Pei spent ten years working with New York real estate magnate William Zeckendorf before establishing his own independent design firm that eventually became Pei Cobb Freed & Partners.

While visiting New York City in the late ' 30s, Pei met a Wellesley College student named Eileen Loo.

In the spring of 1948 Pei was recruited by New York real estate magnate William Zeckendorf to join a staff of architects for his firm of Webb and Knapp to design buildings around the country.

Zeckendorf was well connected politically, and Pei enjoyed learning about the social world of New York's city planners.

As with NCAR, Pei combined elements of cubism and natural harmony when designing the dormitories at New College of Florida in the mid-1960s.

Pei hoped the lobby would be exciting to the public in the same way as the central room of the Guggenheim Museum in New York.

As the Fragrant Hill project was nearing completion, Pei began working on the Jacob K. Javits Convention Center in New York City, although his associate James Freed served as lead designer.

The opening of the Louvre Pyramid coincided with four other projects on which Pei had been working, prompting architecture critic Paul Goldberger to declare 1989 " the year of Pei " in The New York Times.

Lacking inspiration and unsure of how to approach the building, Pei took a weekend vacation to the family home in Katonah, New York.

The New York Times called it " a fine building ", but Pei was among those who felt disappointed with the results.

Pei & Partners of New York at the request of then-president Oscar E. Lanford.

Barbara Goldsmith was a Founding Editor of New York magazine and the author of the widely-imitated series, “ The Creative Environment ,” in which she interviewed such subjects as Marcel Breuer, I. M. Pei, George Balanchine, and Pablo Picasso about their creative process.

Under the direction of the U. S. General Services Administration and the Pennsylvania Avenue Development Corporation, architectural firm Pei Cobb Freed & Partners of New York, in association with D. C. architects Ellerbe Becket, were selected as the building architects in 1989.

Dr Pei Te Hurinui Jones, circa 1930Ngāti Maniapoto is an iwi ( tribe ) based in the Waikato-Waitomo region of New Zealand's North Island.

Fung Wah was founded in New York City in 1996, as Fung Wah Transport Vans, Inc., by Pei Lin Liang, who had immigrated from Zhuhai, China in 1988.

Pei & Assocs, Manhattan, New York from 1960 to 1964.

Frederick Pei Li was born in Canton, China ( Guangzhou ), and raised in New York City where his parents operated a Chinese restaurant.

She was working in the architectural practice of IM Pei when Prince Gu, fresh out of MIT with architecture degree, joined the New York firm.

Between 1979 and 1980, the School Board negotiated with the Ministry of Education until it was agreed and approved by all the sponsors that in order to improve the school, all properties of Pei Tong Public School would be handed over to the Ministry of Education as from 1981 ; the new government primary school to be built on Avenue 5 Clementi New Town be named Pei Tong Primary School ; all the teaching and non-teaching staff and pupils be transferred to the new school ; and members of the School Board join as members of the School Advisory Committee.

Pei of Pei Cobb Freed & Partners, an international architectural firm based in New York City.

The Pei Plan was an urban redevelopment initiative designed for downtown Oklahoma City, Oklahoma, in the 1960s and 1970s.

Pei wanted his design for Dallas City Hall to " convey an image of the people ".

The organizing committee contacted 45 architects, but Pei did not respond, concerned that his work on City Hall had left a negative impression.

The company rented an office in Redwood City, designed by Pei.

* Pei Plan, Oklahoma City, Oklahoma, United States

The House of Dancing Water is set in the 2000-seat Dancing Water Theater designed by Pei Partnership Architects ; the theater is part of the City of Dreams integrated entertainment resort in Macau.

Finally, City Developments Limited agreed to the transfer of the land with an area of and 800 square yards to Pei Tong Public School.

* I M Pei: Dallas City Hall, National Gallery East Wing, Washington, D. C .; Rock & Roll Hall of Fame, Cleveland

Kelly has since executed many public commissions, including Wright Curve ( 1966 ), a steel sculpture designed for permanent installation in the Guggenheim ’ s Peter B. Lewis Theater ; a mural for the UNESCO headquarters in Paris in 1969 ; Curve XXII ( I Will ) at Lincoln Park in Chicago in 1981 ; a 1985 commission by I. M. Pei for the Raffles City building in Singapore ; the Houston Triptych, vertical bronze planes mounted on a tall concrete at the Museum of Fine Arts, Houston, in 1986 ; Totem ( 1987 ), a sculpture for the Parc de la Creueta del Coll, Barcelona ; the Dallas Panels ( Blue Green Black Red ) ( 1989 ) for the Morton H. Meyerson Symphony Center, Dallas ; a 1989 sculpture for the headquarters of Nestlé in Vevey, Switzerland ; Gaul ( 1993 ), a monumental sculpture commissioned by the Institute d ' Art Contemporain, Nîmes, France ; a two-part memorial for the United States Holocaust Memorial Museum, Washington, D. C., in 1993 ; and large-scale Berlin panels for the Deutscher Bundestag, Berlin, in 1998.

Our meeting took place in May, 1961, during one of the Maestro's stop-overs in New York, before he left for Europe.

After he had spent the first three years in New York as associate conductor, at Toscanini's invitation, of the NBC Orchestra, he made numerous guest appearances throughout the United States and Latin America.

Principal author of `` The Federalist '', he swung New York over from opposition to the Constitution to ratification almost single-handedly.

He ended his public career as a two-term governor of New York.

Talleyrand passed his New York law office one night on the way to a party.

No Southern novelist has done for Atlanta or Birmingham what Herrick, Dreiser, and Farrell did for Chicago or Dos Passos did for New York.

But hear Harrison E. Salisbury, former Moscow correspondent of The New York Times, and author of `` To Moscow -- And Beyond ''.

Exhibited in shows in London in 1935, and in New York the following year, the new, more elaborated abstracts were much favored in the circles of the modernists as three-dimentional dramas of great intellectual coherence.

In New York he was well received by what was then only a small brave band of non-figurative artists, including Alexander Calder, George K. L. Morris, De Kooning, Holty and a few others.

At the time of his capture Helion had on his person a sketchbook he had bought at Woolworth's in New York.

While convalescing in his Virginia home he wrote a book recording his prison experiences and escape, entitled: They Shall Not Have Me Published originally in ( Helion's ) English by Dutton & Co. of New York, in 1943, the book was received by the press as a work of astonishing literary power and one of the most realistic accounts of World War 2, from the French side.

Between 1944 and 1947 Helion had a series of one-man shows -- at the Paul Rosenberg Gallery in New York and in Paris -- of his new realistic pictures.

The New York Herald Tribune's photographer, Ira Rosenberg, tells an anecdote about the time he wanted to take a picture of Carl playing a guitar.

In answer to a New York Times query on what is fame ( `` Thoughts On Fame '', October 23, 1960 ), Carl said: `` Fame is a figment of a pigment.

`` Well, as a matter of fact, I've looked through back-issue files of New York papers for December, 1957, and haven't found a great deal '' --

`` It wasn't necessarily all here in New York.

When the troupe traveled to New York to participate in a one-act-play competition -- and won -- Mercer, instead of returning with the rest of the company in triumph, remained in New York.

the Honorable Robert Wagner, Sr., at that time a justice of the New York Supreme Court, was on the reception committee.

City editor Victor Watson of the New York American was a man of brooding suspicions and mysterious shifts of mood.

The blue-eyed Watson decided that he would dislike living in New York, and the deal fell through.

Hearst took a brief respite to hurry home to New York to become a father.

Attorney Shearn had worked on this for two years and had succeeded in getting a report supporting his stand from the United States Attorney for the Southern District of New York.