** Il tabarro, libretto by Giuseppe Adami

** Memorial Day or Il Giorno della Memoria ( Italy )

** Il Mi Chung, South Korean golfer

** Antonio Vassilacchi (" Il Aliense "), painter

** Il Sodoma, Italian painter ( d. 1549 )

** Il Signor Bruschino

** Il Turco in Italia

** Il Viaggio a Reims

** 2nd bell: Il Crocifisso, cast in 1572 by Vincenzo Possenti, weight 2, 462 kg ( 5, 428 lb )

** 6th bell: Il Vespruccio ( 2nd small one ), cast in the 14th century and again in 1501 by Nicola di Jacopo, weight 1, 000 kg ( 2, 205 lb )

** Conte di Luna, Il trovatore

** Sidi Moh ' amed Ou ' l Il ' afian.

** Mavro Orbini, Il regno degli Slavi (" The Realm of the Slavs ") ( 1601 )

** Christopher Raeburn ( producer ), Jonathan Stokes ( engineer ), Cecilia Bartoli & Il Giardino Armonico for The Vivaldi Album ( Dell ' aura al sussurrar ; Alma oppressa, Etc.

** Il Trovatore ( premiered on January 19 in Rome )

** Anselmo Bucci, Il pittore volante

** Stefano Landi, Il muro di casa

** Umberto Saba, Il Canzoniere ( Songbook )

** Fiction Paolo Volponi, Il sipario ducale

** Giorgio van Straten, Il mio nome a memoria ( My Name, A Living Memory )

** Il Giardino dei Finzi-Contini – Manuel De Sica

** 5 Il Rusignuolo

** Coral Musker in Treno per Istambul, Il

** Il ricco d ' un giorno ( libretto by Lorenzo Da Ponte )

** Il re pastore

** Commedia dell ' arte – a form of theatre characterized by masked " types " which began in Italy in the 16th century, and was responsible for the advent of the actress and improvised performances based on sketches or scenarios.

** Galleria Nazionale dell ' Umbria, the National Gallery of Umbrian art in Middle Ages and Renaissance ( it includes works by Duccio, Piero della Francesca, Beato Angelico, Perugino )

** Galleria Nazionale dell ' Umbria, Perugia

** Poetry, Milo de Angelis, Tema dell ' addio

** Martorana or Church of Santa Maria dell ' Ammiraglio

** Abbazia della Misericordia or Santa Maria dell ' Abbazia della Misericordia

** Boncompagni, in Atti dell ' Accademia dei Lincei, 1863, p. 935 ;

** Santa Maria dell ' Ammiraglio also known as Martorana

** Description of the chapel of the Annuziata dell ' Arena ; or Giotto's Chapel in Padua ( 1835 )

** Chiesa dell ' Annunziata at Villa Fontane

** Chiesa dell ' Eschio

** Church of the Madonna della Pietà ( also Madonna dell ' Ospedale )

** The Pantomimic Pierrotique Fairy-Play: Pierrot is the only Commedia dell ' Arte character ( except Cassander, who sometimes puts in an appearance ).

** Scuola dell ' infanzia ( nursery school, non-compulsory )

it: Il trionfo di King Kong

The libretto was written for a dramma per musica in three acts by Francesco Gasparini, performed that same year in the Teatro San Cassiano in Venice, but the same libretto was put in music also by Nicola Porpora ( 1711, in Neaples, as Il trionfo di Flavio Anicio Olibrio ) and Leonardo Vinci ( Naples, 1728, as Ricimero ), and Andrea Bernasconi ( 1737, Wien, as Flavio Anicio Olibrio o La tirannide debellata ).

Senesino left England in 1736, and appeared in a few more productions in Italy: he sang at Florence from 1737 to 1739, and then in Naples till 1740, making his final appearance in Porpora's Il trionfo di Camilla at the Teatro San Carlo.

* Il trionfo di Clelia ( 1762 )

* Il trionfo d ' Amore ( 1765 )

* Il trionfo della gloria

* Il trionfo di Camilla ( 1725 )

# Il trionfo di Camillo

* Il trionfo d ' amore ( Ludwigsburg, 1763 ) – libretto by Giampiero Tagliazucchi

* Il trionfo di Clelia ( Naples, 1774 ) – libretto by Metastasio

* Il trionfo di Maciste / The Triumph of Maciste ( Triumph of the Son of Hercules, 1962 ) starring Kirk Morris

* Il trionfo di Maciste / The Triumph of Maciste ( Triumph of the Son of Hercules, 1962 ) starring Kirk Morris

The story of Lars Porsena and the Roman hostage Cloelia is the basis of the libretto Il trionfo di Clelia ( 1762 ) by Pietro Metastasio.

The story of Lars Porsenna and the Roman hostage Cloelia is the basis of the libretto Il trionfo di Clelia ( 1762 ) by Pietro Metastasio.

* Il trionfo di Camilla ( 1696 )

* Tarquinio in Il trionfo di Clelia ( Munich, 1776 )

* Ciro in Il trionfo della pace by Francesco Bianchi ( Turin, 1782 )

The form began to flourish in Naples with Alessandro Scarlatti's Il trionfo dell ' onore ( 1718 ).

Designed by the architect Antonio Galli Bibiena-although opposed by several others who lost the design competition-the theatre was inaugurated on 14 May 1763 with a performance of Gluck's Il trionfo di Clelia, an opera which the composer had written for the occasion.

Agrippina's aria " Non hò cor che per amarti " was taken, almost entirely unadapted, from " Se la morte non vorrà " in Handel's earlier dramatic cantata Qual ti reveggio, oh Dio ( 1707 ); Narcissus's " Spererò " is an adaptation of " Sai perchè " from another 1707 cantata, Clori, Tirsi e Fileno ; and parts of Nero's Act 3 aria " Come nube che fugge dal vento " are borrowed Handel's oratorio Il trionfo del tempo ( all from 1707 ).

* Francesco Maria Veracini – Il trionfo della innocenza patrocinata da S. NiccoI ( oratorio )

* Il trionfo di Armida by Tomaso Albinoni ( Venice, 1726 )

* Antonio Quintavalle – Il trionfo d ' amore

He wrote three operas: Il Demofoonte ( 1770 ), Il trionfo di Clelia ( 1770 ), and The Princess of Tarento.