* In 1910 – 11 Futurist artist Gino Severini painted " The Black Cat " in direct reference to Poe's short story.

* Italian — Modigliani, Amedeo ( worked mainly in France ): Pierrot ( 1915 ); Severini, Gino: Many works, including The Two Pierrots ( 1922 ), Pierrot ( 1923 ), Pierrot the Musician ( 1924 ), The Music Lesson ( 1928 – 1929 ), The Carnival ( 1955 ).

Wider views of Cubism include artists who were later associated with the ‘ Salle 41 ’ artists, e. g., Francis Picabia ; the brothers Jacques Villon, Raymond Duchamp-Villon and Marcel Duchamp, who from late 1911 formed the core of the Section d ' Or ( or the Puteaux Group ); the sculptors Alexander Archipenko, Joseph Csaky and Ossip Zadkine as well as Jacques Lipchitz and Henri Laurens ; and painters such as Louis Marcoussis, Roger de La Fresnaye, František Kupka, Diego Rivera, Léopold Survage, Auguste Herbin, André Lhote, Gino Severini ( after 1916 ), María Blanchard ( after 1916 ) and Georges Valmier ( after 1918 ).

* 1883 – Gino Severini, Italian painter ( d. 1966 )

Soon afterward a group of painters ( Giacomo Balla, Umberto Boccioni, Carlo Carrà, Luigi Russolo, and Gino Severini ) co-signed the Futurist Manifesto.

This " return to order " is evident in the work of many European artists in the 1920s, including André Derain, Giorgio de Chirico, Gino Severini, the artists of the New Objectivity movement and of the Novecento Italiano movement.

* February 26 – Gino Severini, Italian painter ( b. 1883 )

The conjunction of such subject-matter with simultaneity aligns Salon Cubism with early Futurist paintings by Umberto Boccioni, Gino Severini and Carlo Carrà ; themselves made in response to early Cubism.

Léonce Rosenberg exhibited not only the artists stranded by Kahnweiler ’ s exile but others including Laurens, Lipchitz, Metzinger, Gleizes, Csaky, Herbin and Severini.

De Stijl was also linked by Gino Severini to Cubist theory through the writings of Albert Gleizes.

In fact, his arrival at the centre of artistic experimentation coincided with the arrival of two other foreigners who were also to leave their marks upon the art world: Gino Severini and Juan Gris.

Some of the notable artists are Picasso, Dalí, Magritte, Brâncuşi ( including a sculpture from the Bird in Space series ), eleven works by Pollock, Braque, Duchamp, Léger, Severini, Picabia, de Chirico, Mondrian, Kandinsky, Miró, Giacometti, Klee, Gorky, Calder, Max Ernst and Peggy Guggenheim's daughter, Pegeen Vail Guggenheim.

Among the artists represented in the collection are, from Italy, De Chirico ( The Red Tower, The Nostalgia of the Poet ) and Severini ( Sea Dancer ); from France, Braque ( The Clarinet ), Duchamp ( Sad Young Man on a Train ), Léger ( Study of a Nude ), Picabia ( Very Rare Picture on Earth ); from Spain, Dalí ( Birth of Liquid Desires ), Miró ( Seated Woman II ) and Picasso ( The Poet, On the Beach ); from other European countries, Brâncuşi ( including a sculpture from the Bird in Space series ), Max Ernst ( The Kiss, Attirement of the Bride ), Giacometti ( Woman with Her Throat Cut, Woman Walking ), Gorky ( Untitled ), Kandinsky ( Landscape with Red Spots, No. 2, White Cross ), Klee ( Magic Garden ), Magritte ( Empire of Light ) and Mondrian ( Composition No. 1 with Grey and Red 1938, Composition with Red 1939 ); and from the US, Calder ( Arc of Petals ) and Pollock ( The Moon Woman, Alchemy ).

In addition to the permanent collection, the museum houses 26 works on long-term loan from the Gianni Mattioli Collection, including images of Italian futurism by artists including Boccioni ( Materia, Dynamism of a Cyclist ), Carrà ( Interventionist Demonstration ), Russolo ( The Solidity of Fog ) and Severini ( Blue Dancer ), as well as works by Balla, Depero, Rosai, Sironi and Soffici.

