*" Dining Out: The Food Critic at Table " A review of food writing and writers by Adam Gopnick that examines the genre.

Critic Adam Roberts said of the novel: “ It is really quite hard to respond to this masterful book, except by engaging with its political content ; and yet we need to make the effort to see past the ideological to the formal and thematic if we are fully to appreciate the splendour of Heinlein's achievement here .”

" Critic Adam Strohm writes that she " founded a new world for the instrument, taking it far beyond backing rhythms and robotic fills.

*" Social Critic, Essayist Harold Cruse Dies "-Washington Post obituary by Adam Bernstein, Tuesday, March 29, 2005.

" — Michael Wilmington, Chicago Tribune Film Critic ( June 18, 2001 )

Critic Roger Ebert of the Chicago Sun-Times remarked that " Here, using big movie stars and asking them to play each other, Woo and his writers find a terrific counterpoint to the action scenes: All through the movie, you find yourself reinterpreting every scene as you realize the ' other ' character is ' really ' playing it.

The Museum of Contemporary Art ( MCA ) Chicago was created as the result of a 1964 meeting of 30 critics, collectors and dealers at the home of Critic Doris Lane Butler to bring the long-discussed idea of a museum of contemporary art to complement the city's Art Institute of Chicago, according to a grand opening story in Time.

Critic Roger Ebert wrote in the Chicago Sun-Times: " The film is a masterful achievement on all the technical levels -- it does an especially good job of convincing us with its Asian locations -- but the best moments are the human ones, the conversations, the exchanges of trust, the waiting around, the sudden fear, the quick bursts of violence, the desperation.

Critic Roger Ebert of the Chicago Sun-Times called the film "... quite an improvement on Cooper's all but unreadable book, and a worthy successor to the Randolph Scott version ," going on to say that " The Last of the Mohicans is not as authentic and uncompromised as it claims to be — more of a matinee fantasy than it wants to admit — but it is probably more entertaining as a result.

Many reviewers gave it a rotten review, but Top Critic, Roger Ebert writing for the Chicago Sun Times gave it a positive review giving it a 3 out of 4 stars.

In 1988 the British artist and friend of Weizenbaum Brian Reffin Smith created and showed at the exhibition ' Salamandre ', in the Musée du Berry, Bourges, France, two art-oriented ELIZA-style programs written in BASIC, one called ' Critic ' and the other ' Artist ', running on two separate Amiga 1000 computers.

Critic F. O. Matthiessen called this " trilogy " James's major phase, and these novels have certainly received intense critical study.

Critic Michael Heiser called Sitchin " arguably the most important proponent of the ancient astronaut hypothesis over the last several decades ".

" Critic Hal Hinson commented that Meyer " capable of sending up his material without cheapening it or disrupting our belief in the reality of his yarn ," and called the one-liners an organic part of the film's " jocular, tongue-in-cheek spirit ".

Critic Dave Marsh called it " one of the best live albums ever made.

Critic Dave Marsh, in The Rolling Stone Record Guide ( 1979 ), called Zevon " one of the toughest rockers ever to come out of Southern California ".

Critic Gill Gregory suggests that Procter may have been a lesbian and in love with Matilda Hays, a fellow member of the Society for the Promotion of the Employment of Women ; other critics have called Procter's relationship with Hays " emotionally intense.

Critic Dennis Schwartz called the film, " A fresh smelling film noir directed with great skill by George Marshall from the screenplay of Raymond Chandler ( the only one he ever wrote for the screen, his other films were adapted from novels of others and, ironically, film adaptations of his novels were all written by other screenwriters ).

Critic Javier Maqua in Cinco Dias called Marina ’ s request evidence of " the greatest intensity of love ".

Critic John Leonard called Northern Exposure " the best of the best television in the past 10 years.

Critic Thomas Ward called this recording " one of the most astonishing accomplishments in all of twentieth century music.

Critic Steve Huey called their album Morbid Florist " barely listenable ".

Critic Roger Ebert called it " one of the great films.

