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Page "Sound film" ¶ 23
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Warner and Bros
The group was on the verge of signing with Warner Bros. Records at the time of La Rock's murder.
The resulting fight between the townsfolk and Lamarr's army of thugs breaks the fourth wall, quite literally ; the fight spills out from the Warner Bros. film lot into a neighboring musical set being directed by Buddy Bizarre ( Dom DeLuise ), then into the studio commissary, where a pie fight ensues.
Category: Warner Bros. films
On November 22, 2010, The Hollywood Reporter confirmed that Warner Bros. had picked up the movie rights to the remake.
Warner Bros. was willing to fund the project on the condition that Gibson sign for another Lethal Weapon sequel, which he refused.
Charles Martin " Chuck " Jones ( September 21, 1912 – February 22, 2002 ) was an American animator, cartoon artist, screenwriter, producer, and director of animated films, most memorably of Looney Tunes and Merrie Melodies shorts for the Warner Bros. Cartoons studio.
After his extraordinary career at Warner Bros. ended in 1962, Jones started Sib Tower 12 Productions and began producing memorable cartoons for Metro-Goldwyn-Mayer, including a new series of Tom and Jerry shorts and the television adaptation of Dr. Seuss ' How the Grinch Stole Christmas!
Film historian Leonard Maltin has praised Jones ' work at Warner Bros., MGM and Chuck Jones Productions.
Chuck Jones joined Leon Schlesinger Productions, the independent studio that produced Looney Tunes and Merrie Melodies for Warner Bros., in 1933 as an assistant animator.
Jones remained at Warner Bros. throughout the 1950s, except for a brief period in 1953 when Warner closed the animation studio.
Jones moonlighted to work on the film, since he had an exclusive contract with Warner Bros. UPA completed the film and made it available for distribution in 1962 ; it was picked up by Warner Bros.
Jones ' former animation unit was laid off after completing the final cartoon in their pipeline, The Iceman Ducketh, and the rest of the Warner Bros. Cartoons studio was closed in early 1963.
With business partner Les Goldman, Jones started an independent animation studio Sib Tower 12 Productions, bringing on most of his unit from Warner Bros., including Maurice Noble and Michael Maltese.
Jones resumed working with Warner Bros. in 1976 with the animated TV adaptation of The Carnival of the Animals with Bugs Bunny and Daffy Duck.
* Warner Bros. Cartoons
* Warner Bros.
While the compositions and performances were credited to " Jimmy Thudpucker ", they were in fact co-written and sung by Brewer, who also co-wrote and provided the vocals for " Ginny's Song ", a 1976 single on the Warner Bros. Label, and Jimmy Thudpucker's Greatest Hits, an LP released by Windsong Records, John Denver's subsidiary of RCA Records ).
Digital Cinema Initiatives ( DCI ) was formed in March 2002 as a joint project of many motion picture studios ( Disney, Fox, MGM, Paramount, Sony Pictures Entertainment, Universal, and Warner Bros. Studios ) to develop a system specification for digital cinema.
Scott Derrickson was set to direct " Hyperion Cantos " for Warner Bros. and GK Films.
* The 1946 Warner Bros. cartoon Book Revue had a lengthy sequence with Daffy Duck impersonating Kaye singing " Carolina in the Morning " with the Russian accent that Kaye would affect from time to time.
It is the publishing unit of DC Entertainment, a company of Warner Bros. Entertainment, which itself is owned by Time Warner.

