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She contends that: " Man has said that woman can be defined, delineated, captured, understood, explained, and diagnosed to a level of determination never accorded to man himself, who is conceived as a rational animal with free will ".
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She and contends
She contends that happiness comes from within, and that one's virtue is all that one truly has, because it is not imperilled by the vicissitudes of fortune.
She asserts: " In their traditional exhibitionist role women are simultaneously looked at and displayed, with their appearance coded for strong visual and erotic impact so that they can be said to connote to-be-looked-at-ness ," and as a result contends that in film a woman is the " bearer of meaning, not maker of meaning.
She contends that patriarchal cultures, like individuals, have to exclude the maternal and the feminine so that they can come into being.
She contends that the Fathers of Confederation were motivated by the values of the Enlightenment of the seventeenth and eighteenth centuries.
She further contends that Jewry was not the operative factor in the Holocaust but merely a convenient proxy.
She contends that Eliade never did any field work or contacted any indigenous groups that practiced Shamanism, and that his work was synthesized from various sources without being supported by direct field research.
She contends that ancient Egyptian texts show little similarity to Greek philosophy.
She contends the decline of American cities, beginning during the 1960s, was a result of crime " spiraling out of control ".
She contends that the approach defeats the very purpose of the equality rights in Section 15 of the Charter, noting that the objective of the Act in question may be discriminatory per se, but would survive constitutional scrutiny.
She claims as a result to have earned trademark rights in the 1964 recording, which she contends the public recognizes as a mark designating her as a singer.
She contends, therefore, that Frito-Lay could not lawfully use the 1964 recording in an advertisement for its chips without her permission. In Oliveria v. Frito-Lay Inc. ( 2001 ), her claims were rejected by the United States Court of Appeals for the Second Circuit.
She is versed in Kung Fu, and contends with Chitose at every chance possible.
She also contends with her terrible childhood, and with the man who bit her and turned her into a werewolf.
She contends that serial killers are so lacking in emotional development that they have no capacity for complex emotional motives.
She contends that people in the United States trust that there is always someone there to take care of them, and that everyone ( including legislators and politicians ) acts in their interest.
She is the author of A Girdle Round the Earth, a story of some of the more remarkable women travellers of the last 200 years, and Style: Acting in High Comedy, published in 1996, which contends that " High comedies are not bloodless, refined, wordy plays — their themes are sex, money and social advancement.
She contends that akrasia is manifested in different stages of the practical reasoning process.
She and Man
She starred in Alfred Hitchcock's suspense film, The Man Who Knew Too Much ( 1956 ) with James Stewart.
She began collaborating with Vertov, beginning as his editor but becoming assistant and co-director in subsequent films, such as Man with a Movie Camera ( 1929 ), and Three Songs About Lenin ( 1934 ).
She is, however, portrayed as being very hypocritical ; in The Invisible Man ( series 1 ), she has no issues with violating peoples ' privacy when she runs a story using a hidden camera to catch shoplifters in a store change room, but is outraged when a rival network violates her own privacy in the same way when broadcasting a similar story.
She is best known for The Female Man, a novel combining utopian fiction and satire.
She also starred in Rich Man Poor Man with Nick Nolte and a host of other well-received television mini-series.
Menander also wrote a play called Misoumenos ( Μισούμενος ) or The Man ( She ) Hated.
She also made appearances on The Ed Sullivan Show, The Smothers Brothers Comedy Hour, The Man from U. N. C. L. E., and Rowan & Martin's Laugh-In, The Virginian and starred in television specials.
Among the tracks on The Paul Simon Songbook that were rerecorded ( some with electric backing ) for Sound of Silence were " I Am a Rock " ( which as a single reached U. S. No. 3 in the summer of 1966 ), " Leaves That Are Green ", " April Come She Will ", " A Most Peculiar Man ", and " Kathy's Song ".
She had earlier appeared on the October 26, 1931 cover along-side her husband and on the January 3, 1937 cover with her husband as " Man and Wife of the Year )" Both husband and wife were on good terms with Time Magazine senior editor and co-founder Henry Luce, who frequently tried to rally money and support from the American public for the Republic of China.
She returned to No. 1 on the same charts in November 2004 with " Everyman ... Everywoman ...," a reworking of her song " Every Man Has a Woman Who Loves Him ", in January 2008, with " No No No ," and in August 2008, with " Give Peace a Chance.
