In 1964 he was included in the exhibition Post-Painterly Abstraction curated by Clement Greenberg which traveled the country and helped to firmly establish Color Field painting as an important new movement in the contemporary art of the 1960s.

Greenberg coined the term Post-Painterly Abstraction to distinguish it from Abstract Expressionism, or Painterly Abstraction, as Greenberg preferred to call it.

Among the dominant trends in the Post-Painterly Abstraction are Hard-Edged Painters such as Ellsworth Kelly and Frank Stella who explored relationships between tightly ruled shapes and edges, in Stella's case, between the shapes depicted on the surface and the literal shape of the support and Color-Field Painters such as Helen Frankenthaler and Morris Louis, who stained first Magna then water-based acrylic paints into unprimed canvas, exploring tactile and optical aspects of large, vivid fields of pure, open color.

Post-Painterly Abstraction is generally seen as continuing the Modernist dialectic of self-criticism.

* Post-Painterly Abstraction

She was included in the 1964 Post-Painterly Abstraction exhibition curated by Clement Greenberg that introduced a newer generation of abstract painting that came to be known as Color Field.

One of her most important influences was Clement Greenberg ( 1909 – 1994 ), an influential art and literary critic with whom she had a personal friendship and who included her in the Post-Painterly Abstraction exhibition that he curated in 1964.

Although the term Color Field is associated with Clement Greenberg, Greenberg actually preferred to use the term Post-Painterly Abstraction.

During the late 1950s and early 1960s Frank Stella was a significant figure in the emergence of Minimalism, Post-Painterly Abstraction and Color Field painting.

During the late 1950s and early 1960s Frank Stella was a significant figure in the emergence of Minimalism, Post-Painterly Abstraction and Color Field painting.

Matisse and Miró as well as Pablo Picasso, Paul Klee, Wassily Kandinsky and Piet Mondrian directly influenced the Abstract Expressionists, the Color Field painters of Post-Painterly Abstraction and the Lyrical Abstractionists.

Commonly used terms to describe the three separate but related groups are Abstract expressionism, Post-Painterly Abstraction, and Lyrical Abstraction.

Artists like Helen Frankenthaler, Sam Francis, Richard Diebenkorn, Jules Olitski, and Kenneth Noland were of a slightly younger generation or in the case of Morris Louis esthetically aligned with that generations point of view ; that started out as Abstract Expressionists but quickly moved to Post-Painterly Abstraction.

While younger artists like Frank Stella, Ronald Davis, Larry Zox, Larry Poons, Walter Darby Bannard, Ronnie Landfield, Dan Christensen, began with Post-Painterly Abstraction and eventually moved forward towards a new type of expressionism, referred to as Lyrical Abstraction.

During the later phases of Color Field painting ; as reflections of the zeitgeist of the late 1960s ( in which everything began to hang loose ) and the angst of the age ( with all of the uncertainties of the time ) merged with the gestalt of Post-Painterly Abstraction, producing Lyrical Abstraction which combined precision of the Color Field idiom with the malerische of the Abstract Expressionists.

She did not go so far as to say, as was done on other occasions, that Abstraction as well as Impressionism were a Russian invention that had been discarded as unwanted by the people of the U.S.S.R.

His collection of American art was strong in Abstract expressionism, Pop Art, Minimalism, Neo-Dada, Color Field, Lyrical Abstraction, and Neo-Expressionism and he often donated important works from his collection to institutions like MoMA, and other important private museums and University collections like the Norton Simon Museum, the Sheldon Museum of Art and the Iris & B. Gerald Cantor Center for Visual Arts at Stanford University among many others.

He became an enthusiastic advocate of this style and wrote many works according to its principles, among them Transformation ( 1957, for jazz ensemble ), Concertino ( 1959, for jazz quartet and orchestra ; one of its movements, Progression in Tempo, has sometimes been performed separately ), Abstraction ( 1959, for nine instruments ), the opera The Visitation ( 1966 ), and Variants on a Theme of Thelonious Monk ( 1960, for 13 instruments ), which was recorded by Ornette Coleman, Eric Dolphy, and Bill Evans.

Abstraction had not yet gained favor in the 1930s and 1940s and, thus, was virtually unsalable.

At the same time in Paris, Lyrical Abstraction was establishing a new identity.

It was designed such that the only thing that needed to be customized to port the Shared Source CLI to a different platform was a thin Platform Abstraction Layer ( PAL ).

Abstraction was viewed as the result of a lack of planning and logical thought processes.

Due to the ARCloader PROM, a custom Hardware Abstraction Layer ( HAL ) for Windows was necessary.

