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She rejects his come-ons, which only fuels his appetite.
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She and rejects
She thus rejects Aphrodite's values and becomes, to some extent, her chaste, domestic complementary, or antithesis.
She initially rejects the idea of marriage and romance, feeling that it would break up her family and separate her from the sisters she adores.
She very much likes Tom, a boy her age, but when he proposes to her she rejects him (" I don't love yer so as ter marry yer ").
She rejects " Leonard's " overtures, as a married woman should, and he is about to reveal himself to her.
She eventually rejects the Platonic notion that human goodness can fully protect against peril, siding with the tragic playwrights and Aristotle in treating the acknowledgment of vulnerability as a key to realizing the human good.
She rejects him, and later that day, the heart-broken Daisuke undergoes a strange mutation that changes him into another person.
She starts to compare herself to the seagull that Konstantin killed in Act II, then rejects that and says " I am an actress.
She gently rejects his proposal, as she has been infatuated with Gussie since their first meeting ; however she assures a relieved Wooster that, if ever she felt the need to return Fink-Nottle to the store, Bertie is the first person she'd look to as a replacement fiancé.
She rejects the offer because her husband, Dr. Edward Ashley, does not want to leave his medical practice, and she is not willing to be separated from him.
She also rejects the hand of Caspar Goodwood, the charismatic son and heir of a wealthy Boston mill owner.
She rejects him but he persists ; he says that if she gives him no hope, he will destroy Neville, the brother of her dear friend Helena.
She locks herself in a tower and rejects her idolatry in favor of Joseph's God Yahweh, and receives a visit from an angel who accepts her conversion.
She then rejects them both, for example, finding that a study of eroticism in the context of perception goes beyond the capabilities of the psychoanalytic framework.
She quotes Engels, " for now we know nothing about it " and rejects him because he " dodges " the answers.
She and which
She seemed to have come such a long distance -- too far for her destination which had wilfully been swallowed up in the greedy gloom of the trees.
She stood quite still, trying to focus upon a direction in which to turn, a path to follow, a clue to guide her.
She had touched her face, truly a noble and pure face, only with a lip salve which made her lips glisten but no redder than usual.
She could not resist the opportunity `` of showing her superiority in argument over a man '' which she had remarked as one of the `` feminine follies '' of Sara Sullam ; ;
She designed and supervised the building of the Harbert, Michigan, house, most of which was constructed by one local carpenter who carried the heavy beams singly upon his shoulder.
She used to tell me, `` When I stand there and look at the flag blowing this way and that way, I have the wonderful, safe feeling that Americans are protected no matter which way the wind blows ''.
She ended her letter with the assurance that she considered his friendship for her daughter and herself to be an honor, from which she could not part `` without still more pain ''.
She soared over the new pastor like an avenging angel lest he stray from the path and not know all the truth and gossip of which she was chief repository.
She was told by the manservant who opened the door that his lordship was engaged on work from which he had left strict orders he was not to be disturbed.
She thought again of her children, those two who had died young, before the later science which might have saved them could attach even a label to their separate malignancies.
She was forty-nine at this time, a lanky woman of breeding with an austere, narrow face which had the distinction of a steeple or some architecture that had been designed long ago for a stubborn sort of prayer.
She had talked to him right there, with the hot sun in his face, which made him sweat and feel ashamed.
She patronized Greenwich Village artists for awhile, then put some money into a Broadway show which was successful ( terrible, but successful ).
She ascribed her delight with both experiences to the effect they seemed to have of temporarily removing from her the controls which she felt so compulsively necessary to maintain even when it might seem appropriate to relax these controls.
She then described her experience as one in which she first had difficulty accepting for herself a state of being in which she relinquished control.
She named 48 items, and said there were `` many more things which it would take too long to write ''.
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