* 1970 – Taja Kramberger, Slovenian poet and sociologist

Taja Kramberger ( born 11 September 1970 ) is a Slovenian poet, translator, essayist and historical anthropologist.

Taja Kramberger introduced studies of collective memory, based on Halbwachsian instrumentarium ( for his workd see: ) and numerous later improvements, in its theoretic aspect and epistemic conceptualization into Slovenian public, mostly composed of linear descriptive social sciences and humanities, in 2000 / 2001 ( a course of lectures Conceptualization of the collective memory on Maurice Halbwachs, Frances Amelia Yates and Pierre Nora at the Institutum Studiorum Humanitatis in Ljubljana ) and 2001 ( she wrote an extensive introduction to the Maurice Halbwachs ' Slovenian translation of La mémoire collective ).

Although polemic, which would definitely clarify the discipline ’ s past erratic wanderings and amnesias and an almost total theoretic oblivion in the field of history in Slovenia, is not a usual tool of scientific communication in these regions, it is nevertheless clear that Taja Kramberger has opened ( among some other researchers, such as Drago Braco Rotar, Rastko Močnik, Maja Breznik, Lev Centrih, Primož Krašovec, in a small, theoretically much less pertinent part also Marta Verginella and Oto Luthar ) an important segment of future debates, which are needed to elucidate some of the neglected and spontaneously transmitted chapters of the Slovenian ( distinctly ethnocentric and Sonderweg ) history.

Apart from many fresh intellectual ideas and innovations ( for the Slovenian circumstances and intellectual coordinates, but very likely also in a wider sense ) Taja Kramberger has written many critical articles on various aspects of Slovenian history, cultural life, but also on broader European History and culture, e. g. on Spanish Civil War, different models of Enlightenment in Europe and the recurrent Enlightenment features in the works of Anton Tomaž Linhart, on epistemic divergence between Enlightenment's and Historismus's: de: Historismus ( Geschichtswissenschaft ) paradigms of historiography, on anthropology of translation, history of university and the formation of university habitus: fr: Habitus ( sociologie ), on literary and cultural fields: fr: Pierre Bourdieu # Théorie des champs in the 1930s in Slovenia ( by then partially covered by the administrative unit of Dravska banovina ) and on the role of women in the constitution of these fields etc.

Taja Kramberger, as the committee of Veronika Award ( 2007 ) for the best poetry collection of the year 2006 wrote, is one of the strongest and most accomplished poetic voices in the contemporary Slovenian poetry ; a voice which introduces many innovations » so in the poetic proceedings as in the audacity of the of chosen subjects, but also in the courage to tell things in an intelligent and a deeply-moving way, which does not follow the predominant poetry models, but supplies itself outside of them, in a everyday situations ...«.

Simple words, entangled with highly elaborated intellectual comprehensions-another benefit of Kramberger's poetic language, in Taja Kramberger ’ s poems change themselves into » multilayered compositions « and subtle messages.

At the ISH – Graduate School of Humanities in Ljubljana, Taja Kramberger arranged exhibition place for fine arts and between 2000 and 2003 organized five exhibitions of Slovenian and of foreign figurative artists ( painters, photographic artists, designers, installation artists ).

In 2002, Taja Kramberger directed and coordinated international project of poets ’ and translators ’ ( 22 from 10 countries ) » Linguaggi di-versi / Different Languages / Različni jeziki / Langages di-vers « in a seaside town of Ankaran near Koper in Slovenia.

Another bigger international project Taja Kramberger conducted in 2006 was a Slovenian segment of the international project » Sealines / Morske linije / Linee di mare « which through one-month ’ s literary residences in 6 European bilingual ports ( Cardiff, Galway, Helsinki, Koper, Riga, Valletta ) connected writers from 6 European states.

In Slovenia it was executed by the Association Tropos and its then president Taja Kramberger.

Without that ( minimal ) cognitive engagement, so Taja Kramberger, there can be no artistic criticism, but only an unconscious and ritualized activity-she calls it a Kercopian literary criticism-that is a ( grinning ) mimesis of common sense and stereotypes about literature and authors.

her article Doxa et fama, 2003, her dissertation, or her interview for the journal Literatura in 2006 ) Taja Kramberger further identifies transfirmational discourses as the systemic feature of the longue durée provincial mental structure, unable to subdue itself to changes and open to the external / outer world.

