Critic Stephen Thomas Erlewine declared that PE " brought in elements of free jazz, hard funk, even musique concrète, via producing team the Bomb Squad, creating a dense, ferocious sound unlike anything that came before.

Critic Pare Lorentz wrote, " The Warner brothers have declared war on Germany with this one.

Critic Gunther Schuller declared, " On one point there is universal agreement: Tatum's awesome technique.

Critic Ed Gonzalez wrote, " Not unlike Albert Camus ' The Stranger, Nicholas Ray's remarkable In a Lonely Place represents the purest of existentialist primers ... Laurel and Dixon may love each other but it's evident that they're both entirely too victimized by their own selves to sustain this kind of happiness.

The Athenaeum reviewer praised Ellis Bell's work for its music and power, and the Critic reviewer recognized " the presence of more genius than it was supposed this utilitarian age had devoted to the loftier exercises of the intellect.

Critic Janet Maslin of The New York Times wrote that the film was the greatest adaptation of the novel and remarked on Dunst's performance, " The perfect contrast to take-charge Jo comes from Kirsten Dunst's scene-stealing Amy, whose vanity and twinkling mischief make so much more sense coming from an 11-year-old vixen than they did from grown-up Joan Bennett in 1933.

Critic Robin Roberts opines that this character " is shaped more by her femininity than by her medical, scientific training.

Critic Steve Huey of Allmusic writes that the album's influence " was felt more in spirit than in direct copycatting, as a catalyst rather than a literal musical starting point.

" As an exegete and biblical Critic no less than as a grammarian he has left his abiding mark.

Critic Jack Sullivan has kinder words for Tiomkin's score for Strangers than does biographer Spoto: " o seamlessly and inevitably does it fit the picture's design that it seems like an element of Hitchcock's storyboards ", he writes It is a score that " goes largely uncelebrated.

Critic David Shipman thought Novak's performance " little more than competent ", while David Thomson described it as " one of the major female performances in the cinema ".

Critic Michael Billington believes this version is more suggestive of Middleton than Shakespeare.

Critic Mike Beek suggests these time constraints enabled Williams " to create themes based on ideas and suggestions, rather than a locked down print.

Critic John Simon remarked that it " must have arrived in garbage rather than in film cans ".

Critic Roger Ebert reviewed Deep Throat in an early 1973 column, giving it a no-stars rating and writing, " It is all very well and good for Linda Lovelace, the star of the movie, to advocate sexual freedom ; but the energy she brings to her role is less awesome than discouraging.

Critic Barbara Russano Hanning writes that Striggio's verses are less subtle than those of Rinuccini, although the structure of Striggio's libretto is more interesting.

" Critic Richard Delap writes " There is an abundance of exploitable elements in Bishop's story, so it is astonishing to see how the author keeps them under strict rein, always with a highly keyed visual sense but also with a literary flair that says more by implication than by direct description.

" Critic Peter Bradshaw's review of the film in The Guardian concludes that Meet the Parents " is somehow less than the sum of its parts.

Critic Charles Shaar Murray wrote, " Bob Dylan has never seemed more perfect and more impressive than on this album.

Critic Tom Shales, reviewing the show for the Washington Post, opined that " kids may be impressed " by the heroics and special effects, but the show lacked " adult appeal " and that the plot lines would " soon wear thinner than water ".

Critic Steve Blance, in his Top Ten Worst Movies Review, called the film " the worst I have ever witnessed " and also noted that he would " rather be tortured for twenty-years with searing iron than have to sit through even a minute of this again.

Critic Roger Ebert of the Chicago Sun-Times called the film "... quite an improvement on Cooper's all but unreadable book, and a worthy successor to the Randolph Scott version ," going on to say that " The Last of the Mohicans is not as authentic and uncompromised as it claims to be — more of a matinee fantasy than it wants to admit — but it is probably more entertaining as a result.

" Critic Andre Meyer of CBS News thought the material on the album was " stronger " than on Charmbracelet, and described it as a move in Carey's long-term plan for pop domination, while giving off the " jittery R & B vibe that made Destiny's Child so potent.

Critic Philip Auslander argues that the distinction between pop and rock is more pronounced in the US than in the UK.

Critic Leonard Feather wrote " Alemán has more swing than any other guitarist on the continent ", and " His tone, phrasing, swing, and attack are so grand that if anyone ever mentions Django Reinhardt to me again, I shall stare coldly.

