De Stijl was also linked by Gino Severini to Cubist theory through the writings of Albert Gleizes.

He was soon joined by the painters Umberto Boccioni, Carlo Carrà, Giacomo Balla, Gino Severini and the composer Luigi Russolo.

Severini painted some significant war pictures in 1915 ( e. g. War, Armored Train, and Red Cross Train ), but in Paris turned towards Cubism and post-war was associated with the Return to Order.

The Vita Sancti Severini biography by the Early Christian chronicler Eugippius reported that during the Decline of the Roman Empire about 450 AD the local capital Iuvavum in the Noricum ripense province was already home to two churches and a monastery.

Gino Severini ( 7 April 1883 – 26 February 1966 ), was an Italian painter and a leading member of the Futurist movement.

Severini was born into a poor family in Cortona, Italy.

Severini was less attracted to the subject of the machine than his fellow Futurists and frequently chose the form of the dancer to express Futurist theories of dynamism in art.

Severini abandoned Futurism after the First World War and was part of the " return to order ", becoming interested in a more conservative, analytic type of painting and making a study of Giotto.

The first proof of the theorem was given by Carlo Severini in 1910 and was published in: he used the result as a tool in his research on series of orthogonal functions.

Severini helped to organize the first Futurist exhibition outside Italy at Galerie Bernheim-Jeune, Paris, in February 1912 and participated in subsequent Futurist shows in Europe and the United States.

Wider views of Cubism include artists who were later associated with the ‘ Salle 41 ’ artists, e. g., Francis Picabia ; the brothers Jacques Villon, Raymond Duchamp-Villon and Marcel Duchamp, who from late 1911 formed the core of the Section d ' Or ( or the Puteaux Group ); the sculptors Alexander Archipenko, Joseph Csaky and Ossip Zadkine as well as Jacques Lipchitz and Henri Laurens ; and painters such as Louis Marcoussis, Roger de La Fresnaye, František Kupka, Diego Rivera, Léopold Survage, Auguste Herbin, André Lhote, Gino Severini ( after 1916 ), María Blanchard ( after 1916 ) and Georges Valmier ( after 1918 ).

The conjunction of such subject-matter with simultaneity aligns Salon Cubism with early Futurist paintings by Umberto Boccioni, Gino Severini and Carlo Carrà ; themselves made in response to early Cubism.

In fact, his arrival at the centre of artistic experimentation coincided with the arrival of two other foreigners who were also to leave their marks upon the art world: Gino Severini and Juan Gris.

Among the artists represented in the collection are, from Italy, De Chirico ( The Red Tower, The Nostalgia of the Poet ) and Severini ( Sea Dancer ); from France, Braque ( The Clarinet ), Duchamp ( Sad Young Man on a Train ), Léger ( Study of a Nude ), Picabia ( Very Rare Picture on Earth ); from Spain, Dalí ( Birth of Liquid Desires ), Miró ( Seated Woman II ) and Picasso ( The Poet, On the Beach ); from other European countries, Brâncuşi ( including a sculpture from the Bird in Space series ), Max Ernst ( The Kiss, Attirement of the Bride ), Giacometti ( Woman with Her Throat Cut, Woman Walking ), Gorky ( Untitled ), Kandinsky ( Landscape with Red Spots, No. 2, White Cross ), Klee ( Magic Garden ), Magritte ( Empire of Light ) and Mondrian ( Composition No. 1 with Grey and Red 1938, Composition with Red 1939 ); and from the US, Calder ( Arc of Petals ) and Pollock ( The Moon Woman, Alchemy ).

Severini ( 1991 ) discusses conditions under which credible intervals and confidence intervals will produce similar results, and also discusses both the coverage probabilities of credible intervals and the posterior probabilities associated with confidence intervals.

Together with his friend Gino Severini, he became a student of Giacomo Balla, a divisionist painter.

* Structures de peinture, Structure de l ' esprit, Hommage à Albert Gleizes, with essays, statements and fragments of works by Gleizes, Metzinger, André Beaudin, Gino Severini, et al., Lyons, Atelier de la Rose, 1954

Many styles of modern art, including Fauvism, Expressionism, Cubism, Dada, Abstract art, Surrealism are represented with works by Matisse, André Derain, Maurice de Vlaminck, Raoul Dufy, Albert Marquet, Le Douanier Rousseau, Paul Signac, Georges Braque, Pablo Picasso, Fernand Léger, Juan Gris, Ernst Ludwig Kirchner, August Macke, Alexej von Jawlensky, Emil Nolde, Oskar Kokoschka, Otto Dix, George Grosz, Kurt Schwitters, Marcel Duchamp, Francis Picabia, Carlo Carrà, Umberto Boccioni, Giacomo Balla, Gino Severini, Marc Chagall, Natalia Gontcharova, Mikhail Larionov, Alexander Rodchenko, Kupka, Mondrian, Theo Van Doesburg, Paul Klee, Vassili Kandinsky, Kasimir Malevich, Jacques Villon, Robert and Sonia Delaunay, Georges Rouault, Balthus, Max Beckmann, Brancusi and Calder, Soutine, Marc Chagall, Modigliani, Kees Van Dongen, Jean Arp, Giorgio de Chirico, André Breton, Salvador Dalí, Magritte, Max Ernst, Miro, Man Ray, Alberto Giacometti, René Iché, Nicolas de Staël, André Masson, Tanguy, Jean Tinguely, Yves Klein, Pollock, Mark Rothko, Barnett Newman, Willem de Kooning, and Francis Bacon.