Taja Kramberger is without any doubt among those few Slovenian writers ( Iztok Osojnik, Miklavž Komelj, in a way also Barbara Korun ) which are studiously oriented, and do not recognize ( pure ) inspiration as a sufficient cause for creative artistic work.

* Taja Kramberger and Drago Braco Rotar ( dir.

* Taja Kramberger, Historiografska divergenca: razsvetljenska in historistična paradigma: o odprti in zaprti epistemični strukturi in njunih elaboracijah ( Historiographical Divergence: the Enlightenment and Historismus Paradigm: On an Opened and a Closed Epistemic Structure and Their Elaborations ), Library Annales Majora, Koper, University of Primorska, Publishing House Annales, 2007, 384 p., ISBN 978-961-6033-93-0 http :// www. zrs. upr. si / sl / annales_majora. htm http :// www. buca. si / index. php? nav1 = knjigarna & nav2 = izdelek & id = 1576

* Taja Kramberger, Zgodovinskoantropološko oblikovanje univerzitetnih habitusov ( Historico-anthropological Formation of the University Habiti / La formation historico-anthropologique des habiti universitaires ), Pedagoški institut, Ljubljana, 2009, 131 p. http :// www. pei. si / UserFilesUpload / file / zalozba / ZnanstvenaPorocila / 26_09_zgodovinsko_antropoloski_oris_oblikovanja_univerzitetnih_habitusov. pdf

* Taja Kramberger and Drago Braco Rotar, Univerza: kolegij ali dresura.

* Taja Kramberger and Drago Braco Rotar, Misliti družbo, ki ( se ) sama ne misli ( Think the Society, which does not think ( by ) itself ), Založba Sophia, Ljubljana, 2010.

* Taja Kramberger and Drago Rotar, » Pravice vs toleranca.

* Taja Kramberger and Drago Rotar, » Evropa gre v Šanghaj.

* Taja Kramberger and Drago Rotar, » Merilska blaznost ali o sprevrženi rabi znanstvenega orodja « ( Insanity of Measurement.

* Taja Kramberger, » Naporni itinerarij španske državljanske vojne: kraji memorije na poti slovenskih republikancev v Španijo in vloga Pariza pri mednarodni rekrutaciji španskih borcev « ( I faticosi itinerari della guerra civile spagnola: i luoghi della memoria lungo i tragitti dei repubblicani sloveni verso la Spagna e il ruolo di Parigi nel reclutamento di volontari per la Spagna / El estenuante itinerario de la Guerra Civil Española.

* Taja Kramberger, » Les lieux d ' oubli: repères pour la recherche sur l ' affaire Dreyfus dans l ' historiographie slovène «, in: VAUDAY, Patrick ( ur.

Taja Sevelle, a Prince protégé, was the first artist on the " new " Reprise, with her eponymous debut album also available on the then-new CD format.

Jad Hatem, a French poet himself and a professor of philosophy and literature: fr: Jad Hatem, in an original way also noticed that a privileged topos in Taja Krambeger ’ s poetry is her outstanding ability of a simultaneous theoretic reflection, inscribed along with the poetic thought of her poems ( La Poésie slovène contemporaine: l ’ écriture de la pierre, 2010 ).

* Taja Kramberger, Sabina Mihelj and Drago Rotar, » Representations of the Nation and of the Other in the Slovenian Periodical Press before and after 1991: Engagements and Implications «, In: SPASSOV, Orlin ( ur.

* Taja Kramberger, » Od Joining the Club h grotesknosti slovenske adaptacije na neoliberalizem « / « From Joining the Club to the Grotesque Slovenian Adaptation to Neoliberalisme » / « De L ’ adhésion au club à la grotesque adaptation slovène au néolibéralisme », Družboslovne razprave, vol.

Artists who recorded for Paisley Park include The Time, Sheila E., The Family, Mavis Staples, George Clinton, Rosie Gaines, Carmen Electra, Jill Jones, The Three O ' Clock, Ingrid Chavez, Dale Bozzio, and Taja Sevelle.

A monk, Kung Lao ; an exiled guard, Siro ; and a thief, Taja, who have to defend our realm from the forces of Outworld.

Kung Lao creates a partnership and friendship with two warriors: Siro, a former bodyguard, and Taja, an ex-thief.