Critic Alex Henderson describes the band's music as a " mildly avant-garde blend of jazz, rock and funk draws on a wide variety of influences ... Often quirky, eccentric and abstract, JFJO favors an inside / outside approach but is usually more inside than outside.

Critic Evelyn C. Leeper suggested that Verne might be a good candidate for a Hugo Award for Best Novel in 1996, noting that she had not read very many novels that were much better than Verne's work that year.

* Holt, Jim, Say Anything, one of his Critic At Large essays from The New Yorker, ( August 22, 2005 )

He was also Restaurant Critic for The Guardian between 2004 and 2005.

Otago's Critic is generally seen as Salient's strongest competition and in 2005 turned the tables, sweeping a number of categories including Best Publication with Salient coming second.

* Liu Binyan, a Fierce Insider Critic of China, Dies at 80 ( The New York Times ; December 6, 2005 )

After his election to the Manitoba Legislature, Goertzen was appointed his Party's Chief Justice Critic and in 2005 was also appointed Deputy House Leader.

As Justice Critic from 2001 to 2005, Toews frequently accused the Liberal government of being unfocused on crime issues.

In August 2005, PC leader John Tory appointed Hudak to the lead role of Official Opposition Finance Critic.

Nicholson served as Shadow Transportation Critic from July 2004 to January 2005.

*" Social Critic, Essayist Harold Cruse Dies "-Washington Post obituary by Adam Bernstein, Tuesday, March 29, 2005.

* Garlic and Sapphires: The Secret Life of a Critic in Disguise ( 2005 )

He was selected as the " Best Sports Critic of the Year " among the polls made within the Fenerbahçe fans in 2005 and 2007.

Klees increased his profile during the campaign, and is currently the Progressive Conservative Critic for Education and Citizenship & Immigration in the Legislature as well as a member of the Justice Committee.

Critic Leonard Maltin labeled Hawks " the greatest American director who is not a household name ," noting that, while his work may not be as well known as Ford, Welles, or DeMille, he is no less a talented filmmaker.

Critic John Krewson lauded the work of Ida Lupino, and wrote, " As a screenwriter and director, Lupino had an eye for the emotional truth hidden within the taboo or mundane, making a series of B-styled pictures which featured sympathetic, honest portrayals of such controversial subjects as unmarried mothers, bigamy, and rape ... in The Hitch-Hiker, arguably Lupino's best film and the only true noir directed by a woman, two utterly average middle-class American men are held at gunpoint and slowly psychologically broken by a serial killer.

" Critic Giovanni Grazzini, reviewing for the Italian newspaper Corriere della Sera, described Fellini as " an artist at his peak " and the film as the work of a mature, more refined director whose “ autobiographical content shows greater insight into historical fact and the reality of a generation.

He has made several appearances on The Simpsons, including as Marge's prom date Artie Ziff in " The Way We Was ", the art teacher in " Brush with Greatness ", theater director Llewellyn Sinclair and his sister who owned a daycare center in " A Streetcar Named Marge ", Andre in " Homer's Triple Bypass ", and numerous other appearances ( including the character of Jay Sherman in the episode A Star Is Burns, which was a crossover with The Critic ).

Critic Janet Maslin remarked that the director " uses his gift for eloquent abstraction to create sobering, obscenely beautiful images of a natural world that has run amok "; her colleague J. Hoberman called it " the culmination of Mr. Herzog's romantic doomsday worldview ".

She also directed A Midsummer Night's Dream for the RSC on tour and was the first female director at the National, with The Critic.

Joe Bob Briggs, The Drive-In Movie Critic, described Wishman as, " The greatest female exploitation film director in history.

Critic Taran Adarsh described the subject matter as a delicate one which could have easily been disastrous and praised the way in which director Karan's boldly constructed the film, citing it has his finest work to date.

Critic and director Jean-Luc Godard regarded the film negatively in comparison to other French crime films of the era, noting in 1986 that " today it can't hold a candle to Touchez pas au grisbi which paved the way for it, let alone Bob le flambeur which it paved the way for.

Critic Pauline Kael's essay " Raising Kane ", published in The New Yorker, accused director Orson Welles of copying the visual style of Mad Love for Citizen Kane.

Critic Roger Ebert gave it a rare zero stars rating, saying, " It is a film with one clear purpose: To establish the commercial credentials of its director by showing his skill at depicting the brutal tracking, torture and mutilation of screaming young women ...