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* Dürer, Albrecht, Adam and Eve ( 1504 engraving )
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Dürer and Albrecht
Some of the ideas of the Italian Renaissance did spread to other parts of Europe, for example to the German artist Albrecht Dürer of the ' Northern Renaissance '.
His engravings are scarce and valuable, and are chiefly copies of Mantegna, Albrecht Dürer, Parmigianino and Titian.
Another very concrete example describes an aesthetically pleasing human face whose proportions can be described by very few bits of information, drawing inspiration from less detailed 15th century proportion studies by Leonardo da Vinci and Albrecht Dürer.
Albrecht Dürer (; 21 May 1471 – 6 April 1528 ) was a German painter, printmaker, engraver, mathematician, and theorist from Nuremberg.
The earliest painted Portrait of the Artist Holding a Thistle ( Albrecht Dürer ) | Self-Portrait ( 1493 ) by Albrecht Dürer, oil, originally on vellum ( Louvre, Paris )
His father, Albrecht Dürer the Elder, was a successful goldsmith, originally named Ajtósi, who in 1455 had moved to Nuremberg from Ajtós, near Gyula in Hungary.
Albrecht Dürer the Younger later changed " Türer ", his father's diction of the family's surname, to " Dürer ", to adapt to the local Nuremberg dialect.
Albrecht Dürer the Elder married Barbara Holper, the daughter of his master, when he himself became a master in 1467.
The Arch was followed by " The Triumphal Procession ", the program of which was worked out in 1512 by Marx Treitz-Saurwein and includes woodcuts by Albrecht Altdorfer and Hans Springinklee, as well as Dürer.
Title page of Vier Bücher von menschlicher Proportion showing the monogram signature of Albrecht Dürer
File: Albrecht Dürer-Ritratto del padre-Google Art Project. jpg | Albrecht Dürer the Elder with a Rosary, 1490, Galleria degli Uffizi, Florence
File: Albrecht Dürer 012. jpg | St Jerome in the Wilderness, 1495, oil on panel, National Gallery, London
File: Selbstporträt, by Albrecht Dürer, from Prado in Google Earth. jpg | Self-portrait, 1498, Museo del Prado, oil on wood panel
File: Albrecht Dürer 011. jpg | Lamentation for Christ, 1498, Germanisches Nationalmuseum, Nurenberg
File: Albrecht Dürer 094b. jpg | Portrait of a Young Man, 1507, Kunsthistorisches Museum, Gemäldegalerie
File: Albrecht Dürer 058. jpg | Mary with the squatting child, 1516, oil on panel, Metropolitan Museum of Art
Dürer and Adam
Between 1507 and 1511 Dürer worked on some of his most celebrated paintings: Adam and Eve ( 1507 ), The Martyrdom of the Ten Thousand ( 1508, for Frederick of Saxony ), Virgin with the Iris ( 1508 ), the altarpiece Assumption of the Virgin ( 1509, for Jacob Heller of Frankfurt ), and Adoration of the Trinity ( 1511, for Matthaeus Landauer ).
With regard to the 16th century, the Prado has four works by Dürer: a Self-portrait, Adam and Eve, and Portrait of an Unknown Man, all of which came to the Alcázar in Madrid during the reign of Philip IV.
Albrecht Dürer reversed the Apollos pose for his Adam in a 1504 engraving of Adam and Eve, suggesting that he saw it in Rome.
Dürer and 1504
An engraving by Albrecht Dürer featuring Mashallah ibn Athari | Mashallah, from the title page of the De scientia motus orbis ( Latin version with engraving, 1504 ).
An engraving by Albrecht Dürer, from the title page of the De scientia motus orbis ( Latin version with engraving, 1504 ).
Dürer and engraving
The delaying of the engraving of St Philip, completed in 1523 but not distributed until 1526, may have been due to Dürer's uneasiness with images of Saints ; even if Dürer was not an iconoclast, in his last years he evaluated and questioned the role of art in religion.
* Albrecht Dürer also produced portraits of Erasmus, whom he met three times, in the form of an engraving of 1526 and a preliminary charcoal sketch.
Among the most famous artists of the old master print: Albrecht Dürer produced 3 drypoints before abandoning the technique ; Rembrandt used it frequently, but usually in conjunction with etching and engraving.
Among the most famous artists of the old master print Albrecht Dürer produced 3 drypoints before abandoning the technique ; Rembrandt used it frequently, but usually in conjunction with etching and engraving.
Albrecht Dürer made a famous engraving of the Prodigal Son amongst the pigs ( 1496 ), a popular subject in the Northern Renaissance.
He also put forward an original excellent interpretation of the engraving Melencolia I of Albrecht Dürer.
: Image: Geertgen lamentation copy Jacob Matham 1620. JPG | Mirror image engraving in 1620 by Jacob Matham, includes a latin poem by Joan Albert Ban, a dedication to Jacob van Campen, and latin quote by Albrecht Dürer, three men inspired by this painting.
Master ES and Martin Schongauer in engraving and Erhard Reuwich and Michael Wolgemut in woodcut were pioneers of both techniques, and Albrecht Dürer in particular perfected the technique of crosshatching in both media.
Albrecht and Adam
But the term proof can be used in the case of a clear working proof of an old master print, like the two impressions of Albrecht Dürer's Adam and Eve ( 1504, British Museum and Albertina, Vienna ) which show the figures largely finished but the background with only the main outlines lightly done.
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European artists in a generally academic style who were well known as painters of battle scenes, still often of subjects from the Napoleonic Wars or older conflicts, included Albrecht Adam, Nicaise de Keyser, Piotr Michałowski Antoine Charles Horace Vernet, Emile Jean Horace Vernet, and Wilhelm Camphausen.
File: Albrecht Adam-Schlacht bei Novara. jpg | Die Schlacht bei Novarra ( The Battle of Novarra ), 1858, by Albrecht Adam.
From 1815 to 1817 he studied with Albrecht Adam ( 1786 – 1862 ), and later in the Academy de Arts of Munich, with Lorenzo Quaglio II ( 1793 – 1869 ).
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