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Page "Julia (1977 film)" ¶ 16
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She and would
She had offered to walk, but Pamela knew she would not feel comfortable about her child until she had personally confided her to the care of the little pink woman who chose to be called `` Auntie ''.
She would return this symbol to the mountain, as one pours seed back into the soil every Spring or as ancient fertility cults demand annual human sacrifice.
She remembered little of her previous journey there with Grace, and she could but hope that her dedication to her mission would enable her to accomplish it.
She did not pause to consider what she would do if her plan should fail ; ;
She was sure she would reach the pool by climbing, and she clung to that belief despite the increasing number of obstacles.
She had the feeling that, under the mouldering leaves, there would be the bodies of dead animals, quietly decaying and giving their soil back to the mountain.
She could not scream, for even if a sound could take shape within her parched mouth, who would hear, who would listen??
She had to move in some direction -- any direction that would take her away from this evil place.
She began it deliberately, so that none of her words would be lost on him.
She would look at Jack, with that hidden something in her eyes, and Jack would see the Woman and become breathless and a little sick.
She was certain now that it would be no harder to bear her child here in such pleasant surroundings than at home in the big white house in Haverhill.
She would often go up on the roof to see the attendant take down the flag in the evening.
She gave me the names of some people who would surely help pay for the flowers and might even march up to the monument with me.
She would hover over him and, looking like her brother, anxiously watch the progress of Scotty's fork or spoon.
She was the only kind of Negro Laura Andrus would want around: independent, unservile, probably charging double what ordinary maids did for housework -- and doubly efficient.
She would not accept the death of such a little child.
She stood there, a large old woman, smiling at the things she would say to him in the morning, this big foolish baby of a son.
She and her husband had formerly lived in New York, where she had many friends, but Mr. Flannagan thought the country would be safer in case of war.
She would rather live in danger than die of loneliness and boredom.
She would have said triumph.
She was personally sloppy, and when she had colds would blow her nose in the same handkerchief all day and keep it, soaking wet, dangling from her waist, and when she gardened she would eat dinner with dirt on her calves.
She had begun to turn back toward the house, but his look caught her and she stood still, waiting there for what his expression indicated would be a serious word of farewell.

She and portray
She continues to portray Delphina on a recurring basis as of 2011.
She appeared in 33 episodes between 1991 and 1997, and was one of the first actresses to portray an openly lesbian recurring character on American television.
She also went to Argentina to portray the leading character in the telenovela El Cisne Blanco.
She can also portray the blood flowing throughout all living things, and the womb and the tomb.
She seemed to be the embodiment of the West I portray in my books, open and wild.
She went on to portray numerous Shakespearean roles to critical acclaim, which she later continued to perform with David Garrick.
She will portray Princess Kosmonopolis, a fading Hollywood movie star, opposite Finn Wittrick, who will portray Chance, her attractive gigolo.
She wrote about her military paintings in an autobiography published in 1922: " I never painted for the glory of war, but to portray its pathos and heroism ".
She has received praise for her ability to portray the process in which " external forces shape a literary work ".
She does not portray the death of the Republic as a positive thing but rather portrays Caesar as being a great man and his crossing of the Rubicon as being inevitable, given that the alternative was exile and disgrace and the violation of his dignitas, which was an unthinkable anathema to a Roman Patrician of consular rank.
She is portrayed as being dimwitted ( although earlier seasons portray her to be almost as smart as Raven, but to extreme limits ); at times, her stupidity is so potent that she is frequently oblivious to what should be obvious and unable to discern sarcasm from sincerity.
She retired from films in favor of the stage in 1969 and returned to television in 1979 to portray Lou Henry Hoover in the miniseries Backstairs at the White House.
She made her debut on NHK ’ s radio drama Chorinmura to Kurumi no Ki ( 1961 ), and later gained fame as the first voice actor to portray the lovable ghost Q-taro in Obake no Q-tarō ( TBS, 1965-1968 ).
She elaborated, " My personal feelings towards Shah Rukh are similar to what I was supposed to portray in the film.
She would go on to portray Tosca, Countess Almaviva, Leonora, Giorgetta, and Madama Butterfly in some of the world ’ s most renowned houses.
She returned to the Met the following year to portray the title role in Verdi's Luisa Miller and in 1969 to sing the role of Liù in Puccini's Turandot with Birgit Nilsson in the title role and James King as Calàf.
She is good friends with fellow Y & R actress Melody Thomas Scott, although they portray a daughter-in-law and mother-in-law who hate each other on the show.
She subsequently appeared in Ashutosh Gowariker's romantic comedy What's Your Raashee ?, a film which made Chopra the first actress in cinema history to portray 12 distinct characters in one film, and for which she was reportedly being considered for inclusion in the Guinness World Records book.
She travelled through Scotland to portray the owners ' stately homes.
She searched in a sea of 1, 100 small children for someone to portray the newest addition in the Szalinski clan, Adam.
She tried to portray herself as giving her district a place at the table, but over time Morella's Democratic opponents claimed that a vote for Morella was a vote to keep Tom DeLay and other Republicans unpopular to district voters in power.
She developed this form to portray a spectrum of characters.
She rose to fame in 1949 aged 19 when she appeared as a nightclub singer in the British-produced movie, Jim Comes To Jo ' burg-the first film to portray urban Africans in a positive light.

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