* Taja Kramberger, » Iz zgodovine intelektualcev: afera Dreyfus in francoski zgodovinarji « ( From the History of Intellectuals: the Dreyfus Affair and French Historians ), Monitor ZSA, 2008, vol.

* Taja Kramberger, » Afera Dreyfus in tiskani mediji « ( The Dreyfus Affair and Printed Media ), Media Watch, 2008. http :// mediawatch. mirovni-institut. si / bilten / seznam / 33 / jezik /

* Taja Kramberger, » Maurice Halbwachs in družbeni okviri kolektivne memorije « (= Maurice Halbwachs and the social frames of collective memory / Maurice Halbwachs et les cadres sociaux de la mémoire collective ); introduction à la traduction slovène de La mémoire collective de Maurice Halbwachs.

* Taja Kramberger and Drago Rotar, » Prehodi, prevodi, transferji: nekaj refrakcij skozi tekste in kontekste ob prevodih Pierra Bourdieuja in Loïca Wacquanta « ( Passages, traductions, transferts: quelques réfractions à travers les textes et contextes à propos des traductions de Pierre Bourdieu et Loïc Wacquant ).

In 2004 the publication Različni jeziki / Linguaggi di-versi / Different Languages / Langages di-vers in 10 languages came out of the project ( published by the Edition Libris Koper ) and it was edited by T. Kramberger and Gašper Malej.

From 2007 to 2009, Kramberger was a president of the Collegium artium ( abr.

Kramberger has also started with the extensive categorical critical reflexivity in the field of history in Slovenia, and has released many angry reactions in the history field, but mostly she left the historians-unable to confront its own shadows from the past-silenced.

This desire, I went on, growing voluble as my conviction was aroused, had mounted at such a rate recently that I now found its realization necessary not only to my physical but also to my spiritual wellbeing.

It was certain now that Jess was in the house, but also, presumably, was Stacey Black.

But it also made him conspicuous to the enemy, if it was the enemy, and he hadn't been spotted already.

He was asking had it been she who left the love note in his sheets ( she also served as maid ) when he saw the Grafin followed by a stately blond girl approaching his table.

This was also a corpse -- a male, judging from the coral arm bands, the tribal scars still discernible on the maggoty face, the painted bone of the warrior caste which still pierced the septum of the rotting nose.

His superiors had also preached this, saying it was the way for eternal honor.

Charles, also fifteen, was tall and skinny, scraggly, with straight black hair like an Indian's and sharp brown eyes.

Although New Orleans was not to learn of it for a spell, she also was a sadist, a nymphomaniac and unobtrusively mad -- the perpetrator of some of the worst crimes against humanity ever committed on American soil.

There was also a dog, a dingo dog.

There was also a long wooden spear and a woomera, a spear-throwing device which gives the spear an enormous velocity and high accuracy.

There was also a boomerang, elaborately carved.

It was also subtly familiar, for it was the odor of the human body, but multiplied innumerable times because of the fact that the aborigines never bathed.

It was to provide a safe and spacious crossing for these caravans, and also to make a pleasance for the city, that Shah Abbas 2, in about 1657 built, of sun-baked brick, tile, and stone, the present bridge.

There was also a lesson, one that has served ever since to keep Americans, in their conflicts with one another, from turning from the ballot to the bullet.

Joseph Jastrow, the younger son of the distinguished rabbi, Marcus Jastrow, was a friendly, round-faced fellow with a little mustache, whose field was psychology, and who was also a punster and a jolly tease.

And just as `` Laurie '' Lawrence was first attracted to bright Jo March, who found him immature by her high standards, and then had to content himself with her younger sister Amy, so Joe Jastrow, who had also been writing Henrietta before he came to Johns Hopkins, had to content himself with her younger sister, pretty Rachel.

she also went to Washington and appealed to Senator George William Norris of Nebraska, the Fighting Liberal, from whose office a sympathetic but cautious harrumphing was heard.

The Indians who came aboard ship to collect the mail also interested her greatly, even if she was suitably shocked, according to the customs of the society in which she had been reared, to find them `` naked, except a piece of cotton cloth wrapped around their middle ''.

He also disliked Runyon, for no good reason other than the fact that the Demon's talent was so marked as to put him well beyond the Hetman's say-so or his supervision.