Warner and .
The evening program was opened by the Jazz Three, a Newport group consisting of Steve Budieshein on bass, Jack Warner, drums, and Don Cook, piano.
The first of these was based on Lord Edgware Dies and was made by Warner Brothers.
* 1953 – In Warner Robins, Georgia, an F4 tornado kills 18 people.
* 1926 – In New York, New York, the Warner Brothers ' Vitaphone system premieres with the movie Don Juan starring John Barrymore.
Having fulfilled his promise, Warner published a book entitled How We Recovered The Ashes.
Examples include one presented to Warner in 1904, another to Australian Captain M. A.
England won it against the odds, and Plum Warner, the England captain, wrote up his version of the tour in his book How We Recovered The Ashes.
He famously told England manager Pelham Warner, " There are two teams out there.
It stars Jack Warner as an England cricketer playing the last Test of his career, which is the last of an Ashes series ; the film contains cameo appearances from cricketers, including Jim Laker and Denis Compton, who were part of England's 1953 triumph.
* 1892 – Jack Warner, Canadian-American film producer ( d. 1978 )
( C ) 1983 Acorn Computers Ltd. Thanks are due to the following contributors to the development of the Electron ( among others too numerous to mention ):- Bob Austin, Astec, Harry Barman, Paul Bond, Allen Boothroyd, Ben Bridgewater, Cambridge, John Cox, Chris Curry, 6502 designers, Jeremy Dion, Tim Dobson, Joe Dunn, Ferranti, Steve Furber, David Gale, Andrew Gordon, Martyn Gilbert, Lawrence Hardwick, Hermann Hauser, John Herbert, Hitachi, Andy Hopper, Paul Jephcot, Brian Jones, Chris Jordan, Computer Laboratory, Tony Mann, Peter Miller, Trevor Morris, Steve Parsons, Robin Pain, Glyn Phillips, Brian Robertson, Peter Robinson, David Seal, Kim Spence-Jones, Graham Tebby, Jon Thackray, Topexpress, Chris Turner, Hugo Tyson, John Umney, Alex van Someren, Geoff Vincent, Adrian Warner, Robin Williamson, Roger Wilson.
* Warner, Ezra J.
* 1953 – Warner Brothers premieres the first 3-D film from a major American studio, entitled House of Wax.
One month later, Warner Communications sold Atari's Consumer Division to Jack Tramiel.
Atari's launch of the 7800 under Tramiel was far more subdued than Warner had planned for the system in 1984 with a marketing budget of just $ 300, 000.
Two film versions were released in 1973: one directed by Joseph Losey, starring Jane Fonda, David Warner and Trevor Howard ; and the other by Patrick Garland with Claire Bloom, Anthony Hopkins, and Ralph Richardson.
Known as " Big Mac ", the encyclopedia became the standard baseball reference until 1988, when Total Baseball was released by Warner Books using more sophisticated technology.
1 – 4: Chris Warner, script and pencils / Tim Bradstreet, inks.

Warner and technology
In May, Warner Bros. sold back its exclusivity rights to ERPI ( along with the Fox-Case sublicense ) and signed a new royalty contract similar to Fox's for use of Western Electric technology.
Over the course of 1928, as Warner Bros. began to rake in huge profits due to the popularity of its sound films, the other studios quickened the pace of their conversion to the new technology.
As co-head of production at Warner Bros. Studios, he worked with his brother, Sam Warner, to procure the technology for the film industry's first talking picture.
Later that year, Sam Warner urged his brother, Harry, to sign an agreement with Western Electric to develop a series of talking " shorts " using the newly developed Vitaphone technology.
These producers have to pay US $ 15 –$ 20 per player in license fees, to the patent holders of the DVD technology ( Sony, Philips, Toshiba and Time Warner ) as well as for MPEG-2 licenses.
Warner Bros. developed increasingly sophisticated technology to sequence greater numbers of phonograph sound effects to picture using the Vitaphone system, but these were rendered obsolete with the widespread adoption of sound-on-film processes in the early 1930s.
The article listed as the reason Time Warner ’ s shifting emphasis toward an evolved form of the technology being developed by outside companies under contract with Time Warner Cable.
In the Warner Bros movie Looney Tunes Back in Action DJ Drake, Bugs Bunny, Daffy Duck and Kate Houghton visit a secret military base in the Nevada Desert, used mainly as a storage for extraterrestrial lifeforms and technology and government secrets, called Area 52.
Sam Warner is credited with procuring the technology that enabled Warner Bros. to produce the film industry's first feature-length talking picture, The Jazz Singer.
With computer technology, studios were able to add color to black-and-white films by digitally tinting single objects in each frame of the film until it was fully colorized ( the first authorized computer-colorizations of B & W cartoons were commissioned by Warner Bros. in 1990 ).
In 1979 he became the chairman of Warner Blue & Mahan, a Washington, D. C. based consulting firm working on new technology ventures.
At its height, over 350, 000 websites, including those of Warner Bros., Comedy Central, the comic strip Dilbert, and the Star Trek franchise, were using the company's technology to alter the cursor image for their visitors.
Rather than the traditional Peanuts special animation, Warner Bros. used the original comic segments and used the latest technology to move the characters body parts.

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