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Critic and Roger
Critic Roger Ebert was and remains today a champion of the film, including it on his all-time top ten best films list.
Critic Roger Ebert, in a review dated January 1, 1972, did not care for the film.
Critic Roger Ebert stated that Gellar and co-star Ryan Phillippe " develop a convincing emotional charge " and that Gellar is " effective as a bright girl who knows exactly how to use her act as a tramp ".
Critic Roger Ebert has included the film in his series of " Great Movies " reviews.
Critic Roger Ebert wrote of Keaton's " extraordinary period from 1920 to 1929, he worked without interruption on a series of films that make him, arguably, the greatest actor-director in the history of the movies.
Critic and artist Roger Fry did something to restore it in the 1930s, when he described Lawrence as having a " consummate mastery over the means of artistic expression " with an " unerring hand and eye ".
Critic Roger Ebert wrote an article entitled, " Attacks on ' Roger & Me ' completely miss point of film " that defends Moore's manipulation of his film's timeline as an artistic and stylistic choice that has less to do with his credibility as a filmmaker and more to do with the flexibility of film as a medium to express a viewpoint using the same methods that satirists have used.
Critic Roger Ebert said of the film that it " somehow does succeed in treating the awesome and scary subject of sexual initiation with some of the dignity it deserves.
Critic Roger Ebert wrote in his review, " The best shot in this film is the first one.
Critic Roger Kimball suggests that Opium is " a seminal book of the twentieth century.
Critic Roger Ebert's review was four out of four stars ; at the end of the year, he named it the best film of 1999.
Critic Roger Ebert reviewed Deep Throat in an early 1973 column, giving it a no-stars rating and writing, " It is all very well and good for Linda Lovelace, the star of the movie, to advocate sexual freedom ; but the energy she brings to her role is less awesome than discouraging.
Critic Roger Ebert gave the film two out of four stars, praising the film's visual artistry but stating that there is " no narrative engine to pull us past the visual scenery ", and that he " suspected the filmmakers began with a lot of ideas about how the movie should look, but without a clue about pacing, plotting or destination.
Critic Roger Ebert gave the film four stars, calling it " a very funny movie sometimes, and very touching at other times.
Critic Roger Ebert called it " one of the great films.
Critic Roger Ebert of the Chicago Sun-Times remarked that " Here, using big movie stars and asking them to play each other, Woo and his writers find a terrific counterpoint to the action scenes: All through the movie, you find yourself reinterpreting every scene as you realize the ' other ' character is ' really ' playing it.
Critic Roger Ebert stated, " I am gradually developing a suspicion, or perhaps it is a fear, that Jim Carrey is growing on me ", as he had given bad reviews for his previous films Dumb and Dumber and Ace Ventura: Pet Detective.
" Critic Roger Ebert praised the film as " an original, intelligent thriller, well-directed by Joel Schumacher ," and called the cast " talented young actors, inhabit the shadows with the right mixture of intensity, fear and cockiness.
Critic Roger Ebert gave the film three stars, stating " When you hear that Dr. T is a gynecologist played by Richard Gere, you assume he is a love machine mowing down his patients.
Critic Roger Ebert lauded the film in his film review, writing, " The Official Story is part polemic, part thriller, part tragedy.
Critic Roger Ebert had read the novel and believed the film is true to its themes.
Critic Roger Ebert gave the movie three stars out of four, saying " Gibson gives an interesting performance, showing a man trying to think his way out of a crisis, and Sinise makes a good foil: Here are two smart men playing a game with deadly stakes.
" Top Critic Roger Ebert went further, saying of the film " In a genre where a lot of movies are retreads of the predictable, ' Deep Blue Sea ' keeps you guessing.

Critic and Ebert
In 1995, Ebert, along with colleague Gene Siskel, guest starred on an episode of the animated TV series The Critic.
Critic Roger Ebert wrote in the Chicago Sun-Times: " The film is a masterful achievement on all the technical levels -- it does an especially good job of convincing us with its Asian locations -- but the best moments are the human ones, the conversations, the exchanges of trust, the waiting around, the sudden fear, the quick bursts of violence, the desperation.
Critic Roger Ebert said that " Pedro Almodóvar's films are an acquired taste, and with High Heels I am at last beginning to acquire it.
Critic Roger Ebert explains:

Critic and called
In 1988 the British artist and friend of Weizenbaum Brian Reffin Smith created and showed at the exhibition ' Salamandre ', in the Musée du Berry, Bourges, France, two art-oriented ELIZA-style programs written in BASIC, one called ' Critic ' and the other ' Artist ', running on two separate Amiga 1000 computers.
Critic F. O. Matthiessen called this " trilogy " James's major phase, and these novels have certainly received intense critical study.
Critic Michael Heiser called Sitchin " arguably the most important proponent of the ancient astronaut hypothesis over the last several decades ".
" Critic Hal Hinson commented that Meyer " capable of sending up his material without cheapening it or disrupting our belief in the reality of his yarn ," and called the one-liners an organic part of the film's " jocular, tongue-in-cheek spirit ".
Critic Dave Marsh called it " one of the best live albums ever made.
Critic Dave Marsh, in The Rolling Stone Record Guide ( 1979 ), called Zevon " one of the toughest rockers ever to come out of Southern California ".
Critic Gill Gregory suggests that Procter may have been a lesbian and in love with Matilda Hays, a fellow member of the Society for the Promotion of the Employment of Women ; other critics have called Procter's relationship with Hays " emotionally intense.
Critic Dennis Schwartz called the film, " A fresh smelling film noir directed with great skill by George Marshall from the screenplay of Raymond Chandler ( the only one he ever wrote for the screen, his other films were adapted from novels of others and, ironically, film adaptations of his novels were all written by other screenwriters ).
Critic Javier Maqua in Cinco Dias called Marina ’ s request evidence of " the greatest intensity of love ".
Critic John Leonard called Northern Exposure " the best of the best television in the past 10 years.
Critic Adam Begley of the Chicago Tribune called the novel: " A bitter and loving and damning tribute to the American family ....
Critic Thomas Ward called this recording " one of the most astonishing accomplishments in all of twentieth century music.
Critic Steve Huey called their album Morbid Florist " barely listenable ".
Critic Janet Maslin remarked that the director " uses his gift for eloquent abstraction to create sobering, obscenely beautiful images of a natural world that has run amok "; her colleague J. Hoberman called it " the culmination of Mr. Herzog's romantic doomsday worldview ".
Critic Robert van Gelder called it " perhaps the most sentimental story that ever has achieved the dignity of a Borzoi imprint of publisher Knopf imprint.
Critic Robert Christgau of The Village Voice called her contribution " one of the most gorgeous ballads you've ever heard ".
As Justice Critic, Goertzen has called for increased police resources, stronger laws against organized crime, electronic monitoring of sex offenders and a drug treatment court to assist individuals addicted to drugs and alcohol.
Critic Silvio Sirias believes that Dominicans value a talent for story-telling ; Alvarez developed this talent early and was " often called upon to entertain guests ".
* Jack appears in an episode of The Critic in a short parody called " The Nightmare before Chanukka ", done in the same puppet style as the original movie.
Critic Steve Blance, in his Top Ten Worst Movies Review, called the film " the worst I have ever witnessed " and also noted that he would " rather be tortured for twenty-years with searing iron than have to sit through even a minute of this again.
" Critic Jim Derogatis called it " a stone cold gas of a party disc.
The Nostalgia Critic also called her a " Female Magneto " and one of the great cartoon villains.

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