He returned to New York to work for The New Yorker, to edit a Western pulp, to `` duck the war in the OWI '', to write publicity for Paramount Pictures and commentary for a newsreel, then he began his career as critic for various magazines.

Paramount Pictures only agreed to American and Canadian distribution of Braveheart after 20th Century Fox partnered for international rights.

He directed dozens of silent films, including Paramount Pictures ' first production, The Squaw Man ( 1914 ), which was co-directed by Oscar Apfel, before coming into huge popularity during the late 1910s and early 1920s, when he reached the apex of his popularity with such films as Don't Change Your Husband ( 1919 ), The Ten Commandments ( 1923 ), and The King of Kings ( 1927 ).

A majority of the DeMille motion picture library now resides with EMKA, Ltd. through the television division of NBC Universal, due to Paramount Pictures ' losing the rights to the DeMille films in 1958 to EMKA, so technically it is Universal Pictures that now oversees a vast part of DeMille's motion picture career as well as its related archival material.

Paramount Pictures tried to repeat the success of Flaherty's Nanook and Moana with two romanticized documentaries, Grass ( 1925 ) and Chang ( 1927 ), both directed by Merian Cooper and Ernest Schoedsack.

She worked with Paramount Pictures for the comedy Teacher's Pet ( 1958 ), alongside Clark Gable and Mamie Van Doren.

Digital Cinema Initiatives ( DCI ) was formed in March 2002 as a joint project of many motion picture studios ( Disney, Fox, MGM, Paramount, Sony Pictures Entertainment, Universal, and Warner Bros. Studios ) to develop a system specification for digital cinema.

* Paramount Pictures ( some properties licensed 1949 to 1971, 1984 to 1996, and 2000 to 2001 )

Category: Paramount Pictures films

First National was the brainchild of Thomas L. Tally, who was reacting to the overwhelming influence of Paramount Pictures, which dominated the market.

Adolph Zukor of Paramount Pictures was threatened by First National's financial power and its control over the lucrative first run theaters and decided to enter the cinema business as well.

* United States v. Paramount Pictures, Inc.

According to Robert Evans, head of Paramount Pictures at the time, Coppola also did not initially want to direct the film because he feared it would glorify the Mafia and violence, and thus reflect poorly on his Sicilian and Italian heritage ; on the other hand, Evans specifically wanted an Italian-American to direct the film because his research had shown that previous films about the Mafia that were directed by non-Italians had fared dismally at the box office, and he wanted to, in his own words, " smell the spaghetti ".

In 1914 the Lasky company and Famous Players were amalgamated into Famous Players-Lasky, with distribution of their films handled by the new Paramount Pictures Corporation.

This led to Wray being contracted to Paramount Pictures as a teenager, where she made more than a dozen movies.

The following year in 1927, Wray was signed to a contract with Paramount Pictures In 1928, director Erich von Stroheim cast Wray as the main female lead in his film The Wedding March, released under Paramount, a film noted for its high budget and production values.

Capra directed two films at Paramount Pictures starring Bing Crosby, Riding High ( 1950 ) and Here Comes the Groom ( 1951 ).

In 1999 Brooks and his production company Red Strokes Entertainment, with Paramount Pictures, began to develop a movie in which Brooks would star.

It was released by the studio where the Marx Brothers began their film career, Paramount Pictures.

In December 1928, Paramount Pictures signed him to a contract that reimbursed him for his airfare and initially paid him $ 600 per week with no screen credit during a six-month apprenticeship.

Hawks was the Story Editor at Famous Players ( later Paramount Pictures ) almost two years, and occasionally edited such films as Heritage of the Desert.

Harold and Maude is a 1971 American dark comedy film directed by Hal Ashby and released by Paramount Pictures.

* 1939 – Shooting begins on Paramount Pictures ' Dr. Cyclops, the first horror film photographed in three-strip Technicolor.

Paramount Pictures owns a copyright of the official dictionary and other canonical descriptions of the language.

As for distribution of the material Paramount itself still owns, it has been split in half, with Paramount themselves owning theatrical rights.

* Warner Bros. also owns the rights to several films originally distributed by Paramount that were produced by Lorimar Productions, which was purchased by Warner in 1989.

* Paramount also no longer owns North American rights to Meatballs.

* Foreign rights to the 1975 Robert Altman film Nashville, are currently owned by ABC through Walt Disney Pictures but Paramount still owns North American rights ( both Paramount and ABC share copyrights ).

Corp. and later NTA and is back under Paramount distribution, on behalf of Republic Pictures ; EMKA / NBCUniversal owns the latter presently.

Paramount also owns DVD rights to several films released by Miramax Films prior to that firm's acquisition by Disney in 1993, also a result of a deal.

* Paramount owns the film libraries of many other companies that were absorbed into Republic ( see the Republic Pictures and Spelling Entertainment articles for more info ), again with DVD rights licensed to Lionsgate ;

* Paramount also owns ( through the Viacom merger ) US distribution rights to the 1951 film The African Queen, originally distributed by United Artists ( the international rights are with ITV Global Entertainment ).

* Paramount also has TV / digital rights to Dead Man Walking, originally from PolyGram Filmed Entertainment ; MGM owns other ancillary rights.

As for the DreamWorks Animation library, Paramount owns distributions rights to the present library, and their current distribution deal to future DWA titles expires after 2012.

Rights to the film are currently held by Universal Studios, which owns the pre-1950 Paramount sound feature film library via EMKA, Ltd.

Headquartered in Southern California are The Walt Disney Company ( which also owns ABC ), Sony Pictures, Universal, MGM, Paramount Pictures, 20th Century Fox, and Warner Brothers.

Paramount still owns video rights to some of these films today, while TV distribution is now with Trifecta Entertainment & Media, while the Disney owned Miramax films are distributed by Disney-ABC Domestic Television.

As a result of MGM's purchase of this film, it is not owned by Universal Studios, which owns most pre-1950 Paramount sound features ( and who has produced a popular line of horror films ).

* Lionsgate also now owns US DVD rights to Francis Ford Coppola's Apocalypse Now ( under license from Paramount Pictures, which owns US distribution rights on behalf of the film's rights holder, American Zoetrope, Coppola's company ).

Today, Paramount ( through Republic, which the studio's parent company, Viacom, acquired in 1999 ), in a twist of irony, now owns the original elements to its 1927 – September 1950 output they themselves originally released ( in addition to the April 1962 – 1967 non-Comic King shorts ( except Frog's Legs, starring Little Lulu, which Paramount still owns ) they have retained the rights to and the 1961 Noveltoon, Alvin's Solo Flight, also starring Little Lulu ).

Paramount now also owns the theatrical rights, while Lionsgate Entertainment ( Republic's video licensee and successor to Artisan Entertainment, previously LIVE Entertainment ) holds the home video rights, and Trifecta Entertainment & Media now holds most major TV rights on behalf of Republic / Paramount ( aside from other major and minor / low budget film, TV, and video companies that distribute the public domain cartoons )-- CBS Television Distribution ( as well as its predecessor companies Paramount Domestic Television and Worldvision Enterprises ) formally held such TV rights until 2009.