their allegiance to the empire.
Pervo sees Luke ’ s work as a “ legitimizing narrative ” because it makes “ a case by telling a story ( or stories )” and serves to legitimate either “ Pauline Christianity ( possibly in rivalry to other interpretations ) or generally as the claim of the Jesus-movement to possess the Israelite heritage .” On the other hand, some scholars greatly disagree with the view of legitimation because they believe that it “ mirror-reads ” Luke ’ s work attempting to uncover the circumstances surrounding Luke ’ s work by over-arguing something that may not be that valid.

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