it: Alessandro III

it: Papa Alessandro III

In 1534, after Farnese had become pope Pope Paul III, Cervini was appointed a papal secretary ( 1534 – 49 ) and served as a close advisor to the pope's nephew Alessandro Farnese.

Juan Alvarez de Toledo ( Bishop of Burgos ), another Imperial favorite was proposed, and he too failed, because of strong opposition from the faction of Cardinal Alessandro Farnese, nephew of the late Pope Paul III and from the French.

He was a lawyer, a graduate in 1544 of the University of Bologna, which was pre-eminent in jurisprudence, and became secretary to Cardinal Nicolò Ardinghelli before entering the service of Alessandro Cardinal Farnese, brother of the Duke of Parma and grandson of Pope Paul III ( 1534 – 1549 ), one of the great patrons of the time.

But Pietro Aldobrandini, the leader of the Italian party among the cardinals, allied with the French cardinals and brought about the election of Alessandro against the express wish of King Philip III of Spain.

Pope Paul III ( 29 February 1468 – 10 November 1549 ), born Alessandro Farnese, was Pope of the Roman Catholic Church from 1534 to his death in 1549.

Portrait of Cardinal Alessandro Farnese, later Pope Paul III, by Raphael, 1509 – 1511 ( Museo di Capodimonte, Naples ).

Pope Paul III with his grandsons, Cardinal Alessandro Farnese ( cardinal ) | Alessandro Farnese ( left ), Cardinal in 1534, aged only 14, and 22 years old Ottavio Farnese, Duke of Parma ( right ), II Duke of Parma since 1547.

The Venetian artist Titian painted a portrait of the Pope in 1543, and in 1546, the well-known portrait of Paul III with his grandsons Cardinal Alessandro Farnese and Ottavio Farnese, Duke of Parma.

* The Palazzo Farnese ( fourteenth-fifteenth century ), where Alessandro Farnese, the future Pope Paulus III, lived in his youth together with his beautiful sister, Giulia Farnese.

* Alessandro Farnese ( 1468-1549 ) ( 1493, 1524, elected Pope Paul III in 1534 )

Alexander then elevated Alessandro Farnese, his mistress's brother, to cardinal ; Farnese would later go on to become Pope Paul III.

First designed in 1517 for the Farnese family, the building expanded in size and conception when Alessandro Farnese became Pope Paul III in 1534, to designs by Antonio da Sangallo the Younger.

When, in January 1534, Cardinal Alessandro became Pope Paul III, the size of the palace was increased significantly and he employed Michelangelo who completed the redesigned third story with its deep cornice and revised the courtyard as well.

It quickly made its way into the collection of Cardinal Alessandro Farnese, grandson of Pope Paul III.

In 1504, Cardinal Alessandro Farnese, the future Pope Paul III, acquired the estate at Caprarola.

Subsequently, Cardinal Alessandro Farnese, a grandson of Pope Paul III, and a man who was known for promoting his family's interests, planned to turn this partly constructed fortified edifice into a villa or country house.

Farnese was a courteous man of letters ; however, the Farnese family as a whole became unpopular with the following pope, Julius III and accordingly, Alessandro Farnese decided it would be politic to retire from the Vatican for a period.

Although Michelangelo, at the request of the Spanish cardinal Bartolomeo de la Cueva, offered, out of devotion, to design the church for free, the endeavor was funded by Cardinal Alessandro Farnese, grandson of Pope Paul III, the pope who had authorized the founding of the Society of Jesus.

Cardinal Alessandro Farnese, grandson and cardinal-nephew of Pope Paul III, held sixty-four benefices simultaneously.

Born in Rome, Pier Luigi was the illegitimate son of Cardinal Alessandro Farnese ( who later became Pope Paul III ).

Ten years later, in 1537, three years after the election of Alessandro Farnese as Pope Paul III, it became the seat of an independent Duchy under his son Pier Luigi Farnese.

it: Alessandro di Fere

it: Alessandro I di Scozia

it: Alessandro II di Scozia

it: Alessandro I di Serbia

* Gili Luca, 2011, La sillogistica di Alessandro di Afrodisia.

Alessandro algardi, busto di maurizio frangipane ,. JPG |< center > Maurizio Frangipane < center >

Alessandro algardi, ritratto di olimpio pamphili. JPG |< center > Olimpio Pamphili < center >

Alessandro di Cristofano di Lorenzo del Bronzino Allori ( 31 May 1535 – 22 September 1607 ) was an Italian portrait painter of the late Mannerist Florentine school.

* Infanta Beatríz Isabela Federica Alfonsa Eugenia Cristina Maria Teresa Bienvenida Ladisláa of Spain ( 1909 – 2002 ), who married Don Alessandro Torlonia, 5th Prince di Civitella-Cesi.

La teologia dell ' immagine nella Glossa di Alessandro di Hales.

it: Alessandro di Hales

File: Cristo e la cananea di Alessandro Allori detail. jpg | Christ and Canaanite woman by Alessandro Allori.

He is known for building the new façade of the Basilica di San Giovanni in Laterano, beginning construction of the Trevi Fountain, and the purchase of Cardinal Alessandro Albani's collection of antiquities for the papal gallery.

It houses precious frescoes by Correggio, in the so-called Camera di San Paolo ( 1519 – 1520 ), and Alessandro Araldi.

* 1941 La corona di ferro by Alessandro Blasetti

** Alessandro Peretti di Montalto, Venetian cardinal ( d. 1623 )

His position was greatly enhanced by the rapid-fire successes of Alessandro nelle Indie ( Naples, 1824, revised, Milan, 1826 ; given and recorded in London in November 2006 ), Amazilia ( Naples 1824, revised, Vienna, 1827 ), and the previously mentioned L ' Ultimo giorno di Pompei ( Naples, 1825 ).

Born in 1468 at Canino, Latium ( then part of the Papal States ), Alessandro Farnese was the oldest son of Pier Luigi I Farnese, Signore di Montalto ( 1435 – 1487 ) and his wife Giovanna Caetani, a member of the Caetani family which had also produced Pope Boniface VIII.

Pietro Alessandro Guglielmi ( 1728-1804 ) wrote an oratorio, Debora e Sisera, for the Lenten season of 1788 at the Teatro di San Carlo, Naples, which was said to have been " almost universally regarded as one of the most sublime works of the late 18th century.