Futurist Christians consider the " Abomination of Desolation " prophecy of Daniel mentioned by Jesus in and as referring to an event in the end time future, when a 7 year peace treaty will be signed between Israel and a world ruler called " the man of lawlessness ", or the " Antichrist " affirmed by the writings of the Apostle Paul in 2 Thessalonians.

In the Futurist approach, Revelation is chiefly seen as referring to events which as yet have not come to pass, but which will come to pass at the end of the age, and the end of the world.

* UpWingers: A Futurist Manifesto 1973 ( ISBN 0-381-98243-2 ) ( pbk.

* 1909 – Publication of the Futurist Manifesto in the French journal Le Figaro.

Futurism that was both an artistic-cultural movement and initially a political movement in Italy led by Filippo Tommaso Marinetti who founded the Futurist Manifesto ( 1908 ), that championed the causes of modernism, action, and political violence as necessary elements of politics while denouncing liberalism and parliamentary politics.

In 1919, Alceste De Ambris and Futurist movement leader Filippo Tommaso Marinetti created The Manifesto of the Italian Fasci of Combat ( a. k. a. the Fascist Manifesto ).

Soon afterward a group of painters ( Giacomo Balla, Umberto Boccioni, Carlo Carrà, Luigi Russolo, and Gino Severini ) co-signed the Futurist Manifesto.

* The Prometheus Award is given by the Libertarian Futurist Society for Libertarian science fiction.

The Prometheus Award is an award for libertarian science fiction novels given annually by the Libertarian Futurist Society, which also publishes a quarterly journal Prometheus.

L. Neil Smith established the award in 1979, but it was not awarded regularly until the newly founded Libertarian Futurist Society revived it in 1982.

Three novels from this period, Stranger in a Strange Land, The Moon is a Harsh Mistress, and Time Enough for Love, won the Libertarian Futurist Society's Prometheus Hall of Fame Award, designed to honor classic libertarian fiction.

* In 1910 – 11 Futurist artist Gino Severini painted " The Black Cat " in direct reference to Poe's short story.

The conjunction of such subject-matter with simultaneity aligns Salon Cubism with early Futurist paintings by Umberto Boccioni, Gino Severini and Carlo Carrà ; themselves made in response to early Cubism.

The Manifesto that was written by national syndicalist Alceste De Ambris and Futurist movement leader Filippo Tommaso Marinetti.

This claim is not true: he was preceded by the Italian Futurists Bruno Corra and Arnaldo Ginna between 1911 and 1912 ( as they report in the Futurist Manifesto of Cinema ), as well as by fellow German artist Walter Ruttmann who produced Lichtspiel Opus 1 in 1920.

The gap between the Imagist and Futurist groups was defined partly by Aldington's critical disapproval of the poetry of Filippo Marinetti.

Primo Conti ( October 16, 1900 — November 12, 1988 ) was an Italian Futurist artist.

His attraction to the latest innovations was expressed in almost completely Futurist forms in his drawings, while he developed a unique style in his painting that was a mixture of Art Nouveau, Fauvism, Expressionism and Orphism.

It was not until 1917, after meeting with Giacomo Balla in Rome, and with Filippo Tommaso Marinetti in Naples ( who later enthusiastically praised Conti's book Imbottigliature which was about to be printed ) that Conti became part of the Futurist movement.

Futurist Ray Kurzweil has speculated that by the end of the 21st century it may be possible by using femtotechnology to create new chemical elements composed of exotic baryons that would eventually constitute a new periodic table of elements in which the elements would have completely different properties than the regular chemical elements.

" Antidiets of the Avant-Garde: From Futurist Cooking to Eat Art.

Futurist Paul Raskin has hypothesized that a new, more legitimate form of global politics could be based on “ constrained pluralism .” This principle guides the formation of institutions based on three characteristics: irreducibility, where some issues must be adjudicated at the global level ; subsidiarity, which limits the scope of global authority to truly global issues while smaller-scope issues are regulated at lower levels ; and heterogeneity, which allows for diverse forms of local and regional institutions as long as they meet global obligations.

Filippo Tommaso Marinetti, author of the Futurist Manifesto ( 1908 ) and later the co-author of the Fascist Manifesto ( 1919 ).

Marinetti rejected conventional democracy for based on majority rule and egalitarianism while promoting a new form of democracy, that he described in his work " The Futurist Conception of Democracy " as the following: " We are therefore able to give the directions to create and to dismantle to numbers, to quantity, to the mass, for with us number, quantity and mass will never be — as they are in Germany and Russia — the number, quantity and mass of mediocre men, incapable and indecisive ".

Marinetti launched the movement in his Futurist Manifesto, which he published for the first time on 5 February 1909 in La gazzetta dell ' Emilia, an article then reproduced in the French daily newspaper Le Figaro on 20 February 1909.