Severini ( 1991 ) discusses conditions under which credible intervals and confidence intervals will produce similar results, and also discusses both the coverage probabilities of credible intervals and the posterior probabilities associated with confidence intervals.

* Severini, T. A.

Key figures of the movement include the Italians Filippo Tommaso Marinetti, Umberto Boccioni, Carlo Carrà, Gino Severini, Giacomo Balla, Antonio Sant ' Elia, Tullio Crali and Luigi Russolo, and the Russians Natalia Goncharova, Velimir Khlebnikov, and Vladimir Mayakovsky, as well as the Portuguese Almada Negreiros.

He was soon joined by the painters Umberto Boccioni, Carlo Carrà, Giacomo Balla, Gino Severini and the composer Luigi Russolo.

Later, Severini, who lived in Paris, attributed their backwardness in style and method at this time to their distance from Paris, the centre of avant garde art.

Severini was the first to come into contact with Cubism and following a visit to Paris in 1911 the Futurist painters adopted the methods of the Cubists.

The adoption of Cubism determined the style of much subsequent Futurist painting, which Boccioni and Severini in particular continued to render in the broken colors and short brush-strokes of divisionism.

Severini abandoned Futurism after the First World War and was part of the " return to order ", becoming interested in a more conservative, analytic type of painting and making a study of Giotto.

Gino Severini ( 7 April 1883 – 26 February 1966 ), was an Italian painter and a leading member of the Futurist movement.

The Castello Svevo ( Swabian Castle ), built from XIII to XV century as rampart against Barbary pirates strikes, is home of the Municipal Art Gallery, that in nine rooms collects paintings, mainly from 1850 to early 20 < sup > th </ sup > century, by Gino Severini, Filippo De Pisis, Ottone Rosai, Vittorio Corcos, Giovanni Fattori, Domenico Morelli, Giovanni Costa and Silvestro Lega.

Severini settled in Paris in November 1906.

Severini helped to organize the first Futurist exhibition outside Italy at Galerie Bernheim-Jeune, Paris, in February 1912 and participated in subsequent Futurist shows in Europe and the United States.

Mosaic by Severini decorating the Church of St. Mark in Cortona, Italy. After 1920 he divided his time between Paris and Rome.

Severini died in Paris on February 26, 1966, aged 82.

Many styles of modern art, including Fauvism, Expressionism, Cubism, Dada, Abstract art, Surrealism are represented with works by Matisse, André Derain, Maurice de Vlaminck, Raoul Dufy, Albert Marquet, Le Douanier Rousseau, Paul Signac, Georges Braque, Pablo Picasso, Fernand Léger, Juan Gris, Ernst Ludwig Kirchner, August Macke, Alexej von Jawlensky, Emil Nolde, Oskar Kokoschka, Otto Dix, George Grosz, Kurt Schwitters, Marcel Duchamp, Francis Picabia, Carlo Carrà, Umberto Boccioni, Giacomo Balla, Gino Severini, Marc Chagall, Natalia Gontcharova, Mikhail Larionov, Alexander Rodchenko, Kupka, Mondrian, Theo Van Doesburg, Paul Klee, Vassili Kandinsky, Kasimir Malevich, Jacques Villon, Robert and Sonia Delaunay, Georges Rouault, Balthus, Max Beckmann, Brancusi and Calder, Soutine, Marc Chagall, Modigliani, Kees Van Dongen, Jean Arp, Giorgio de Chirico, André Breton, Salvador Dalí, Magritte, Max Ernst, Miro, Man Ray, Alberto Giacometti, René Iché, Nicolas de Staël, André Masson, Tanguy, Jean Tinguely, Yves Klein, Pollock, Mark Rothko, Barnett Newman, Willem de Kooning, and Francis Bacon.

The Vita Sancti Severini biography by the Early Christian chronicler Eugippius reported that during the Decline of the Roman Empire about 450 AD the local capital Iuvavum in the Noricum ripense province was already home to two churches and a monastery.

Severini was born into a poor family in Cortona, Italy.

Severini was less attracted to the subject of the machine than his fellow Futurists and frequently chose the form of the dancer to express Futurist theories of dynamism in art.

