Their policy ran counter to the traditional idea that a good fighter was usually a libertine, and that in sex affairs `` God-given passion '' was a proof of manliness.

Their world, again, was a still simple, traditional age which was only slowly beginning to appreciate the complexity of life.

Their numbers have dwindled to about 2, 000 as a consequence of disease and disruption of traditional lifestyles, though people with partial Aleut descent may number around 15, 000.

Their growing interest in folk music coincided with a contemporary social interest in traditional national culture.

Their specifications, which go further than the West Country farmhouse Cheddar Protected Designation of Origin ( PDO ), require that Cheddar cheese be made in Somerset and with traditional methods, such as using raw milk, traditional animal rennet, and a cloth wrapping.

Their home games were played in the traditional Eilenriedestadium till they moved to the AWD Arena due to DFL directives.

Their sentences were supposed to be simple interpretations of the traditional customs, but effectively it was an activity that, apart from formally reconsidering for each case what precisely was traditionally in the legal habits, soon turned also to a more equitable interpretation, coherently adapting the law to the newer social instances.

Their traditional colour is white ( as opposed to the specific colours of individual Loa ).

Their traditional colour is red.

Their traditional colours are black and purple.

Their traditional association was confirmed in 1951 through a new treaty of friendship, commerce, and navigation by which the United Kingdom recognized the Sultanate of Muscat and Oman as a fully independent state.

Their written repositories of traditional knowledge, the Books of Chilam Balam, were all ascribed to one famous oracle priest who correctly had predicted the coming of the Spaniards and its associated disasters.

Their traditional languages are the Sami languages and are classified as a branch of the Uralic language family.

Their politically tinged music was informed by MacGowan and Stacy's punk backgrounds, yet used traditional Irish instruments such as the tin whistle, cittern, mandolin and accordion.

Brunvand used his collection of legends, The Vanishing Hitchhiker: American Urban Legends & Their Meanings ( 1981 ) to make two points: first, that legends and folklore do not occur exclusively in so-called primitive or traditional societies, and second, that one could learn much about urban and modern culture by studying such tales.

Their sound, and their broad repertoire of traditional folk material and topical songs inspired other groups such as the Kingston Trio, the Chad Mitchell Trio, The New Christy Minstrels, and the " collegiate folk " groups such as The Brothers Four, The Four Freshmen, The Four Preps, and The Highwaymen.

Their mysteriousness will only heighten the traditional worry that emergence entails illegitimately getting something from nothing.

Their campaigns stretch beyond the traditional arena of the conservation movement and seek to address the economic and development aspects of sustainability.

Their lyrics focus on pain and personal alienation rather than traditional heavy metal themes.

Their ability to influence and participate in the external policies that may exercise jurisdiction over their traditional lands and practices is very frequently limited.

Their presence, activities and traditional roles constitute the apex of a modern " royal court ," and provide a distinctly British and historical pageantry to ceremonies ( e. g. Trooping the Colour ) and flavour to public events ( e. g. Garden Parties, Ascot ).

Their traditional economy is based on agriculture and trade.

Their traditional home is on the west coast of Vancouver Island.

Their traditional crest takes elements of the city coat of arms which features two seahorses.

Their first project was the stage musical Chess, written with Tim Rice.

Their most recent work Living Things ( 2012 ) combines musical elements from all of their previous records.

Their approach was similar to classical music ; each instrument played its own melodic line to generate a grand musical theme.

Their range of approaches, from Danger's minimally electrified acoustic / electric Altra line to Eric Jensen's solid-body brace-mounted design, have met with varying degrees of ergonomic and musical success.

Their works, later known as the Savoy operas, dominated the musical stage on both sides of the Atlantic for more than a decade and continue to be performed today.

Their first musical, the groundbreaking hit, Oklahoma!

Their adoption by the rave subculture is probably due to the enhancement of the overall social and musical experience.

Their " big four " were Babes in Arms, The Boys From Syracuse ( the first adaptation of a Shakespeare play for musical theater ), Pal Joey, and On Your Toes.

Their first collaboration was a musical adaptation of Barry Connor's farce The Patsy, called Life of the Party, for a Detroit stock company.

Their musical reputation largely rests on two albums issued in 1967, Da Capo and Forever Changes.

Reorganization at Paramount Pictures brought fears that money due the Brothers would never be paid ; as a result, the Brothers threatened to leave Paramount and start their own company, Marx Bros., Inc. Their first planned independent production was a film adaptation of the Pulitzer Prize-winning Broadway musical Of Thee I Sing, with Norman McLeod leaving Paramount to direct.

Their musical style at this time was varied, approximately described as " a cross between Abba and The Fall ".

Their musical style is predominantly hardcore rap, although later albums include funk, soul and reggae influences.

Their primary musical influence was 1970s krautrock, which they combined with lounge, 1960s pop, and experimental pop music.

Their next musical, 1945's Billion Dollar Baby ( music by Morton Gould ) was not a success, and their 1947 show Bonanza Bound closed out-of-town and never reached Broadway.

Their stage work of the 1950s included the revue Two on the Aisle, starring Bert Lahr and Dolores Gray, with music by Jule Styne ; Wonderful Town, a musical adaptation of the play My Sister Eileen with music by Bernstein ; and Bells Are Ringing, which reunited them with Judy Holliday and Jule Styne.

Their musical style is primarily eclectic, covering styles such as hip hop, rock, funk, blues and jazz.

Their acquaintance was marked by discussions, by Glinka passing several Spanish musical themes to Balakirev, and with Glinka entrusting the young man with the musical education of his four-year-old niece.

Their music is often seen as a reaction against the musical style of Richard Wagner and the impressionist music of Claude Debussy and Maurice Ravel.

Their musical style encompassed country rock and swamp rock genres.

Their musical collaboration combined pop music ( such as glam rock and Tamla Motown ) with avant-garde electronic music.

Their musical reputation spread and they were invited to play at a friend's 21st birthday party.

Their new musical style, known as Conjunto, soon became the popular music of the working class Tejano.

Their musical style broke from traditional New York hardcore roots by adding aspects of rock, heavy metal and jazz, like extended guitar solos and musical interludes.