Francesco Balilla Pratella joined the Futurist movement in 1910 and wrote a Manifesto of Futurist Musicians in which he appealed to the young ( as had Marinetti ), because only they could understand what he had to say.

Russolo and Marinetti gave the first concert of Futurist music, complete with intonarumori, in 1914.

Other composers offered more melodic variants of Futurist music, notably Franco Casavola, who was active with the movement at the invitation of Marinetti between 1924 and 1927, and Arthur-Vincent Lourié, the first Russian Futurist musician, and a signatory of the St Petersburg Futurist Manifesto in 1914.

Marinetti founded the Futurist Political Party ( Partito Politico Futurista ) in early 1918, which was absorbed into Benito Mussolini's Fasci di combattimento in 1919, making Marinetti one of the first members of the National Fascist Party.

When Filippo Tommaso Marinetti issued his Futurist Manifesto in 1909, he chose to contrast his movement with the supposedly defunct artistic sentiments of the Winged Victory: "... a race-automobile which seems to rush over exploding powder is more beautiful than the ' Victory of Samothrace '.

Filippo Tommaso Marinetti, author of the Futurist Manifesto.

The Futurist Manifesto, written by the Italian poet Filippo Tommaso Marinetti, was published in the Italian newspaper Gazzetta dell ' Emilia in Bologna on 5 February 1909, then in French as " Manifeste du futurisme " in the newspaper Le Figaro on 20 February 1909.

Janco attended the 1930 reunion organized by Contimporanul in honor of the visiting Futurist Filippo Tommaso Marinetti, and gave a welcoming speech.

Marinetti visited in 1914, proselytizing on behalf of Futurist principles of speed, danger and cacophony.

The publication of the English Futurist manifesto Vital English Art, in June 1914 edition of The Observer, co-written by Marinetti and the " last remaining English Futurist " C. R. W. Nevinson, Lewis found his name, among others, had been added as a signatory at the end of the article without permission, in an attempt to assimilate the English avant-garde for Marinetti's own ends.

The sentiment of Futurists was most vocally expressed by Filippo Marinetti in the Futurist Manifesto, where he called for a rejection of the past, a rejection of all imitation — of other artists or of the outside world — and praised the virtue of originality and triumph of technology.

Directly across from the Gardens I found a bus stop sign for T 4 and rode it down to the Bosphorus, with the sports center on my left just before I reached the water and the entrance to Dolmabahce Palace immediately after that.

He also bought a huge square of pegboard for hanging up his tools, and lumber for his workbench, sandpaper and glue and assorted nails, levels and T squares and plumb lines and several gadgets that he had no idea how to use or what they were for.

If Af is the change per unit volume in Gibbs function caused by the shear field at constant P and T, and **yr is the density of the fluid, then the total potential energy of the system above the reference height is Af.

The lines are asymmetric and over the range of field Af gauss and temperature Af the asymmetry increases with increasing Af and decreasing T.

We are trying to study a linear operator T on the finite-dimensional space V, by decomposing T into a direct sum of operators which are in some sense elementary.

We can do this through the characteristic values and vectors of T in certain special cases, i.e., when the minimal polynomial for T factors over the scalar field F into a product of distinct monic polynomials of degree 1.

If we try to study T using characteristic values, we are confronted with two problems.

Second, even if the characteristic polynomial factors completely over F into a product of polynomials of degree 1, there may not be enough characteristic vectors for T to span the space V.

This is clearly a deficiency in T.

The second situation is illustrated by the operator T on Af ( F any field ) represented in the standard basis by Af.

The characteristic polynomial for A is Af and this is plainly also the minimal polynomial for A ( or for T ).

Thus T is not diagonalizable.

If ( remember this is an assumption ) the minimal polynomial for T decomposes Af where Af are distinct elements of F, then we shall show that the space V is the direct sum of the null spaces of Af.

Let T be a linear operator on the finite-dimensional vector space V over the field F.

Let p be the minimal polynomial for T, Af, where the Af, are distinct irreducible monic polynomials over F and the Af are positive integers.

( C ) if Af is the operator induced on Af by T, then the minimal polynomial for Af is Af.

It is certainly clear that the subspaces Af are invariant under T.

If Af is the operator induced on Af by T, then evidently Af, because by definition Af is 0 on the subspace Af.

Thus Af is divisible by the minimal polynomial P of T, i.e., Af divides Af.

If Af are the projections associated with the primary decomposition of T, then each Af is a polynomial in T, and accordingly if a linear operator U commutes with T then U commutes with each of the Af, i.e., each subspace Af is invariant under U.

In the notation of the proof of Theorem 12, let us take a look at the special case in which the minimal polynomial for T is a product of first-degree polynomials, i.e., the case in which each Af is of the form Af.