The first proof of the theorem was given by Carlo Severini in 1910 and was published in: he used the result as a tool in his research on series of orthogonal functions.

Together with his friend Gino Severini, he became a student of Giacomo Balla, a divisionist painter.

* Structures de peinture, Structure de l ' esprit, Hommage à Albert Gleizes, with essays, statements and fragments of works by Gleizes, Metzinger, André Beaudin, Gino Severini, et al., Lyons, Atelier de la Rose, 1954

Severini later came to agree with Apollinaire.

But he painted some of the boldest and most original pictures of his time, and even after nearly half a century, the tense, tormented world he put on canvas has lost none of its fascination.

He also painted some portraits ; overall his painted oeuvre was not large.

Meanwhile, in 1868, tombs at Ialysus in Rhodes had yielded to Alfred Biliotti many fine painted vases of styles which were called later the third and fourth " Mycenaean "; but these, bought by John Ruskin, and presented to the British Museum, excited less attention than they deserved, being supposed to be of some local Asiatic fabric of uncertain date.

He stayed for some years circa 1712 in Venice, where he painted many works for the patron Zaccaria Sagredo.

Monet lived from December 1871 to 1878 at Argenteuil, a village on the right bank of the Seine river near Paris, and a popular Sunday-outing destination for Parisians, where he painted some of his best known works.

Returning to France, in 1890 Pissarro again visited England and painted some ten scenes of central London.

The graphics, by Adrian Carmack, Kevin Cloud and Gregor Punchatz, were modelled in various ways: although much was drawn or painted, several of the monsters were built from sculptures in clay or latex, and some of the weapons are toy guns from Toys " R " Us.

A tradition exists in some parts of the United Kingdom ( such as Scotland and North East England ) of rolling painted eggs down steep hills on Easter Sunday.

He painted a number of pictures, several of them in larger format and to some extent featuring the Art Nouveau aesthetics of the time.

* Hans Holbein is considered to be the greatest portraitist of Erasmus, having painted him at least three times, and perhaps as many as seven ; some only survive in versions by other artists.

In painting buon fresco, a rough underlayer called the arriccio is added to the whole area to be painted and allowed to dry for some days.

This is because ( through some unknown path ) the pixels on the other side of the mark can be reached and painted in the future.

Harpsichords have been decorated in a great many different ways: with plain buff paint ( e. g. some Flemish instruments ), with paper printed with patterns, with leather or velvet coverings, with chinoiserie, or occasionally with highly elaborate painted artwork.

Irenaeus, ( c. 130 – 202 ) in his Against Heresies ( 1: 25 ; 6 ) says scornfully of the Gnostic Carpocratians, " They also possess images, some of them painted, and others formed from different kinds of material ; while they maintain that a likeness of Christ was made by Pilate at that time when Jesus lived among them.

This walnut ink drawing can be clearly seen in some of the thinly painted areas of his work.

In some cases, evidence of accidents or repairs may be added, such as dents or freshly painted replacement parts, and weathered models can be nearly indistinguishable from their prototypes when photographed appropriately.

Pliny mentions some painted ceilings in his day in the town of Ardea, which had been done prior to the foundation of Rome.

He also painted some frescoes in the Prato Cathedral and Bologna.

Although Alma-Tadema's fame rests on his paintings set in Antiquity, he also painted portraits, landscapes and watercolors, and made some etchings himself ( although many more were made of his paintings by others ).

Veronese also painted the breed into some of his other religious work, including The Marriage at Cana and The Finding of Moses.

Layers that consist of complex geometric objects ( such as text or polylines ) may be broken down into simpler elements ( characters or line segments, respectively ), which are then painted as separate layers, in some order.

There he painted some of his best-known paintings including " The Doctor and the Doll ".

He also painted many portraits of Polish gentry and was interested in Huguenot and Polish history as well, making some paintings on the topic.

There are fresco cycles in the Sala delle Sibille ( Room of Sibyls ), with its original terracotta fireplace bearing the coat of arms of Giovanni Romei, in the adjoining Saletta dei Profeti ( Room of the Prophets ), depicting allegories from the Bible and in other rooms, some of which were commissioned by cardinal Ippolito d ' Este and painted by the school of Camillo and Cesare Filippi ( 16th century ).