She appeared in the 1975 screen adaptation of the Hans Fallada novel, Every Man Dies Alone directed by Alfred Vohrer, released in English as Everyone Dies Alone in 1976 and for which she won an award for best actress at the International Film Festival in Carlsbad, then in Czechoslovakia.
* 1892: She was uncertain as to his gender — Robert Grant, ' Reflections of a Married Man ', Scribner's Magazine 11 ( March, p.
She received one Academy Award for Best Actress nomination, for My Man Godfrey.
She has worked in movies and television since 1969, and won an Academy Award for Best Actress for her performance in the 1995 film Dead Man Walking.
On the Isle of Man, where She is known as Caillagh ny Groamagh, the Cailleach is said to have been seen on St. Bride's day in the form of a gigantic bird, carrying sticks in her beak.
" She received a third Oscar nomination for her performance as the simple, unrefined, but dignified Lady Alice More, opposite Paul Scofield as Thomas More, in A Man for All Seasons ( 1966 ).
She had a featured role as Queenie in Universal Pictures ' 1936 version of Show Boat starring Irene Dunne, and sang a verse of Can't Help Lovin ' Dat Man with Dunne, Helen Morgan, Paul Robeson, and the African-American chorus.
" She described herself instead as a political theorist because her work centers on the fact that " men, not Man, live on the earth and inhabit the world.
She also published two books of short stories: A Good Man Is Hard to Find ( 1955 ) and Everything That Rises Must Converge ( published posthumously in 1965 ).
She would eventually tour Europe with Cohen's band, first as a back-up singer and then as a vocal arranger and guest singer on Cohen's albums, Live Songs, Various Positions, I'm Your Man, The Future, Field Commander Cohen, and Recent Songs.
She also had a small part in Soul Man, starring Tommy Howell.
She also asked Louisa Adams in a letter dated January 3, 1818, " When will Mankind be convinced that true Religion is from the Heart, between Man and his creator, and not the imposition of Man or creeds and tests?
She ’ s associated through her cross sum ( the sum of the digits ) with Key 12 The Hanged Man, the Dying God, her Son ( or daughter ) and Consort, who dies at Autumn Equinox or Winter Solstice, and is reborn with Winter Solstice, Spring Equinox, or Beltane.
She and has
She has shared her husband's greatness, but only within the confines of their home ; ;
She has rarely been photographed with him and, except for Carl's seventy-fifth anniversary celebration in Chicago in 1953, she has not attended the dozens of banquets, functions, public appearances, and dinners honoring him -- all of this upon her insistence.
She has small, broad, capable hands and an enormous energy.
She has studied and observed and she is convinced that her young man is going to be endlessly enchanting.
She has the small, highly developed body of a prime athlete, and holds in contempt the `` girls who just move sex ''.
She has a pretty bad cold ''.
She hesitated, she hopped, she rolled and rocked, skipped and jumped, but in some two weeks she started to pace, From that time to this she has shown steady improvement and now looks like one of the classiest things on the grounds.
She has been acting as a prostitute.
She teamed up with another beauty, whose name has been lost to history, and commenced with some fiddling that would have made Nero envious.
She replied, `` I know of one man that has not been friendly with him.
`` She says she has to finish a story ''.
She gave a fine portrayal of Auntie Mame on Broadway in 1958 and has appeared in live television from `` Captain Brassbound's Conversion '' to `` Camille ''.
She has to have at least one car herself.
She is the most beautiful thing you ever laid eyes on, and her dancing has a feminine suavity, lightness, sparkle, and refinement which are simply incomparable.
) She has since turned to Bellini, whose opera `` Beatrice Di Tenda '' in a concert version with the American Opera Society introduced her to New York last season.
She has a good, firm delivery of songs and adds to the solid virtues of the evening.
She is just home from a sojourn in London where she has become the sweetheart of a young fellow named Ronnie ( we never do see him ) and has been subjected to a first course in thinking and appreciating, including a dose of good British socialism.
She also has a habit of constantly changing her hairstyle, and in every appearance by her much is made of the clothes and hats she wears.
She has a maid called Maria who prevents the public adoration from becoming too much of a burden on her employer, but does nothing to prevent her from becoming too much of a burden on others.
She has authored over fifty-six novels and she has a great dislike of people taking and modifying her story characters.
" She first met Poirot in the story Cards on the Table and has been bothering him ever since.
She also has a remarkable ability to latch onto a casual comment and connect it to the case at hand.
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