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She and Wojciech
She recorded many hits of that era, composed exclusively for her by such composers like Jerzy Wasowski, Wladyslaw Szpilman, Piotr Figiel, Wojciech Karolak a. o.
She also became the theme of paintings by several artists of the epoch, among them Hyppolyte Bellange, Achille Deveria, Philipp Veit, Francois de Villain and Wojciech Kossak.
She was married to Count Alfred Wojciech Potocki married on June 21, 1814.

She and then
She rubbed her eyes and stretched, then sat up, her hands going to her hair.
She helped him with the dishes, then he brought more water in from the spring before it got dark.
She was carrying a quirt, and she started to raise it, then let it fall again and dangle from her wrist.
She saw it then, the distant derrick of the wildcat -- a test well in unexplored country.
She stood up, pulled the coat from her shoulders and started to slide it off, then let out a high-pitched scream and I let out a low-pitched, wobbling sound like a muffler blowing out.
`` She didn't really say '' -- She glanced away at the floor, then swooped gracefully and picked up one of Scotty's slippers.
She just about made me carry her upstairs and then she clung to me and wouldn't let me go.
She had surprised Hans like she had surprised me when she said she'd go, and then she surprised him again when she came back so quick like she must have, because when I came in with the snow she was there with a bottle with three white feathers on its label and Hans was holding it angrily by the throat.
She went into the living room and turned on three lamps, then back into the kitchen where she turned on the ceiling light and the switch that lit the floods on the barn, illuminating the driveway.
She then went over them thoroughly giving each a strenuous test in showmanship.
She was then trained on the trot until December 29, hitched to a breaking cart once around the half-mile track and hoppled again.
She patronized Greenwich Village artists for awhile, then put some money into a Broadway show which was successful ( terrible, but successful ).
She then described her experience as one in which she first had difficulty accepting for herself a state of being in which she relinquished control.
She retreated by leaving the room when we suggested that our meeting might well terminate right then and there.
She was the John Harvey, one of those Atlantic sea-horses that had sailed to Bari to bring beans, bombs, and bullets to the U.S. Fifteenth Air Force, to Field Marshal Montgomery's Eighth Army then racing up the calf of the boot of Italy in that early December of 1943.
She was Mary Lou Brew then, wide-eyed, but not naive.
She worked as a domestic, first in Newport for a year, and then in South Bethlehem, Pennsylvania, for another year.
She had assumed before then that one day he would ask her to marry him.
She was thirty-one years old then.
She walked restlessly across the room, then back to the windows.
She smoothed the skirt, sat down, then stood up and went back to the windows.
She made a face at him and then she laughed.
She threw back a cushion over one of the seats, unlocked a padlock on the chest beneath it, then presently straightened, holding a long knife and a wicked looking spear gun in her hand.
She took postgraduate work at the University of Grenoble in France and then returned to London to work on market research with an advertising firm.

She and drove
She drove along the Cyprian street, where the king had been murdered, and turned towards the Orbian Hill, in the direction of the Esquiline Hill.
She smoked, wore trousers, and drove cars, unusual for women at the time.
She failed, however, to grasp the theological issues that drove their movement.
She sings in the first verse, " Maybe I should have called you first, but I was dying to get to you / I was dreaming while I drove the long, straight road ahead.
She had a team of horses she drove to drag the poles into position, directing the pole setting, and she would then finish the job by installing the telephone wiring. Nell Quakenbush working on a phone pole in Concrete, circa 1910 Kate was in charge of the switchboard operation ( with the assistance of a young girl they had taken in, Ethel Thompson ).
She drove a six-cylinder Napier motorcar, a 100 hp ( 74. 6 kW ) development of the K5, in a speed trial in Blackpool.
She drove him to distraction with her untraditional ways.
She drove me to drink.
She drove the corpse from Italy to Hyères and lied to the police ( it being a criminal offence to carry a corpse ).
She drove a convertible Lotus Elan at high speeds, and convincingly portrayed any series of undercover roles, from nurse to nanny.
She also drove a car by herself, which was very unusual for royalty at the time.
She rented a car, and she and Frykowski drove across the country.
She went to bed in the morning, got up in the evening, ate breakfast at night, and drove around in a carriage through the streets, in the courtyard, or wandered around the corridors of the sleeping castle with a light.
She claimed she drove it once at 120 mph " just for a mile ," and had to have cruise control installed because she kept getting speeding tickets.
She was accused by Bridget of stealing her ( ex -) boyfriend, Kyle, though it was quite clear that Bridget's actions drove Kyle away.
She suggests these pressures created internal movements, as well as reactions against European activity, that drove the state formations and concomitant violence and displacement.
She drove people insane by putting on ridiculous schemes such as spraying shaving cream into people's faces or cutting people's hair, in order to get the person to leave for her own reasons.
She also drove in rallies and was an accomplished hillclimb driver, claiming the Ladies ' Record at Shelsley Walsh twice.
She appeared in a tongue-in-cheek BBC HD advert in 2008, featuring the show ( which is one of the BBC's main programs on its HD service ), where she drove a car through a wall, before running towards a falling vase ; the car explodes as she jumps to save the vase from crashing.
She drove back to Mannheim the next day.
She often told people that this was the reason she never drove faster than 60 kilometres an hour ( 37 mph ).
She drove off the 20th Century Fox lot after studio czar Darryl F. Zanuck reputedly edited her scenes out of Fallen Angel ( 1945 ) to pump up his protege Linda Darnell.
She explains what brought Eddie and her together and drove them apart.
She drove an ambulance throughout the London Blitz in 1940 and 1941.

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