and the narrator recalls the words of his father, Vincent Berger: `` It is not by any amount of scratching at the individual that one finally comes down to mankind ''.

* Dr. Bernard Rieux: Dr. Bernard Rieux is the narrator of the novel, although this is only revealed at the end.

The novel shows the genre's results of changing perspectives: individual points were presented by the individual characters, and the central voice of the author and moral evaluation disappeared ( at least in the first volume ; her further volumes introduced a narrator ).

However, at several points Alton appears to address the viewer rather than Inspector Warren, and the unclear role of the Scientist as narrator makes things even more confusing.

" When the narrator is separated from Ruth, with whom he has fallen in love, he is free to explore other sexual ( and religious ) possibilities before deciding at the end of the poem to participate in the ritualistic order marriage represents.

In Deighton's novel, Samson is an unreliable narrator and his words cannot necessarily be taken at face value.

The narrator makes an extended reference to the story of a corrupt Spartan ’ s consultation of the Oracle of Apollo at Delphi from Herodotus ( 6. 86 ).

Although Pluto is a neutral character at the beginning of the story, he becomes antagonistic in the narrator ’ s eyes once the narrator becomes an alcoholic.

The alcohol pushes the narrator into fits of intemperance and violence, to the point at which everything angers him – Pluto in particular, who is always by his side, becomes the malevolent witch who haunts him even while avoiding his presence.

Toward the end, the narrator expresses the terror and agony of remaining a ghost in the advent of full daybreak in heaven, comparing the experience to having large blocks fall on one's body ( at this point falling books awaken him ).

It is implied by the text that the narrator fears what he sees at the bottom of the pit, or perhaps is frightened by its depth.

The narrator speculates at one point that the mysterious aliens who left this structure on the Moon may have used mechanisms belonging " to a technology that lies beyond our horizons, perhaps to the technology of para-physical forces.

From Chapter III to Chapter X, where the narrator obtains a job at " Hotel X ," he describes his descent into poverty, often in tragi-comic terms.

The title refers to two bus routes that cross at this intersection ; in the song, the narrator is waiting at a bus stop.

In the 2011 BBC Radio 4 adaptation Robert Powell played the narrator ; he has known Garner since he was a schoolboy at Manchester Grammar School.

* Action Comics # 590: The narrator recounts exactly how Chemo is destroyed on Earth-4 by the Negative Woman in Crisis on Infinite Earths # 9, stating, " Weeks ago on a parallel earth that no longer exists ," and goes on to specify how he survived when all the Earths merged into one single Earth at the end of the Crisis.

The 1977 film has a number of changes from the prototype, including being entirely in color, moving the starting location from Miami to Chicago, introducing an additional two powers of ten at each extreme, a change in narrator from Judith Bronowski to Philip Morrison, and much improved graphics.

The narrator is surprised that the raven can talk, though at this point it has said nothing further.

Presumably at the time of the poem's recitation by the narrator, the raven " still is sitting " on the bust of Pallas.

Such elements include the essential idea of narrative structure, with identifiable beginnings, middles and endings, or exposition-development-climax-resolution-denouement, normally constructed into coherent plot lines ; a strong focus on temporality, which includes retention of the past, attention to present action, and protention / future anticipation ; a substantial focus on characters and characterization which is " arguably the most important single component of the novel "; a given heterogloss of different voices dialogically at play – " the sound of the human voice, or many voices, speaking in a variety of accents, rhythms and registers "; possesses a narrator or narrator-like voice, which by definition " addresses " and " interacts with " reading audiences ( see Reader Response theory ); communicates with a Wayne Booth-esque rhetorical thrust, a dialectic process of interpretation, which is at times beneath the surface, conditioning a plotted narrative, and other at other times much more visible, " arguing " for and against various positions ; relies substantially on now-standard aesthetic figuration, particularly including the use of metaphor, metonymy, synecdoche and irony ( see Hayden White, Metahistory for expansion of this idea ); is often enmeshed in intertextuality, with copious connections, references, allusions, similarities, parallels, etc.

* Dinner at Noon ( narrator ), 1988

The field of literary analysis and criticism can discuss omniscience in the point of view of a narrator.

The narrator discovers that the vast grey town and its ghostly inhabitants are minuscule to the point of being invisible compared with the immensity of heaven and reality.

The story is told almost entirely from the point of view of the first person narrator, David Copperfield himself, and was the first Dickens novel to be written as such a narration.

This allows the reader or audience to see the point of view ( including opinions, thoughts, and feelings ) only of the narrator, and no other characters.

At one point the narrator deplores the " newish, three-storied buildings " of Vere Street which are " perfectly flat, without a bow window [...] to break the straightness of the line from one end of the street to the other ".

At another point, the narrator imagines that Seraphim ( a type of angel ) have entered the room.

To illustrate what he means by defamiliarization, Shklovsky uses examples from Tolstoy, whom he cites as using the technique throughout his works: “ The narrator of ' Kholstomer ,' for example, is a horse, and it is the horse ’ s point of view ( rather than a person ’ s ) that makes the content of the story seem unfamiliar ” ( Shklovsky 16 ).

A narrator may tell the story from his or her own point of view ( as a fictive entity ) or from the point of view of one of the characters in the story.

In a story using first-person point of view, the narrator is a character in the story.

In a work with third-person limited point of view, the narrator is outside the story and reveals the thoughts and feelings of only one character.

Newman often writes lyrics from the perspective of a character far removed from his own experiences, sometimes using the point of view of an unreliable narrator.

The story is told from the point of view of the narrator, Neil Klugman.

The main narrator of the poem in all the versions is named Will, with allegorical resonances clearly intended, and Langland ( or Longland ) is thought to be indicated as a surname through apparent puns ; e. g., at one point the narrator remarks: " I have lyved in londe ... my name is longe wille " ( B. XV. 152 ).

The 19th century writer Edgar Allan Poe would often write tales in which the narrator and protagonist would suffer some form of monomania, becoming excessively fixated on an idea, an urge, an object, or a person, often to the point of mental and / or physical destruction.

The story is told from a first person point of view, John being the narrator.

" It should be noted, however, that Newman's lines are from the point of view of an unreliable narrator: specifically, a self-proclaimed " redneck " who assumes, incorrectly, that Cavett is Jewish.

Set in Thailand, the novel is told from the point of view of a fictional narrator named Mischa Berlinski.

The novel is written from the point of view of an anonymous narrator, who continually complains about his poor writing skills and often uses circumlocution.

* Isambard Sinclair ( voiced by David Jason ): The unseen narrator, but occasionally interacts with the characters, sometimes to the point of halting the plot for one reason or another ( in one episode he accidentally sends DM back in time ).

In Cat's Eye, the narrator recognizes the similarity between a turkey and a baby.

Walker recognizes that Wheatley is in a position far different from the narrator of Woolf's essay, in that she does not own herself, much less ' a room of her own '.

The narrator immediately recognizes Cupid and is astonished when he recognizes Psyche: