Hall, professor of art history at Temple University, notes in her book ' After Raphael ' Raphael's premature death marked the beginning of Mannerism in Rome.

For many, the rise to power in Florence of the austere monk Girolamo Savonarola in 1494-1498 marks the end of the city's flourishing ; for others, the triumphant return of the Medici marks the beginning of the late phase in the arts called Mannerism.

Tintoretto's Last Supper ( at right ) epitomizes Mannerism by taking Jesus and the table out of the middle of the room.

The rhyolitic tuff portal of the " church house " at Colditz Castle, Saxony, designed by Andreas Walther II ( 1584 ), is a clear example of the exuberance of " Antwerp Mannerism ".

The rhyolitic tuff portal of the " church house " at Colditz Castle, Free State of Saxony | Saxony, designed by Andreas Walther II ( 1584 ), is a clear example of the exuberance of " Antwerp Mannerism "

A fine representative of Mannerism in France, Goujon's figures are elongated, sensual and fluid ; his drapery work reveals knowledge of Greek sculpture, though certainly not at first hand.

( Lanzi disdained the style of post-Michelangelo Mannerism as a time of decline ).

Mannerism is a period of European art that emerged from the later years of the Italian High Renaissance around 1520.

The bare and empty state of those churches left in Catholic hands after the hostilities eventually ended prompted a large programme of restocking with Catholic art, which had much to do with the vigour of Northern Mannerism and later Flemish Baroque painting, and many Gothic churches were given Baroque makeovers.

Extended conceits in English are part of the poetic idiom of Mannerism, during the later sixteenth and early seventeenth century.

James Elkins, commenting on discussions about the exact date of the transition from modernism to postmodernism, compares it to the discussion in the 1960s about the exact span of Mannerism and whether it should begin directly after the High Renaissance or later in the century.

Extending the general rubric of Renaissance culture, the visual arts of the High Renaissance were marked by a renewed emphasis upon the classical tradition, the expansion of networks of patronage, and a gradual attenuation of figural forms into the style later termed Mannerism.

The elongated proportions and exaggerated poses in the late works of Michelangelo, Andrea del Sarto and Correggio prefigure so-called Mannerism, as the style of the later Renaissance is referred to in art history.

The English period began far later than the Italian, which is usually considered to begin with Dante, Petrarch and Giotto in the early 14th century, and was moving into Mannerism and the Baroque by the 1550s or earlier.

Baroque Art is less complex, more realistic and more emotionally affecting than Mannerism.

Despite this, his influence on the new Baroque style that eventually emerged from the ruins of Mannerism was profound.

It lasted until about 1580 in Italy, when a more Baroque style began to replace it, but Northern Mannerism continued into the early 17th century throughout much of Europe.

Giovan Battista Marino's masterpiece, Adone, published in 1623, is a long, sensual poem, which elaborates the myth of Adonis, and represents the transition in Italian literature from Mannerism to the Baroque.

Strong chiaroscuro became a popular effect during the sixteenth century, in Mannerism and in Baroque art.

In European art, Renaissance Classicism spawned two different movements — Mannerism and the Baroque.

Konin County ( Powiat Koninski ) contains examples of Romanesque architecture ; Gothic architecture ; Renaissance architecture ; Mannerism and Manneristic architecture ; Baroque architecture ; Rococo art ; architecture of 18th century: Classicism ; architecture of 19th century: Neogothic, Neoromanesque, Neoclassicism, Eclecticism ; architecture of 20th century: Modernism, Nazi architecture, Socialist Realism, Post-modernism.

His influence on the new Baroque style that eventually emerged from Mannerism was profound.

He was the leading Dutch engraver of the early Baroque period, or Northern Mannerism, noted for his sophisticated technique and the " exuberance " of his compositions.

From the early Renaissance, Mannerism and the Baroque through 18th, 19th and 20th century painting Figurative art has steadily broadened its parameters.

The crowded canvases and the angles recall Mannerism, but his paintings show an emotion that evokes common sentiments in Baroque art.

As Late Renaissance art ( Mannerism ) developed, it took on different and distinctive characteristics in every region.

Northern Mannerism took longer to develop, and was largely a movement of the last half of the 16th century.

During the Counter-Reformation, the Roman Catholic Church searched for religious art with which to counter the threat of Protestantism, and for this task the artificial conventions of Mannerism, which had ruled art for almost a century, no longer seemed adequate.

Unconventional as a draughtsman, his treatment of human form is often exaggerated and eccentric ( hence his linkage, in the art historical literature, with European Mannerism ), whilst his ornamental style — profuse, eclectic, and akin to the self-consciously " German " strain of contemporary limewood sculptors — is equally distinctive.

One of the qualities most admired by his contemporaries was his terribilità, a sense of awe-inspiring grandeur, and it was the attempts of subsequent artists to imitate Michelangelo's impassioned and highly personal style that resulted in Mannerism, the next major movement in Western art after the High Renaissance.

Italian painting after 1520, with the notable exception of the art of Venice, developed into Mannerism, a highly sophisticated style, striving for effect, that concerned many churchmen as lacking appeal for the mass of the population.

* 1580 in art-Birth of Frans Hals ; end of Mannerism art period in Italy

* 1520 in art-Death of Raphael ; start of Mannerism art period

Masterworks of the Early Renaissance, the High Renaissance and Mannerism make up the Museum ’ s extensive collection of 14th-to 16th-century European art.

He absorbed what he saw and distilled it in his painting: Caravaggio's dramatic lighting ; Italian Mannerism ; Paolo Veronese's color and di sotto in su or foreshortened perspective ; and the art of Carracci, Guercino, Lanfranco and Guido Reni.

He was a natural academic, who absorbed what he saw and studied, and distilled it in his painting: Caravaggio's dramatic lighting ; Italian Mannerism ; Paolo Veronese's color and di sotto in su or foreshortened perspective ; and the art of Carracci, Guercino, Lanfranco and Guido Reni.

His works are characterized by a strong mood invoked by broad gestures and flickering light that create spiritual emotion and are credited with reinvigorating Italian art, especially fresco art, which was subsumed with formalistic Mannerism.

He had an important effect on Dutch art when in 1585 he showed his friend Hendrick Goltzius drawings he had by Bartholomeus Spranger, then the leading artist of Northern Mannerism, who was based in Prague as Rudolf's court artist.

The High Renaissance art of Michelangelo and Raphael and the late Renaissance stylistic tendencies of Mannerism that were in vogue had a great impact on their work.

The art of the period from Francis I through Henry IV is often heavily inspired by late Italian pictorial and sculptural developments commonly referred to as Mannerism ( associated with Michelangelo and Parmigianino, among others ), characterized by figures which are elongated and graceful and a reliance on visual rhetoric, including the elaborate use of allegory and mythology.

In English literature, Mannerism is commonly identified with the qualities of the " Metaphysical " poets of whom the most famous is John Donne.

He was soon seen as the ideal model by those disliking the excesses of Mannerism: the opinion ... was generally held in the middle of the sixteenth century that Raphael was the ideal balanced painter, universal in his talent, satisfying all the absolute standards, and obeying all the rules which were supposed to govern the arts, whereas Michelangelo was the eccentric genius, more brilliant than any other artists in his particular field, the drawing of the male nude, but unbalanced and lacking in certain qualities, such as grace and restraint, essential to the great artist.