from New Wave ( Against Me!

* The New Wave band Missing Persons ' best-selling album was called Spring Session M.

* ABC ( band ), a UK New Wave band

* Wave Hill: New York Public Garden and Cultural Center

The New Wave of French and Italian art directors and their stars were riding high internationally, and he felt Bardot was being undersold.

In the late 1950s she shared an exchange which was called " la croisée de deux sillages " (" the crossing of two wakes ") with actor and true-crime author John Gilmore, then an actor in France who was working on a New Wave film with Jean Seberg.

Category: British New Wave musical groups

David Robinson writes that the film's failure was probably due to it seeming too old-fashioned compared to many of the other films released that year, such as the French New Wave films.

These critics said that the SF New Wave of the 1960s was much more innovative as far as narrative techniques and styles were concerned.

This group is often associated with the French New Wave directors who came to prominence during the same time period, and indeed both groups were often friends and journalistic co-workers.

The magazine also was essential to the creation of the Nouvelle Vague, or New Wave, of French cinema, which centered on films directed by Cahiers authors such as Godard and Truffaut.

On March 25, 1980, Dead Kennedys were invited to perform at the Bay Area Music Awards in San Francisco to major record label artists to give the event some " New Wave credibility ", in the words of the organizers.

Shooting on location, with smaller crews, would also happen in the French New Wave, the filmmakers taking advantage of advances in technology allowing smaller, handheld cameras and synchronized sound to film events on location as they unfolded.

The New Wave era of the 1980s first brought the digital synthesizer to the public ear.

In 1972 Richard Elfman founded the American New Wave band / performance art group, originally called The Mystic Knights of the Oingo Boingo.

Nyūmon Nihon No Taiko: Minzoku Dentō Soshite Nyūwēbu Manuel of Japanese Drums: Folklore, Tradition, and the New Wave.

The result was a complex mixture of New Wave and World Music, in places incorporating Hejaz non-Western scales.

Their style over time has shifted between punk, art rock, post-punk, and New Wave.

Their often discordant pop songs feature unusual synthetic instrumentation and time signatures that have proven influential on subsequent popular music, particularly New Wave, industrial and alternative rock artists.

In June 2008 McDonald's released a Happy Meal toy wearing the Devo Energy dome that they named " New Wave Nigel ".

Category: American New Wave musical groups

For their influences the new generation of film-makers looked to Italian neorealism, the French Nouvelle Vague and the British New Wave but combined this eclectically with references to the well-established genres of Hollywood cinema.

François Roland Truffaut ( 6 February 1932 – 21 October 1984 ) was an influential filmmaker and film critic, one of the founders of the French New Wave.

The French New Wave filmmakers such as Jean Luc Godard and François Truffaut and their American counterparts such as Andy Warhol and John Cassavetes also pushed the limits of editing technique during the late 1950s and throughout the 1960s.

French New Wave films and the non-narrative films of the 1960s used a carefree editing style and did not conform to the traditional editing etiquette of Hollywood films.

Had the situation been reversed, had, for instance, England been the enemy in 1898 because of issues of concern chiefly to New England, there is little doubt that large numbers of Southerners would have happily put on their old Confederate uniforms to fight as allies of Britain.

There is a New South emerging, a South losing the folksy traditions of an agrarian society with the rapidity of an avalanche -- especially within recent decades.

It would be interesting to know how much `` integration '' there is in the famous, fashionable colleges and prep schools of New England.

It is a question which New Englanders long ago put out of their minds.

It is true that New England, more than any other section, was dedicated to education from the start.

Was it supposed, perchance, that A & M ( vocational training, that is ) was quite sufficient for the immigrant class which flooded that part of the New England world in the post-Civil War period, the immigrants having been brought in from Southern Europe, to work in the mills, to make up for the labor shortage caused by migration to the West??

And it is clearly argued by Lord Percy of Newcastle, in his remarkable long essay, The Heresy Of Democracy, and in a more general way by Voegelin, in his New Science Of Politics, that this same Rousseauan idea, descending through European democracy, is the source of Marx's theory of the dictatorship of the proletariat.

The young William Faulkner in New Orleans in the 1920's impressed the novelist Hamilton Basso as obviously conscious of being a Southerner, and there is no evidence that since then he has ever considered himself any less so.

In answer to a New York Times query on what is fame ( `` Thoughts On Fame '', October 23, 1960 ), Carl said: `` Fame is a figment of a pigment.

His credulity is perhaps best illustrated in his introduction to The Emancipation Of Massachusetts, which purports to examine the trials of Moses and to draw a parallel between the leader of the Israelite exodus from Egypt and the leadership of the Puritan clergy in colonial New England.

There is, of course, nothing new about dystopias, for they belong to a literary tradition which, including also the closely related satiric utopias, stretches from at least as far back as the eighteenth century and Swift's Gulliver's Travels to the twentieth century and Zamiatin's We, Capek's War With The Newts, Huxley's Brave New World, E. M. Forster's `` The Machine Stops '', C. S. Lewis's That Hideous Strength, and Orwell's Nineteen Eighty-Four, and which in science fiction is represented before the present deluge as early as Wells's trilogy, The Time Machine, `` A Story Of The Days To Come '', and When The Sleeper Wakes, and as recently as Jack Williamson's `` With Folded Hands '' ( 1947 ), the classic story of men replaced by their own robots.

Since the great flood of these dystopias has appeared only in the last twelve years, it seems fairly reasonable to assume that the chief impetus was the 1949 publication of Nineteen Eighty-Four, an assumption which is supported by the frequent echoes of such details as Room 101, along with education by conditioning from Brave New World, a book to which science-fiction writers may well have returned with new interest after reading the more powerful Orwell dystopia.

He is New York-born and Jewish.

His may typify a certain kind of postwar New York experience, but his experience is certainly not typical of his `` generation's ''.

In any case, who ever thought that New York is typical of anything??

Only a native New Yorker could believe that New York is now or ever was a literary center.

Krim's typicality consists only in his New Yorker's view that New York is the world ; ;

he displays what outlanders call the New York mind, a state that the subject is necessarily unable to perceive in himself.

The New York mind is two parts abstraction and one part misinformation about the rest of the country and in fact the world.

In his fulminating against the literary world, Krim is really struggling with the New Yorker in himself, but it's a losing battle.