Severini later came to agree with Apollinaire.

The adoption of Cubism determined the style of much subsequent Futurist painting, which Boccioni and Severini in particular continued to render in the broken colors and short brush-strokes of divisionism.

Later, Severini, who lived in Paris, attributed their backwardness in style and method at this time to their distance from Paris, the centre of avant garde art.

Severini settled in Paris in November 1906.

Mosaic by Severini decorating the Church of St. Mark in Cortona, Italy. After 1920 he divided his time between Paris and Rome.

Severini died in Paris on February 26, 1966, aged 82.

It is also named Severini – Egoroff theorem or Severini – Egorov theorem, after Carlo Severini, an Italian mathematician, and Dmitri Egorov, a Russian physicist and geometer, who published independent proofs respectively in 1910 and 1911.

Soon afterward a group of painters ( Giacomo Balla, Umberto Boccioni, Carlo Carrà, Luigi Russolo, and Gino Severini ) co-signed the Futurist Manifesto.

* In 1910 – 11 Futurist artist Gino Severini painted " The Black Cat " in direct reference to Poe's short story.

* 1883 – Gino Severini, Italian painter ( d. 1966 )

This " return to order " is evident in the work of many European artists in the 1920s, including André Derain, Giorgio de Chirico, Gino Severini, the artists of the New Objectivity movement and of the Novecento Italiano movement.

* February 26 – Gino Severini, Italian painter ( b. 1883 )

Léonce Rosenberg exhibited not only the artists stranded by Kahnweiler ’ s exile but others including Laurens, Lipchitz, Metzinger, Gleizes, Csaky, Herbin and Severini.

Some of the notable artists are Picasso, Dalí, Magritte, Brâncuşi ( including a sculpture from the Bird in Space series ), eleven works by Pollock, Braque, Duchamp, Léger, Severini, Picabia, de Chirico, Mondrian, Kandinsky, Miró, Giacometti, Klee, Gorky, Calder, Max Ernst and Peggy Guggenheim's daughter, Pegeen Vail Guggenheim.

In addition to the permanent collection, the museum houses 26 works on long-term loan from the Gianni Mattioli Collection, including images of Italian futurism by artists including Boccioni ( Materia, Dynamism of a Cyclist ), Carrà ( Interventionist Demonstration ), Russolo ( The Solidity of Fog ) and Severini ( Blue Dancer ), as well as works by Balla, Depero, Rosai, Sironi and Soffici.

* Severini, T. A.

Key figures of the movement include the Italians Filippo Tommaso Marinetti, Umberto Boccioni, Carlo Carrà, Gino Severini, Giacomo Balla, Antonio Sant ' Elia, Tullio Crali and Luigi Russolo, and the Russians Natalia Goncharova, Velimir Khlebnikov, and Vladimir Mayakovsky, as well as the Portuguese Almada Negreiros.

But her prettiness was what he had noticed first, and all the other things had come afterward: cruelty, meanness, self-will.

There was an artificial lake just out of sight in the first stand of trees, fed by a half dozen springs that popped out of the ground above the hillside orchard.

The first part of the road was steep, but it leveled off after the second bend and curled gradually into the valley.

No one was behind it, but in the rear wall of the office I noticed, for the first time, a door which had been left partially open.

The herd was watered and then thrown onto a broad grass flat which was to be the first night's bedground.

Once again, Tom Horn was the first and most likely suspect, and he was brought in for questioning immediately.

For Matilda, it was the first she had known in many a night.

Even the knowledge that she was losing another boy, as a mother always does when a marriage is made, did not prevent her from having the first carefree, dreamless sleep that she had known since they dropped down the canyon and into Bear Valley, way, way back there when they were crossing those other mountains.

Stevens was grunting over the last empty pocket when Russ abruptly rose and lunged toward Carmer's hat, which had tumbled half-a-dozen feet away when he first fell.

The Indian's arm whipped sidewise -- there was a flash of amber and froth, the crash of the bottle shattering against the side of the first car.

It was her first smile.

At first, I thought he was out of his head, talking wildly like this.

Hell, I gave him the first decent job he ever had, six, seven -- how many years ago was it, Rob ''??

Miss Langford ( her first name was Evelyn ) was an attractive girl.

School began in August, the hottest part of the year, and for the first few days Miss Langford was very lenient with the children, letting them play a lot and the new ones sort of get acquainted with one another.

It was just as well that the ignorant Dandy enjoyed himself to the hilt that first evening, for the room was to become his prison cell.

`` Bastards '', he would say, `` all I did was put a beat to that Vivaldi stuff, and the first chair clobbered me ''!!

In 1961 the first important legislative victory of the Kennedy Administration came when the principle of national responsibility for local economic distress won out over a `` state's-responsibility '' proposal -- provision was made for payment for unemployment relief by nation-wide taxation rather than by a levy only on those states afflicted with manpower surplus.

The first systematic thinking about this Pandora's box within Pandora's boxes was done four years ago by Fred Ikle, a frail, meek-mannered Swiss-born sociologist.

The smell at first was more surprising than unpleasant.

His collaboration with Washington, begun when he was the general's aide during the Revolution, was resumed when he entered the first Cabinet as Secretary of the Treasury.