Sheer's DNA ( Dynamic Network Abstraction ) solution for Network Management was marketed globally through direct sales, as well as through leading SI and VARs around the world.

Kelly's relief painting Blue Tablet ( 1962 ), for example, was included in the seminal 1963 exhibition, Toward a New Abstraction, at the Jewish Museum.

After the Second World War the term School of Paris often referred to Tachisme, Lyrical Abstraction, the European equivalent of American abstract expressionism and those artists are also related to Cobra.

Abstraction uses a strategy of simplification, wherein formerly concrete details are left ambiguous, vague, or undefined ; thus effective communication about things in the abstract requires an intuitive or common experience between the communicator and the communication recipient.

Abstraction in mathematics is the process of extracting the underlying essence of a mathematical concept, removing any dependence on real world objects with which it might originally have been connected, and generalizing it so that it has wider applications or matching among other abstract descriptions of equivalent phenomena.

Greenberg saw Bush's post-Painters Eleven work as a clear manifestation of the shift from abstract expressionism to Color Field painting and Lyrical Abstraction, a shift he had called for in most of his critical writings of the period.

Abstraction in mathematics is the process of extracting the underlying essence of a mathematical concept, removing any dependence on real world objects with which it might originally have been connected, and generalising it so that it has wider applications or matching among other abstract descriptions of equivalent phenomena.

Abstraction is an ongoing process in mathematics and the historical development of many mathematical topics exhibits a progression from the concrete to the abstract.

Bush became closely tied to the two movements that grew out of the efforts of the abstract expressionist s: Color Field Painting and Lyrical Abstraction.

With encouragement from Greenberg, Bush became closely tied to two movements that grew out of the efforts of the abstract expressionists: Color Field Painting and Lyrical Abstraction.

Abstraction uses a strategy of simplification of detail, wherein formerly concrete details are left ambiguous, vague, or undefined ; thus speaking of things in the abstract demands that the listener have an intuitive or common experience with the speaker, if the speaker expects to be understood.

* Lyrical Abstraction exhibition debuts at the Aldrich Contemporary Art Museum marking a significant return to expressivity in American abstract painting.

Hartung's freewheeling abstract paintings set influential precedents for many younger American painters of the sixties, making him an important forerunner of American Lyrical Abstraction of the 1960s and 1970s.

Clement Greenberg became the voice of post-painterly Abstraction when he curated an influential exhibition of new painting that toured important art museums throughout the United States in 1964.

He pursued his own interests in the art world, ranging from automatic drawing and surrealism, to expressionism, Lyrical Abstraction, and Color Field painting.

Abstraction indicates a departure from reality in depiction of imagery in art.

Californian art from the 1950s through the 1970s is a particular strength, with artwork by Sam Francis, Richard Diebenkorn, Ronald Davis, Larry Bell, Edward Ruscha, Kenneth Price, Charles Arnoldi, and Ed Moses, Color Field painting and Lyrical Abstraction are represented by Ronald Davis, Sam Francis, Kenneth Noland, Ronnie Landfield, Frank Stella, Helen Frankenthaler, and Kenneth Showell.

Later new jazz musicians such as Archie Shepp, Ornette Coleman, Rahsaan Roland Kirk, Pharoah Sanders, Miles Davis, and John Coltrane coincided with Hard-edge painting, Minimalism, Color Field, Lyrical Abstraction, and Pop art of the 1960s.

Painters, sculptors and printmakers associated with Abstract expressionism, Action painting, Fluxus, Color field painting, Hard-edge painting, Pop art, Minimal Art, Lyrical Abstraction, and other movements associated with New York City.

This comprehensive collection of American art includes prominent holdings of 19th-century landscape and still life, American Impressionism, early Modernism, Geometric abstraction, Abstract Expressionism, Pop art, Lyrical Abstraction, Color Field painting, Minimalism and Contemporary Art.

Related to American Lyrical Abstraction of the 60s and 70s, Bay Area Figurative School of the 50s and 60s, the continuation of Abstract Expressionism, New Image Painting and precedents in Pop painting, it developed as a reaction against the conceptual art and minimal art of the 1970s.

The most important influences on his thought were Bergson and, later, Wilhelm Worringer ( 1881 – 1965 ), German art historian and critic ; and in particular his Abstraktion und Einfühlung ( Abstraction and Empathy, 1908 ).

His essays written together with his wife on the history of art Forradalom a művészetben: Absztrakció és szürrealizmus Magyarországon ( 1947, Revolution in Art: Abstraction and Surrealism in Hungary ) survey Hungarian art from Károly Ferenczy, Tivadar Csontváry Kosztka and Lajos Gulácsy up to the activity of the “ European School ”.