They are preoccupied riding herd on control panels, switches, flashing colored lights on pale green or gray consoles that look like business machines.

They are supplied, a batch at a time, by a secret source and are continually changed by Wisman or his staff, at random intervals.

They are mere fragments, just one portion of preprepared messages.

They are huge areas which have been swept by winds for so many centuries that there is no soil left, but only deep bare ridges fifty or sixty yards apart with ravines between them thirty or forty feet deep and the only thing that moves is a scuttling layer of sand.

They recognized that slavery was a moral issue and not merely an economic interest, and that to recognize it explicitly in their Constitution would be in explosive contradiction to the concept of sovereignty they had set forth in the Declaration of 1776 that `` all men are created equal, that they are endowed by their Creator with certain unalienable rights, that among them are life, liberty and the pursuit of happiness.

They are in general those fears that once seemed to have been amenable to prayer or ritual.

They are non-conformists on principle.

They are full of contempt for the institution of matrimony.

They feel they are leagued against a hostile, persecutory world, faced with the concerted malevolent opposition of squares and their hirelings, the police.

They for their part are convinced that Holmes is too `` unorthodox '' and `` theoretical '' to make a good detective.

They are presumed to have plunged to a common grave in this fatal embrace.

They are determined to prove something.

They tell us, sir, that we are free, because we have in one hand a ballot, and in the other a stock certificate.

They are very small, and in the form of haystacks, without either chimney or windows.

They are situated in the midst of trees, which hang over them, and appear truly romantick.

On December 21, the day that the Irish House of Commons petitioned for removal of Sir Constantine Phipps, their Tory Lord Chancellor, Molesworth reportedly made this remark on the defense of Phipps by Convocation: `` They that have turned the world upside down, are come hither also ''.

Defoe then commented, `` If they Could Draw that young Gentleman into Their Measures They would show themselves quickly, for they are not asham'd to Say They want only a head to Make a beginning ''.

They emerged as interchangeable cogs in a faulty but formidable machine: shaved nearly naked, hair queued, greatcoated, jackbooted, and best of all -- in the opinion of the British professional, Major Semple-Lisle -- `` their minds are not estranged from the paths of obedience by those smatterings of knowledge which only serve to lead to insubordination and mutiny ''.

They are longing to see you ''.

They are not true because scientists or prophets say they are true.

They were called upon by President Gnassingbé Etienne Eyadéma to carry out the national public consultation campaign that led to the creation the single national political party, the Togo People's Assembly ( Rassemblement du Peuple Togolais-RPT ) on August 30, 1969.

They became a centre for recruitment to the Hutu Rassemblement Démocratique pour le Rwanda ( RDR ) which carried out ethnic cleansing of the Banyamulenge, related to the Tutsi.

They became Enemy Number One of the fascist youth organisations, Jeunesse Populaire Française.

They also make a “ Pour le Mérite ” tourbillon watch with a pivoting dial, non-overlapping triangular display, and an exposed one-minute tourbillon at 8 o ' clock.

They became instantly extremely popular for their humoristic / parodic songs like " Ce Monde Existe ", " Si tu ne veux pas payer d ' impôts ", " Merci Patron ", " On n ' est Pas là Pour se Faire Engueuler ", " Ballade à Luis Rego, prisonnier politique ", " Paulette la Reine des Paupiettes ", " Berrystock ", " Sois Erotique " ( a parody of Serge Gainsbourg's " Je t ' aime Moi Non Plus "), " Je Suis Trop Beau " ( a parody of Jacques Dutronc ), " Berry Blues ", " Albert le Contractuel ",, " Cet été c ' était toi ", " Ouvre la Fenêtre ", " Pétronille Tu Sens la Menthe ", " Elle Avait du Poil au Ventre ", " Hey Max " ( a parody of Jimi Hendrix's " Hey Joe "), " Elle a Gagné le Yoyo en Bois du Japon ( avec la Ficelle du Même Métal )", " Le Trou de Mon Quai ", " La Biguine au Biniou ", " Le Chou Farci ", " Histoire Merveilleuse ", " Chagrin d ' labour ", " C ' est trop, c ' est trop ", " Ah Viens!

They also contributed a cover of Ca Plane Pour Moi that appeared on the soundtrack for " Barb Wire ", the Pamela Anderson film.

They met regularly at Henri le Fauconnier's studio near the Boulevard de Montparnasse.

They called the pole and its location le bâton rouge, or the red stick.

They called the lake le petit lac Mentau.

They were excavated between 1748 and 1752 for the infamous Francis Dashwood, 15th Baron le Despencer ( 2nd Baronet ), founder of the Dilettanti Society and co-founder of the notorious Hellfire Club, whose meetings were held in the caves.

They are useful, however ( especially the voluminous Mémoires inédits sur le XVIII ' siècle, 10 vols, 1825 ), as furnishing material for history.

They are also popularly known among enthusiasts, especially when distinguishing them from shanties, as fo ' c's ' le songs or forebitters.

They met regularly at Henri le Fauconnier's studio on rue Notre-Dame-des-Champs, near the Boulevard de Montparnasse.

They recorded 18 discs for Pathé, the most successful of which was " Quand les beaux jours seront là / Sur le Yang-Tsé-Kiang ".

They were playing the same old game again, epater le bourgeousie, but this time round it wasn't called Dada or Existentialism or Beat, it was Freak-Out '.

They prefer to call it " the European territory of France " ( le territoire européen de la France ), as the Treaties of the European Union do.

They usually occur either around the drum of a dome, as at the Church of the Holy Sepulchre, Jerusalem, or high in the end of a gable of low-pitched Classical pediment form, as at Sant ' Agnese fuori le mura, Rome, and Torcello Cathedral.

They met regularly at Henri le Fauconnier's studio on rue Notre-Dame-des-Champs, near the Boulevard de Montparnasse.

They began writing music for EFIS in 1941 and for the first EFIS hymnal " Pese ma Viiga i le Atua " ( 220 hymns, pub. 1953 ) and also composed music for the EFKS, EFKAS, Catholic, and Methodist churches.

They are often used to salute a person or non-personal entity: " Vive le Québec libre " ( from Charles de Gaulle's Vive le Québec libre speech in Montreal ), or " Viva il Duce!

They released three other singles from Dogocrazia, " Il mio mondo, le mie regole ", " Ragazzi fuori " and " Nè Fama, Nè Soldi ".