It celebrates the unknown architect who designed the temple of Neptune at Paestum, next to the Parthenon the noblest example of Grecian classic style now in existence.

It was from tribute paid to the league that Pericles set to building the Parthenon on the Acropolis, replacing an older temple, as well as many other non-defense related expenditures.

This Doric limestone building, from which many relics survive, is referred to as the hekatompedon ( Greek for " hundred – footed "), Ur-Parthenon ( German for " primitive Parthenon "), H – Architecture or Bluebeard temple, after the pedimental three-bodied man-serpent sculpture, whose beards were painted dark blue.

This temple of Athena Polias was built upon the Doerpfeld foundations, between the Erechtheion and the still – standing Parthenon.

Between the temple of Athena Nike and the Parthenon, there was the temenos of Artemis Brauronia or Brauroneion, the goddess represented as a bear and worshipped in the deme of Brauron.

East of the entrance and north of the Parthenon is the temple known as the Erechtheum.

* Temple of Aphaea, dedicated to its namesake, a goddess who was later associated with Athena ; the temple was part of a pre-Christian, equilateral holy triangle of temples including the Athenian Parthenon and the temple of Poseidon at Sounion.

It has been suggested that Hadrian was deliberately imitating Phidias ' famous statue of Athena Parthenos in the Parthenon, seeking to draw attention to the temple and himself by doing so.

The temple was excavated in 1889-1896 by Francis Penrose of the British School in Athens ( who also played a leading role in the restoration of the Parthenon ), in 1922 by the German archaeologist Gabriel Welter and in the 1960s by Greek archaeologists led by Ioannes Travlos.

The Parthenon () is a temple on the Athenian Acropolis, Greece, dedicated to the maiden goddess Athena, whom the people of Athens considered their patron.

The Parthenon itself replaced an older temple of Athena, which historians call the Pre-Parthenon or Older Parthenon, that was destroyed in the Persian invasion of 480 BC.

According to this theory, the name of Parthenon means the " temple of the virgin goddess " and refers to the cult of Athena Parthenos that was associated with the temple.

The most important buildings visible on the Acropolis today — the Parthenon, the Propylaia, the Erechtheion and the temple of Athena Nike — were erected during this period.

Although the nearby Temple of Hephaestus is the most complete surviving example of a Doric order temple, the Parthenon, in its day, was regarded as the finest.

Though containing some Egyptian and French neo-Classicist features, the design was basically a huge Greek temple in the Doric style, loosely modelled on the Parthenon in Athens, though raised up on an enormous geometric plinth and flanked by numerous obelisks ( the Egyptian element ).

* Pericles commissions the architects Kallikrates and Iktinos to design a larger temple for the Parthenon and the construction begins on rebuilding the great temple of Athena ( the Parthenon ) on the Acropolis at Athens soon afterwards.

The more imposing of the two is the Walhalla, a costly reproduction of the Parthenon, erected as a Teutonic temple of fame on a hill rising from the Danube at Donaustauf, 15 km to the east.

The contemporary Parthenon, the largest temple in classical Athens, is also in the Doric order, although the sculptural enrichment is more familiar in the Ionic order: the Greeks were never as doctrinaire in the use of the Classical vocabulary as Renaissance theorists or neoclassical architects.

The Greeks oriented the Hecatompedon temple of 1150 BC and the Parthenon of 438 BC to their rising.

In the Byzantine period, the Parthenon was turned into a church, dedicated to the Virgin Mary.

In the 5th century AD, the Parthenon was converted into a Christian church dedicated to the Virgin Mary.

* The colossal statue of the Athena Parthenos, which Phidias has made for the Parthenon, is completed and dedicated.

A Frankish tower, dating to either the Burgundian or Catalan period, stood on the Acropolis of Athens among the ruins of the Parthenon, then a church dedicated to Saint Mary, until it was dismantled in 1874.

He sent some of the spoils back to Greece, including three hundred panoplies ( complete Persian suits of armor ) back to Athens to be dedicated in the Parthenon with the inscription “ Alexander, son of Philip and the Greeks, Lacedaemonians ( Spartans ) excepted, these spoils from the barbarians who dwell in Asia ”.

" He gives the Parthenon in Athens as an example ; built between 447 and 432 BCE to serve as a temple dedicated to the goddess Athena, its purpose over time changed to Christian church, mosque, and powder magazine before it became one of the most famous tourist attractions in the world.

Before the destruction by Persians during the 480 invasion the Athenian Acropolis temple dedicated to Athena stored money ; Pericles rebuilt a depository afterward contained within the Parthenon.

