There is an extraordinary sense of presence in all of these recordings, apparently obtained at least in part by emphasizing the middle and high frequencies.

Only two songs are in circulation from these recordings: " Steal Away " and " Operator ".

The new generation of DJs and musicians of the 2000s who have fallen in love with both Kuti's material and other rare releases have made compilations and remixes of these recordings, thus re-introducing the genre to new generations of listeners and fans of afropop and groove.

Bartók, who had made some recordings in Hungary, also recorded for Columbia Records after he came to the US ; many of these recordings ( some with Bartók's own spoken introductions ) were later issued on LP and CD ( Bartók 1994, 1995a, 1995b, 2003, 2007, 2008 ).

Virtually none of these recordings were ever released.

Many of these recordings survive today as the Tiffany Transcriptions, and are available on CD.

Specifics vary by jurisdiction, but these can include poems, theses, plays, other literary works, movies, dances, musical compositions, audio recordings, paintings, drawings, sculptures, photographs, software, radio and television broadcasts, and industrial designs.

Ritchie, living in a time when the Appalachians had opened up to outside influence, was university educated and ultimately moved to New York City, where she made a number of classic recordings of the family repertoire and published an important compilation of these songs.

Many of these shows have been preserved as Led Zeppelin bootleg recordings.

Originally, these recordings documented speedruns — attempts to complete a level as quickly as possible — and multiplayer matches.

In spite of the casual occasions that generated these recordings, their quality is almost always quite high, and they document the evolution of Davis ' style and sound.

With these recordings, Davis assumed a central position in what is known as hard bop.

Prestige released these recordings in the following years as four albums: Relaxin ' with the Miles Davis Quintet, Steamin ' with the Miles Davis Quintet, Workin ' with the Miles Davis Quintet, and Cookin ' with the Miles Davis Quintet.

There is not any typical filter tweaking in these recordings.

During the first decade of the 20th century, some songs under the name of samba were recorded, but these recordings did not achieve great popularity.

Willie Brown, mandolin player Fiddlin ' Joe Martin, and harmonica player Leroy Williams played with House on these recordings.

A handful of Baird's ' Phonovision ' recordings survive and these were finally decoded and rendered into viewable images in the 1990s using modern digital signal-processing technology.

The actual titles are in question ( as is the notion that these were album-length recordings ), but the first title has been confirmed by a former head of the now defunct Smelly Tongues fan club.

Marketed as " Remastered and Expanded ", these releases include additional live tracks which were not present on the original recordings.

According to Asch's wishes, these recordings have remained in print under the Smithsonian / Folkways auspices.

With these two recordings, especially, he helped to invent the jazz ballad style and hinted at what, in the 1950s, would become cool jazz.

The band released recordings of a fair number of their concerts, and on some of these the band worked out material which would later form the backbone of their studio recordings ( for example, Pergamon, which documents a concert given in East Berlin shortly after Johannes Schmoelling joined the group, contains themes that would appear later on Tangram ).

The cellist Natalie Haas points out that in the US, you can find "... old photographs, and even old recordings, of American string bands with cello.

Many historic bands and early rock music recordings used this configuration, notable users including Ringo Starr in the Beatles, Mitch Mitchell in the Jimi Hendrix Experience, John Barbata in the Turtles and many others.

There are also recordings featuring the harmonica in jug bands, of which the Memphis Jug Band is the most famous.

Kenny Olson went on to perform with several other bands, and has appeared on other studio recordings such as the song " I Love You More Than You'll Ever Know " from the Les Paul & Friends CD as well as a version of " Little Wing " with Chaka Khan on " The Power of Soul: A Tribute to Jimi Hendrix ".

The matter was settled out of court on undisclosed terms that apparently allowed both bands to continue using the Nirvana name and issuing new recordings without any packaging disclaimers or caveats to distinguish one Nirvana from the other.

Punk embraces a DIY ethic ; many bands self-produced recordings and distributed them through informal channels.

Among the earliest hardcore bands, regarded as having made the first recordings in the style, were Southern California's Middle Class and Black Flag.

First in the early 1940s many jazz bands began to include ragtime in their repertoire and put out ragtime recordings on 78 rpm records.

In April 1983 the group resumed its activities with a live appearance in Ljubljana, featuring guest performances by the English bands The Last Few Days and 23 Skidoo, for which recordings of dogs barking and snarling were used as the concert intro.

By this time the big band was such a dominant force in jazz that the older generation found they either had to adapt to it or simply retire — with no market for small-group recordings ( made worse by a depression-era industry reluctant to take risks ), some musicians such as Louis Armstrong and Earl Hines fronted their own bands, while others, like Jelly Roll Morton and King Oliver, lapsed into obscurity.

Leader of the most popular dance bands in the United States during the 1920s, Whiteman produced recordings that were immensely successful, and press notices often referred to him as the " King of Jazz ".

Roine Stolt also talked about the recordings of Banks of Eden: We always record live in the studio nowadays, it gives the music more muscle and an organic elasticity in groove and dynamics that is sorely missing in many modern prog bands production when they use sequencer and build it up around drum-machines.

SST Records, an independent American record label that was initially founded to release Black Flag ’ s debut single, released recordings by influential bands such as Bad Brains, The Minutemen, Descendents, Meat Puppets, and Hüsker Dü.

Johnny Dodds ( April 12, 1892 – August 8, 1940 ) was an American New Orleans based jazz clarinetist and alto saxophonist, best known for his recordings under his own name and with bands such as those of Joe " King " Oliver, Jelly Roll Morton, Lovie Austin and Louis Armstrong.

The Prima-Butera arrangements and recordings continued to be copied by younger musicians, including David Lee Roth, who covered his medley of " Just a Gigolo "/" I Ain't Got Nobody " in the 1980s, and Brian Setzer, Big Bad Voodoo Daddy and other nouveau swing bands of the 1990s, covering such Prima standards as " Jump, Jive and Wail ".

Chandler has played bass for hundreds of bands on the road and on various recordings, including Phil Keaggy, Randy Stonehill, Tonio K, Mike Stand, The Lucky Stiffs, Pierce Pettis, Lost Dogs, Chuck Girard, Riki Michele and others.

They played a variety of American folk and blues songs, particularly those derived from the recordings of Leadbelly, in a lively style that emulated American jug bands.

Braud's playing on Ellington's regular radio broadcasts and recordings helped popularize the slap style of string bass playing, as well as encouraging many dance bands of the time to switch from using a tuba to an Upright bass.

After singing with various dance bands and touring in vaudeville with the likes of Ted Mack, Leon Belasco, and comic bandleader Larry Rich, they first came to national attention with their recordings and radio broadcasts in 1937, most notably via their major Decca record hit, Bei Mir Bist Du Schön ( translation: " To Me, You Are Beautiful "), originally a Yiddish tune, the lyrics of which Sammy Cahn had translated to English and which the girls harmonized to perfection.

Despite a significant bias that only black musicians could play “ real ” jazz, white bands such as the New Orleans Rhythm Kings and the Original Dixieland Jazz Band ( ODJB ) emerged and found great success, especially in their recordings.

Though NORK and ODJB were not by any stretch of the imagination the first white jazz bands ( there were many others that played around Chicago and New Orleans ), they were some of the first to make recordings and one of the first white jazz bands that made mixed race recordings ( Jelly Roll Morton was creole ).