De Stijl was also linked by Gino Severini to Cubist theory through the writings of Albert Gleizes.

He was soon joined by the painters Umberto Boccioni, Carlo Carrà, Giacomo Balla, Gino Severini and the composer Luigi Russolo.

Severini was the first to come into contact with Cubism and following a visit to Paris in 1911 the Futurist painters adopted the methods of the Cubists.

Severini painted some significant war pictures in 1915 ( e. g. War, Armored Train, and Red Cross Train ), but in Paris turned towards Cubism and post-war was associated with the Return to Order.

The Vita Sancti Severini biography by the Early Christian chronicler Eugippius reported that during the Decline of the Roman Empire about 450 AD the local capital Iuvavum in the Noricum ripense province was already home to two churches and a monastery.

Gino Severini ( 7 April 1883 – 26 February 1966 ), was an Italian painter and a leading member of the Futurist movement.

Severini was born into a poor family in Cortona, Italy.

Severini abandoned Futurism after the First World War and was part of the " return to order ", becoming interested in a more conservative, analytic type of painting and making a study of Giotto.

The first proof of the theorem was given by Carlo Severini in 1910 and was published in: he used the result as a tool in his research on series of orthogonal functions.

Soon afterward a group of painters ( Giacomo Balla, Umberto Boccioni, Carlo Carrà, Luigi Russolo, and Gino Severini ) co-signed the Futurist Manifesto.

* In 1910 – 11 Futurist artist Gino Severini painted " The Black Cat " in direct reference to Poe's short story.

The conjunction of such subject-matter with simultaneity aligns Salon Cubism with early Futurist paintings by Umberto Boccioni, Gino Severini and Carlo Carrà ; themselves made in response to early Cubism.

The adoption of Cubism determined the style of much subsequent Futurist painting, which Boccioni and Severini in particular continued to render in the broken colors and short brush-strokes of divisionism.

Severini helped to organize the first Futurist exhibition outside Italy at Galerie Bernheim-Jeune, Paris, in February 1912 and participated in subsequent Futurist shows in Europe and the United States.

In fact, his arrival at the centre of artistic experimentation coincided with the arrival of two other foreigners who were also to leave their marks upon the art world: Gino Severini and Juan Gris.

Later, Severini, who lived in Paris, attributed their backwardness in style and method at this time to their distance from Paris, the centre of avant garde art.

Many styles of modern art, including Fauvism, Expressionism, Cubism, Dada, Abstract art, Surrealism are represented with works by Matisse, André Derain, Maurice de Vlaminck, Raoul Dufy, Albert Marquet, Le Douanier Rousseau, Paul Signac, Georges Braque, Pablo Picasso, Fernand Léger, Juan Gris, Ernst Ludwig Kirchner, August Macke, Alexej von Jawlensky, Emil Nolde, Oskar Kokoschka, Otto Dix, George Grosz, Kurt Schwitters, Marcel Duchamp, Francis Picabia, Carlo Carrà, Umberto Boccioni, Giacomo Balla, Gino Severini, Marc Chagall, Natalia Gontcharova, Mikhail Larionov, Alexander Rodchenko, Kupka, Mondrian, Theo Van Doesburg, Paul Klee, Vassili Kandinsky, Kasimir Malevich, Jacques Villon, Robert and Sonia Delaunay, Georges Rouault, Balthus, Max Beckmann, Brancusi and Calder, Soutine, Marc Chagall, Modigliani, Kees Van Dongen, Jean Arp, Giorgio de Chirico, André Breton, Salvador Dalí, Magritte, Max Ernst, Miro, Man Ray, Alberto Giacometti, René Iché, Nicolas de Staël, André Masson, Tanguy, Jean Tinguely, Yves Klein, Pollock, Mark Rothko, Barnett Newman, Willem de Kooning, and Francis Bacon.

* 1883 – Gino Severini, Italian painter ( d. 1966 )

This " return to order " is evident in the work of many European artists in the 1920s, including André Derain, Giorgio de Chirico, Gino Severini, the artists of the New Objectivity movement and of the Novecento Italiano movement.

* February 26 – Gino Severini, Italian painter ( b. 1883 )

Wider views of Cubism include artists who were later associated with the ‘ Salle 41 ’ artists, e. g., Francis Picabia ; the brothers Jacques Villon, Raymond Duchamp-Villon and Marcel Duchamp, who from late 1911 formed the core of the Section d ' Or ( or the Puteaux Group ); the sculptors Alexander Archipenko, Joseph Csaky and Ossip Zadkine as well as Jacques Lipchitz and Henri Laurens ; and painters such as Louis Marcoussis, Roger de La Fresnaye, František Kupka, Diego Rivera, Léopold Survage, Auguste Herbin, André Lhote, Gino Severini ( after 1916 ), María Blanchard ( after 1916 ) and Georges Valmier ( after 1918 ).

Léonce Rosenberg exhibited not only the artists stranded by Kahnweiler ’ s exile but others including Laurens, Lipchitz, Metzinger, Gleizes, Csaky, Herbin and Severini.

Some of the notable artists are Picasso, Dalí, Magritte, Brâncuşi ( including a sculpture from the Bird in Space series ), eleven works by Pollock, Braque, Duchamp, Léger, Severini, Picabia, de Chirico, Mondrian, Kandinsky, Miró, Giacometti, Klee, Gorky, Calder, Max Ernst and Peggy Guggenheim's daughter, Pegeen Vail Guggenheim.

Among the artists represented in the collection are, from Italy, De Chirico ( The Red Tower, The Nostalgia of the Poet ) and Severini ( Sea Dancer ); from France, Braque ( The Clarinet ), Duchamp ( Sad Young Man on a Train ), Léger ( Study of a Nude ), Picabia ( Very Rare Picture on Earth ); from Spain, Dalí ( Birth of Liquid Desires ), Miró ( Seated Woman II ) and Picasso ( The Poet, On the Beach ); from other European countries, Brâncuşi ( including a sculpture from the Bird in Space series ), Max Ernst ( The Kiss, Attirement of the Bride ), Giacometti ( Woman with Her Throat Cut, Woman Walking ), Gorky ( Untitled ), Kandinsky ( Landscape with Red Spots, No. 2, White Cross ), Klee ( Magic Garden ), Magritte ( Empire of Light ) and Mondrian ( Composition No. 1 with Grey and Red 1938, Composition with Red 1939 ); and from the US, Calder ( Arc of Petals ) and Pollock ( The Moon Woman, Alchemy ).

In addition to the permanent collection, the museum houses 26 works on long-term loan from the Gianni Mattioli Collection, including images of Italian futurism by artists including Boccioni ( Materia, Dynamism of a Cyclist ), Carrà ( Interventionist Demonstration ), Russolo ( The Solidity of Fog ) and Severini ( Blue Dancer ), as well as works by Balla, Depero, Rosai, Sironi and Soffici.

Severini ( 1991 ) discusses conditions under which credible intervals and confidence intervals will produce similar results, and also discusses both the coverage probabilities of credible intervals and the posterior probabilities associated with confidence intervals.

* Severini, T. A.

Key figures of the movement include the Italians Filippo Tommaso Marinetti, Umberto Boccioni, Carlo Carrà, Gino Severini, Giacomo Balla, Antonio Sant ' Elia, Tullio Crali and Luigi Russolo, and the Russians Natalia Goncharova, Velimir Khlebnikov, and Vladimir Mayakovsky, as well as the Portuguese Almada Negreiros.

each day the hurt was a little duller, a little less poignant.

He had spent two hours riding around the ranch that morning, and in broad daylight it was even less inviting than Judith Pierce had made it seem.

He was less to see, but Feathertop took him in, too, just to keep the records straight.

Its appeal from ballots to bullets at Fort Sumter ended by costing the Southerners their right to have slaves -- a right that was even less compatible with the sovereignty of man.

The only extended view possible to anyone less tall than the fences was that obtained from an upper bough of the apple tree.

In the pre-Civil War years, the South argued that the slave was not less humanely treated than the factory worker of the North.

A Comedy In Three Acts '', in which, under `` Personages '', Henrietta appeared as `` A Schoolmarm '', and Bertha, who was only a trifle less brilliant in high school than Henrietta had been, appeared as `` Dummkopf ''.

In a letter to Meynell, which was written in June, less than a month before Katie's wedding, he was highly melodramatic in his despair and once again announced his intention of returning to the life of the streets: ``

That she was affected by his protestations seems obvious, but since she was evidently a sensible young woman -- as well as an outgoing and sympathetic type -- it would seem that for her the word friendship had a far less intense emotional significance than that which Thompson gave it.

Alexander Vasilievitch Suvorov, now in his fifty-ninth year ( ten years Potemkin's senior ), was a thin, worn-faced person of less than medium height who looked like a professor of botany.

He was thrown out, more or less, from Boston, Plymouth, Pocasset, Newport, and Providence.

So, because he had received less than Tom, it was felt proper that Fred should receive the few hundred dollars that remained.

As the total number of incepting bachelors in 1629 was, according to Masson ( Life, 1:218 ) and n, two hundred fifty-nine, the twenty-four names listed in the ordo senioritatis for that year constitute slightly less than one tenth of the total number of bachelors who then incepted.

Several times in my youth I voted the Socialist ticket, but less because I was Socialist than because I was not either a Republican or a Democrat, and I voted for Franklin Roosevelt every time he was a candidate.

The Chancellor had as much business there as Ulbricht had in East Berlin -- and was certainly less provocative than the juvenile sound-truck taunts of Gerhard Eisler.

But the internationalists have taken over the governing body of the bar, and when the lads met in St. Louis, it was not to grumble about the humidity but to vote unanimously that the United Nations was scarcely less than wonderful, despite an imperfection here and there.

The funeral for my husband was just what I wanted and I paid a fair price, far less than I had expected to pay.

It could have continued testing to the full on the grounds that the radiation danger was far less than the danger of Communist world domination.

It was often re-enacted in less wild form at the Wednesday night prayer meeting.

The accuracy of measuring the total electrical energy entering an exploding wire during a few microseconds was verified when two independent types of comparison with the heat energy produced had an uncertainty of less than 2 percent.