At the centre of the Acropolis is the Parthenon or Temple of Athena Parthenos ( Athena the Virgin ).

There, a new robe of woven wool ( peplos ) was placed on either the statue of Athena Polias in the Erechtheum ( during a regular Panathenaea ) or on the statue of Athena Parthenos in the Parthenon ( during the Great Panathenaea, held every four years ).

File: BM ; RM18-GR, The Parthenon Galleries 1 Temple of Athena Parthenos ( 447-438 B. C ) + North Slip Room ,-Full Elevation & Viewing North -. JPG | Room 18-Parthenon statuary from the east pediment and Metopes from the south wall

The contest of Athena and Poseidon was the subject of the reliefs on the western pediment of the Parthenon, the first sight that greeted the arriving visitor.

The first endeavor to build a sanctuary for Athena Parthenos on the site of the present Parthenon was begun shortly after the Battle of Marathon ( c. 490 – 488 BC ) upon a muscular limestone foundation that extended and leveled the southern part of the Acropolis summit.

This development had a direct effect on the sculptural decoration of temples, as many of the greatest extant works of Ancient Greek sculpture once adorned temples, and many of the largest recorded statues of the age, such as the lost chryselephantine statues of Zeus at the Temple of Zeus at Olympia and Athena at the Parthenon, Athens, both over 40 feet high, were once housed in them.

Phidias also designed the statues of the goddess Athena on the Athenian Acropolis, namely the Athena Parthenos inside the Parthenon and the Athena Promachos, a colossal bronze statue of Athena which stood between it and the Propylaea, a monumental gateway that served as the entrance to the Acropolis in Athens.

Among the ancient Greeks themselves two works of Phidias far outshone all others, the colossal chryselephantine figures of Zeus circa 432 BC on the site where it was erected in the temple of Zeus, at Olympia, Greece, and of Athena Parthenos ( literally, " Athena the Virgin ") a sculpture of the Greek virgin goddess Athena named after an epithet for the goddess herself, and was housed in the Parthenon in Athens.

The Acropolis of Athens ( Greek: Ακρόπολη Αθηνών ) is an ancient citadel located on a high rocky outcrop above the city of Athens and containing the remains of several ancient buildings of great architectural and historic significance, the most famous being the Parthenon.

* 438 BC: Ictinus and Callicrates finish construction of the Parthenon, located on Athens ' Acropolis.

It was located by the temple of Pandrosus, next to the Parthenon.

Statuary, cult objects, religious offerings and unsalvageable architectural members were buried ceremoniously in several deeply dug pits on the hill, serving conveniently as a fill for the artificial plateau created around the classic Parthenon.

During the Julio-Claudian period, the Temple of Rome and Augustus, a small, round edifice, about 23 meters from the Parthenon, was to be the last significant ancient construction on the summit of the rock.

All the valuable ancient artifacts are situated in the Acropolis Museum, which resides on the southern slope of the same rock, 280 metres from the Parthenon.

During the festival, a procession ( believed to be depicted on the Parthenon frieze ) traveled through the city via the Panathenaic Way and culminated on the Acropolis.

In 1806, Thomas Bruce, 7th Earl of Elgin, ambassador to the Ottoman Empire from 1799 to 1803 removed the large collection of marble sculptures from the Parthenon, on the Acropolis in Athens and transferred them to the UK.

The Egyptians, Persians and other civilizations mostly used columns for the practical purpose of holding up the roof inside a building, preferring outside walls to be decorated with reliefs or painting, but the Ancient Greeks, followed by the Romans, loved to use them on the outside as well, and the extensive use of columns on the interior and exterior of buildings is one of the most characteristic features of classical architecture, in buildings like the Parthenon.

The effect is to momentarily create a frozen, timeless state, somewhat like figures frozen in action on the frieze of the Parthenon.

There was a relief sculpture of Prometheus with Pandora on the base of Athena's cult statue in the Athenian Parthenon of the 5th century BC.

Reconstruction of the Parthenon, on the Acropolis of Athens | Acropolis of Athens, Greece.

The architects Mnesikles and Callicrates are said to have called the building Hekatompedos (" the hundred footer ") in their lost treatise on Athenian architecture, and, in the 4th century and later, the building was referred to as the Hekatompedos or the Hekatompedon as well as the Parthenon ; the 1st-century AD writer Plutarch referred to the building as the Hekatompedon Parthenon.

In a further attack on the company, the map of Cuntinental Europe-given away free with Issue 118 and showing a large cartoon of stereotypes of the British and their neighbours over the relevant geographical areas-displayed the McDonald's logo on potentially insensitive locations, such as the Parthenon and the vicinity of the Leaning Tower of Pisa.