They are preoccupied riding herd on control panels, switches, flashing colored lights on pale green or gray consoles that look like business machines.

They are supplied, a batch at a time, by a secret source and are continually changed by Wisman or his staff, at random intervals.

They are mere fragments, just one portion of preprepared messages.

They are huge areas which have been swept by winds for so many centuries that there is no soil left, but only deep bare ridges fifty or sixty yards apart with ravines between them thirty or forty feet deep and the only thing that moves is a scuttling layer of sand.

They recognized that slavery was a moral issue and not merely an economic interest, and that to recognize it explicitly in their Constitution would be in explosive contradiction to the concept of sovereignty they had set forth in the Declaration of 1776 that `` all men are created equal, that they are endowed by their Creator with certain unalienable rights, that among them are life, liberty and the pursuit of happiness.

They are in general those fears that once seemed to have been amenable to prayer or ritual.

They are non-conformists on principle.

They are full of contempt for the institution of matrimony.

They feel they are leagued against a hostile, persecutory world, faced with the concerted malevolent opposition of squares and their hirelings, the police.

They for their part are convinced that Holmes is too `` unorthodox '' and `` theoretical '' to make a good detective.

They are presumed to have plunged to a common grave in this fatal embrace.

They are determined to prove something.

They tell us, sir, that we are free, because we have in one hand a ballot, and in the other a stock certificate.

They are very small, and in the form of haystacks, without either chimney or windows.

They are situated in the midst of trees, which hang over them, and appear truly romantick.

On December 21, the day that the Irish House of Commons petitioned for removal of Sir Constantine Phipps, their Tory Lord Chancellor, Molesworth reportedly made this remark on the defense of Phipps by Convocation: `` They that have turned the world upside down, are come hither also ''.

Defoe then commented, `` If they Could Draw that young Gentleman into Their Measures They would show themselves quickly, for they are not asham'd to Say They want only a head to Make a beginning ''.

They emerged as interchangeable cogs in a faulty but formidable machine: shaved nearly naked, hair queued, greatcoated, jackbooted, and best of all -- in the opinion of the British professional, Major Semple-Lisle -- `` their minds are not estranged from the paths of obedience by those smatterings of knowledge which only serve to lead to insubordination and mutiny ''.

They are longing to see you ''.

They are not true because scientists or prophets say they are true.

They were depicted by Johann Bayer in his star atlas Uranometria of 1603.

They are frequently depicted as having multiple heads, always uneven in number, arranged in a fan.

They found that novices sort problems into categories based upon surface features ( e. g., keywords in the problem statement or visual configurations of the objects depicted ).

They depicted fellatio in their ceramics.

They often depicted mythological creatures, domestic scenes, labor scenes, or palatial scenes filled with officials at court.

They recognized names of Jewish children sheltered by them ( who also survived the war ), depicted in the novel as victims of abuse by characters based on them.

They are mentioned over 250 times, the majority in the Deuteronomistic history ( the series of " history " books from Joshua to 2 Kings ), and are depicted as the archenemies of the Israelites, a serious and recurring threat before being subdued by David.

They also depicted the denomination of the postage and, with the exception of the United Kingdom, depicted the name of the country from which it was issued.

They have featured prominently in ancient mythology and folklore, and continue to be depicted in modern films and literature.

They are sometimes depicted as having webbed feet ( except for Queen Rutela from Twilight Princess who appears to have two flat mermaid-like fins that fall down like a skirt ) and hands.

They were described as “ shining as gold in the belly of Nut " ( Gr. Nuit ) and were indeed depicted as golden stars on the roofs of many tombs and temples.

They are depicted in several paintings by 15th-century painter Jheronimus Bosch.

They are depicted as the primary interceptor and dogfighter of the Rebel Alliance and the New Republic.

Payola was depicted in the film The Harder They Come ( 1972 ) where a record producer, not the recording artist, controls the airwaves.

They often depicted clams in their art.

They often depicted sea lions in their art.

They are even recognized despite perspective and elastic deformations as in C, and when depicted using different graphic elements as in D. Computational theories of vision, such as those by David Marr, have had more success in explaining how objects are classified.

They have subsequently been depicted in opera, paintings, books, films, and comics.

They are conventionally depicted as beautiful with long flowing hair.

They eventually decided upon Atlantis when they looked at a diagram in a Time Life volume, which depicted the city as built in three concentric circles.

They were most commonly depicted as two people: an old man, Axiocersus, and his son, Cadmilus.

They were depicted kneeling or squatting, a more common birthing position in antiquity than in the modern era.

They are depicted on votive objects and altars that bear images of goddesses, depicted almost entirely in groups of three, that feature inscriptions ( about half of which feature Celtic names, and half of which feature Germanic names ), that were venerated in regions of Germania, Eastern Gaul, and upper Italy ( with a small distribution elsewhere ) that were occupied by the Roman army from the first to the fifth century AD.