They are preoccupied riding herd on control panels, switches, flashing colored lights on pale green or gray consoles that look like business machines.

They are supplied, a batch at a time, by a secret source and are continually changed by Wisman or his staff, at random intervals.

They are mere fragments, just one portion of preprepared messages.

They are huge areas which have been swept by winds for so many centuries that there is no soil left, but only deep bare ridges fifty or sixty yards apart with ravines between them thirty or forty feet deep and the only thing that moves is a scuttling layer of sand.

They recognized that slavery was a moral issue and not merely an economic interest, and that to recognize it explicitly in their Constitution would be in explosive contradiction to the concept of sovereignty they had set forth in the Declaration of 1776 that `` all men are created equal, that they are endowed by their Creator with certain unalienable rights, that among them are life, liberty and the pursuit of happiness.

They are in general those fears that once seemed to have been amenable to prayer or ritual.

They are non-conformists on principle.

They are full of contempt for the institution of matrimony.

They feel they are leagued against a hostile, persecutory world, faced with the concerted malevolent opposition of squares and their hirelings, the police.

They for their part are convinced that Holmes is too `` unorthodox '' and `` theoretical '' to make a good detective.

They are presumed to have plunged to a common grave in this fatal embrace.

They are determined to prove something.

They tell us, sir, that we are free, because we have in one hand a ballot, and in the other a stock certificate.

They are very small, and in the form of haystacks, without either chimney or windows.

They are situated in the midst of trees, which hang over them, and appear truly romantick.

On December 21, the day that the Irish House of Commons petitioned for removal of Sir Constantine Phipps, their Tory Lord Chancellor, Molesworth reportedly made this remark on the defense of Phipps by Convocation: `` They that have turned the world upside down, are come hither also ''.

Defoe then commented, `` If they Could Draw that young Gentleman into Their Measures They would show themselves quickly, for they are not asham'd to Say They want only a head to Make a beginning ''.

They emerged as interchangeable cogs in a faulty but formidable machine: shaved nearly naked, hair queued, greatcoated, jackbooted, and best of all -- in the opinion of the British professional, Major Semple-Lisle -- `` their minds are not estranged from the paths of obedience by those smatterings of knowledge which only serve to lead to insubordination and mutiny ''.

They are longing to see you ''.

They are not true because scientists or prophets say they are true.

They then moved to Vernon, then to a house in Giverny in Normandy, where he planted a large garden and where he painted for much of the rest of his life.

They are engraved and painted using red ochre and black pigment and show horses, rhinoceros, lions, buffalo, mammoth or humans often hunting.

Irenaeus, ( c. 130 – 202 ) in his Against Heresies ( 1: 25 ; 6 ) says scornfully of the Gnostic Carpocratians, " They also possess images, some of them painted, and others formed from different kinds of material ; while they maintain that a likeness of Christ was made by Pilate at that time when Jesus lived among them.

They also painted realistic scenes of modern life, and often painted outdoors.

They can be colored during manufacturing or stained or painted after installation.

They used Surrealist symbolism and terminology in their large scale happenings organized in the major Polish cities during the Jaruzelski regime, and painted Surrealist graffiti on spots covering up anti-regime slogans.

They painted Fastow as in their words " a screamer, who negotiated by intimidation and tirade ".

They were originally marked by wooden numbers cut from plywood, painted white, and placed in gaps where the ivy was not allowed to grow.

They painted it white with gold trim.

They also discover, behind a wall, six exact copies of the Mona Lisa, each painted by Leonardo da Vinci himself.

They are painted with rather " naïve " Biblical scenes, mostly by local painters.

They left information about themselves chiseled into and painted on rocky overhangs and secreted caves throughout the local mountains.

They were painted then heat-fused, allowing for greater detail than was possible with stained glass.

They were certainly much cheaper and quicker than fully painted illuminations.

They perfected the art of carving intricate relief decoration and, through keen observation of the natural world, produced detailed images of animals, plants, and even landscapes, recording the essential elements of their world for eternity in scenes painted and carved on the walls of temples and tombs.

They are used today by Shinto priests in formal costume and in the formal costume of the Japanese court ( they can be seen used by the Emperor and Empress during coronation and marriage ) and are brightly painted with long tassels.

They are in painted ashlar surmounted by 20th-century ball finials.

They had typically dyed or painted the soles of their moccasins black.

They are painted red with white front sides, partly with FYRA branding.

All families decorate their homes with rangolis or flower designs. They hold a special pooja in which newly painted idols of gods are prayed to.

They are usually either unpainted or painted vermilion with a black upper lintel.

They are recognised as among the most painstakingly accurate painted images ever made of Native Americans, their culture and artifacts, and of the scenery of the pristine " Old West ".

They often painted modern urban scenes.

They held a common festive meal with what they gathered and sometimes painted some graffiti reading " Vivan los quintos del año " as a memorial of their leaving their youth.