Critic Roger Ebert called it " one of the best horror films ever made ".

Critic Janet Maslin remarked that the director " uses his gift for eloquent abstraction to create sobering, obscenely beautiful images of a natural world that has run amok "; her colleague J. Hoberman called it " the culmination of Mr. Herzog's romantic doomsday worldview ".

" Critic Roger Ebert praised the film as " an original, intelligent thriller, well-directed by Joel Schumacher ," and called the cast " talented young actors, inhabit the shadows with the right mixture of intensity, fear and cockiness.

Critic Robert van Gelder called it " perhaps the most sentimental story that ever has achieved the dignity of a Borzoi imprint of publisher Knopf imprint.

Critic Robert Christgau of The Village Voice called her contribution " one of the most gorgeous ballads you've ever heard ".

As Justice Critic, Goertzen has called for increased police resources, stronger laws against organized crime, electronic monitoring of sex offenders and a drug treatment court to assist individuals addicted to drugs and alcohol.

Critic Silvio Sirias believes that Dominicans value a talent for story-telling ; Alvarez developed this talent early and was " often called upon to entertain guests ".

* Jack appears in an episode of The Critic in a short parody called " The Nightmare before Chanukka ", done in the same puppet style as the original movie.

Critic Steve Blance, in his Top Ten Worst Movies Review, called the film " the worst I have ever witnessed " and also noted that he would " rather be tortured for twenty-years with searing iron than have to sit through even a minute of this again.

" Critic Jim Derogatis called it " a stone cold gas of a party disc.

The Nostalgia Critic also called her a " Female Magneto " and one of the great cartoon villains.

Critic Janet Maslin of The New York Times wrote that the film was the greatest adaptation of the novel and remarked on Dunst's performance, " The perfect contrast to take-charge Jo comes from Kirsten Dunst's scene-stealing Amy, whose vanity and twinkling mischief make so much more sense coming from an 11-year-old vixen than they did from grown-up Joan Bennett in 1933.

Critic Danél Griffin remarked, " Romero freely admits that his film was a direct rip-off of Matheson's novel ; I would be a little less harsh in my description and say that Romero merely expanded the author's ideas with deviations so completely original that of the Living Dead is expelled from being labeled a true ' rip-off '".

Critic Brooks Atkinson, in his review for The New York Times wrote of the original 1949 Broadway production that Maxwell Anderson and Mr. Weill had encountered " obvious difficulty " in transforming " so thoroughly a work of literary art " into theatre, and was sometimes " skimming and literal where the novel is rich and allusive.

Dowson collaborated on two unsuccessful novels with Arthur Moore, worked on a novel of his own, Madame de Viole, and wrote reviews for The Critic.

Critic Alfred Habegger has claimed that the main character of Portrait was inspired by Christie Archer, the protagonist from Anne Moncure Crane's novel, Reginald Archer ( 1871 ).

Critic Roger Ebert had read the novel and believed the film is true to its themes.

Critic Daniel D. Shade outlined the book's buried messages when he reviewed the novel in 2001:

* Maneker, Marion, " The King James Version: Critic James Wolcott, the reigning monarch of the literary put-down, is about to publish his first novel, and legions of his victims are already sharpening their knives ", New York magazine, June 11, 2001

Critic Jack Sommersby's comments typified the contemporary criticism directed at non-political matters such as character development and the changes made when the film was transferred from a novel to a film :< ref >

Critic Dennis Schwartz liked the film and wrote, " Splendid adaptation by Stirling Silliphant of David Goodis's 1947 novel.

Critic Pamela Clemit resists a purely autobiographical reading and argues that Mathilda is an artfully crafted novel, deploying confessional and unreliable narrations in the style of her father, as well as the device of the pursuit used by Godwin in his Caleb Williams and by Mary Shelley in Frankenstein.

Critic Harold Bloom, in his only attempt at fiction writing, wrote a sequel to this novel, entitled The Flight to Lucifer, but has since disowned the book and will not associate his name with the novel.