She relates what she learned of the downfall of the Ringworld's civilization: A mold that breaks down superconductors was introduced by a visiting spaceship.

She cannot accept his vision of life and breaks their engagement to go back to Chicago.

She breaks up with Cory completely and tells him that she doesn ’ t believe in love.

She loses control of her shapeshifting powers and assumes many different personalities until she finally breaks down and is permanently turned into an actual chameleon.

She bribes an attendant to show her an unused wing, breaks in through locked doors, and finds Jerry after hearing him singing through the ventilation ducts.

She breaks down in tears over her situation with Hyde and Jekyll promises Ivy that she will never have to worry about Hyde again.

She breaks her own record as the first female artist to have 3 albums in # 1 to become the first female artist to have 4 albums in # 1 consecutively.

She taught intermittently throughout the 1930s, taking several breaks due to poor health and to devote herself to political activism, work that would see her assisting in the trade union movement, taking the side of the left in the Spanish Civil War, and spending more than a year working as a labourer so she could better understand the working class.

She breaks up with him because of his reluctance to use exclamation points.

She returns to Los Angeles, breaks into Mitch's new home and traps him there, hiding his guns and blocking the phone connections, so he cannot call the police.

She breaks up with him and has a one-night stand with Michael Fitzsimmons ( Kevin J. O ' Connor )— the guy in school she always wished she ’ d slept with.

She offers her protagonist a way out into a new order that breaks with the law of the father, creating a " monstrous " text that explores the possibilities of a lesbian identity .”

She brings the child over to Pete to say one last goodbye, and he breaks down, having lost everything.

She normally breaks the fourth wall by referring to herself as " Kobayashi ", which is the last name of her own voice actress, Yumiko Kobayashi.

She enters into a bargain with Calcifer, Howl's fire demon, that if she breaks the secret contract between Howl and Calcifer, Calcifer will break the spell on her.

She also took a stance on Social Security, arguing that politicians had created an intergenerational war over federal funds in order to divert public attention from the real budgetary issues: overspending on the military and extravagant tax breaks for the rich.

She also has short relationships with a divorced man named Alex ( Billy Burke ) and her father's business partner Jason Stiles ( Chris Eigeman ), with whom she breaks up after Jason and her father have a falling out in their business.

She is saved when Mulder breaks into the Department of Defense to retrieve another chip to be implanted back into her neck.

She was strongly critical of the Stupak-Pitts Amendment, which prevents private health insurance plans from covering abortion if the plan is subsidized by tax breaks in the context of the November 2009 Affordable Health Care for America Act.

She breaks the seal to revive Chernabog as they escape in an ice truck to Disney's Hollywood Studios.

She breaks up with her ex-boyfriend for good and starts dating Hiromu.

" She then breaks the staff and urges the Worker and Religious castes to stand with her.

She realizes that it was Willie who actually killed the yard master, and she breaks off their engagement.

She also breaks the speed record for this crossing, by a full day.

She sat down at the table, shaking her head.

She brought the quirt down, slashing it across his cheek, and he tried to step back.

She came down against him, and he tried to break her fall.

She set down her suitcase.

She was watching a tree ride wildly down that roiling current.

She looked down at her hands, too.

She would often go up on the roof to see the attendant take down the flag in the evening.

She had stood at the bottom of the stairs, as usual, when Mrs. Coolidge came down, in the same dress that is now in the Smithsonian, to greet her guests.

She had to clean the glass on the display cases in the butcher shop, help her brother scrub the cutting tables with wire brushes, mop the floors, put down new sawdust on the floors and help check the outgoing orders.

She had the hips of a boy and a loose-jointed walk that reminded me of a string of beads strolling down the street.

She remembered McClellan's last proclamation as she hurried fearfully down the stairs.

She came to the ballroom and stood on the two carpeted steps that led down to it.

She did this now, comfortably aware of the mist running down the windows, of the silence outside, of the dark afternoon it was getting to be.

She stood up, smoothing her hair down, straightening her clothes, feeling a thankfulness for the enveloping darkness outside, and, above everything else, for the absence of the need to answer, to respond, to be aware even of Stowey coming in or going out, and yet, now that she was beginning to cook, she glimpsed a future without him, a future alone like this, and the pain made her head writhe, and in a moment she found it hard to wait for Lucretia to come with her guests.

She made General Burnside's horse's belly do so funny when it was upside down.

She smoothed the skirt, sat down, then stood up and went back to the windows.

She sat down on the nearest, fallen with age and gray with sea-damp, her fingers tracing the indecipherable carved letters padded with green moss.

She stood indecisively for a moment, then walked down the hall ; ;

She sat down and played two slots at once, looking grim, as if bested by mechanical devices, and Owen felt sorry for the lay-sisters depending on her support.

She was eating bread and cheese just as fast as she possibly could, and washing it down with red wine.

She saw me and sat down beside me, three feet away.

She likens Inanna to a great storm bird who swoops down on the lesser gods and sends them fluttering off like surprised bats.

She has referenced this independence from major labels in song more than once, including " The Million You Never Made " ( Not A Pretty Girl ), which discusses the act of turning down a lucrative contract, " The Next Big Thing " ( Not So Soft ), which describes an imagined meeting with a label head-hunter who evaluates the singer based on her looks, and " Napoleon " ( Dilate ), which sympathizes sarcastically with an unnamed friend who did sign with a label.

She ends up hitting every batter at the plate ( or " beaning " them ) and goes down as the worst pitcher in history.

She asks Deckard to hunt down the " missing " sixth replicant.