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Page "Marilyn Horne" ¶ 3
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She and studied
She studied it for a long time.
She studied him hopefully, yearningly ; ;
She has studied and observed and she is convinced that her young man is going to be endlessly enchanting.
She discussed in her letters to Winslow some of the questions that came to her as she studied alone.
She studied him briefly.
She studied book illustration from a young age and developed her own tastes, but the work of the picture book triumvirate Walter Crane, Kate Greenaway and Randolph Caldecott, the last an illustrator whose work was later collected by her father, was a great influence.
She then studied for two years with the painter Francis Adolf Van der Wielen, who offered lessons in perspective and drawing from casts during the time that the new Pennsylvania Academy of the Fine Arts was under construction.
" She studied privately with William Sartain, a friend of Eakins and a New York artist invited to Philadelphia to teach a group of art students, starting in 1881.
She studied religion, the classics, Latin histories, canon and civil law, heraldry, and genealogy.
She studied under Henk Bremmer in 1906-1907.
She studied for her Bachelor of Arts degree at American University ( 1957 – 59 ), going on to achieve a doctorate at George Washington University in Experimental Psychology in 1967.
She studied at St Paul's Girls ' School, read history at Somerville College, Oxford, England, and became the first female president of the Oxford University Archaeological Society.
She studied with professor Franz Boas and Dr. Ruth Benedict at Columbia University before earning her Master's in 1924.
She rendered financial support to the investigator Nikolai Sokolov who studied the circumstances of the death of the Tsar's family.
She studied French, Spanish, music, dance, and perhaps Greek.
She was a sculptor, socialite and cosmopolitan who had studied under Auguste Rodin and whose circle included Isadora Duncan, Pablo Picasso and Aleister Crowley.
She studied the relationships between personality, art, language and culture, insisting that no trait existed in isolation or self-sufficiency, a theory which she championed in her 1934 Patterns of Culture.
She studied modern European languages and was the first woman in Sweden to complete an academic degree when she finished a fil.
She later studied in France, where she met her husband, the historian Charles Le Guin.
She had studied chemistry at Oberlin College, helped with the experiments, took laboratory notes and gave business advice to Charles.
She attended Pacific High School in San Bernardino and studied at the Vera Lynn School of Dance.
She studied at University College of Arts, Crafts and Design in Stockholm in 1930 – 33, the Graphic School of the Finnish Academy of Fine Arts in 1933 – 1937 and finally at L ' École d ' Adrien Holy and L ' École des Beaux-Arts in Paris in 1938.
She then studied philosophy, sociology, education and German at Marburg where she became involved with reform movements.
She studied acting at the Conservatoire National Supérieur d ' Art Dramatique ( CNSAD ), but quit after a short time as she disliked the curriculum.
She studied at Sarah Lawrence College in New York, where she was given the opportunity to spend a year of her studies in Paris.

She and voice
She said, her voice rising.
She even spoke differently when she was clean, and she was clean now for his departure and her voice clear and rather sharp.
She appeared in several productions in Paris, earning rave reviews for her fine soprano voice.
She also lent her voice to the end credits of The Cat's Meow, singing Henry Creamer and Turner Layton's jazz standard " After You've Gone.
Alboni's voice, an exceptionally fine contralto with a seamless compass of two and one-half octaves, extending as high as the soprano range < ref name = C243 >" She was a real contralto from f < sub > 3 </ sub > to g < sub > 5 </ sub >, then, up to c < sub > 6 </ sub >, she was an excellent soprano.
She co-starred in 1950's The Next Voice You Hear ..., playing a pregnant housewife who hears the voice of God from her radio.
She also did the Swedish voice of Anne-Marie in All Dogs Go to Heaven.
She provided the likeness and voice for Serena St. Germaine in the 2004 video game, James Bond 007: Everything or Nothing.
" She often provides a voice of reason for the town itself, but many of the townspeople are frustrated or contemptuous of her frequent failure to recognize or react correctly to breaches of social norms.
She continued with the play ; but, when Korda moved it to a larger theatre, Leigh was found to be unable to project her voice adequately or to hold the attention of so large an audience, and the play closed soon after.
' So I asked her about the disease ... She explained how it begins with a trembling, which gets more and more noticeable, until later the patient can no longer speak without the voice shaking.
She " had a voice over agent for about two years, and I used to go out auditions all the time, but it never really came to anything.
The Prophet focuses once again on Jerusalem: " Woe to the provoking, and redeemed city ... She hath not hearkened to the voice, neither hath she received discipline.
She stayed with Chicken Shack for two albums, during which time her genuine feel for the blues became evident, not only in her Sonny Thompson-style piano playing, but through her authentic " bluesy " voice.
She began a new career in 1963 as a singer and surprised her audiences with the deep, smoky quality of her voice and the many lyrics, which she wrote herself.
She is drinking heavily, has lost her singing voice and much of her looks and spends time with card sharps and con artists.
She also lent her voice to the Oscar-nominated animated feature Persepolis ( 2007 ).
Henry Pleasants, an American classical-music critic, wrote this about her: She has a lovely voice, one of the warmest and most radiant in its natural range that I have heard in a lifetime of listening to singers in every category.
" She frequently used shorter, stabbing phrases, and her voice was harder, with a wider vibrato ", one biographer wrote.
She also guest starred ( as the voice of ' The Queen ') in The Goodies 1980 episode " Goodies and Politics ".
She was appalled by the conditions she witnessed first-hand in the Manchester workhouse: Pankhurst immediately began to change these conditions, and established herself as a successful voice of reform on the Board of Guardians.
She was praised for her elegance, style, and low, " silvery ", beautifully modulated voice.
She hears voices in her head, each one ostensibly the voice of a person in her life, primarily " The Goodwife " or " Goody Burlingame " ( a somewhat Puritanical version of Jessie ), Ruth Neary ( an old college friend ), and Nora Callighan ( her ex-psychiatrist ), both of whom Jessie hasn't spoken to in decades.
She said, " it's wonderful to be in the midst of all this hype about the show, and people enjoying the show so much, and to be totally a fly on the wall ; people never recognise me solely from my voice.
She regularly read to soldiers in the military hospitals and on the front line ; indeed, her later pieces seem to be the voice of those who had struggled and the many she has outlived.

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