* 1967 – Film critic Roger Ebert published his very first film review in the Chicago Sun-Times.

Love received critical acclaim, a Golden Globe nomination for Best Actress, and a New York Film Critics Circle Award for Best Supporting Actress, for what film critic Roger Ebert called " quite a performance ; Love proves she is not a rock star pretending to act, but a true actress ".

Film critic David Thomson has stated: " Marker told me himself that Mongolia is correct.

" Film critic Matthew Hays notes that " no other persona better signifies the lost idealism of the 1960s than that of Dennis Hopper.

Film critic Roger Ebert gave the film three-and-a-half stars out of four, calling it " delightful and sly ", and directed with " light-hearted enchantment " by Newell.

Film critic John Raeburn discusses an early Capra film, American Madness ( 1932 ), as an example of how he had mastered the movie medium and expressed a unique style:

Film critic John Belton called the film Hawks's " most organic comedy.

Film critic Robin Wood has said if he " were asked to choose a film that would justify the existence of Hollywood ... it would be Rio Bravo.

Film critic David Thomson wrote of Hawks in The New Biographical Dictionary of Film " Far from the the meek purveyor of Hollywood forms, he always chose to turn them upside down, To Have and Have Not and The Big Sleep, ostensibly an adventure and a thriller, are really love stories.

" Indeed, his relationship with the hermit has been interpreted as a same-sex marriage that heterosexual society will not tolerate: " No mistake — this is a marriage, and a viable one ", writes cultural critic Gary Morris for Bright Lights Film Journal.

Before going into film-making, Anderson was a prominent film critic writing for the influential Sequence magazine ( 1947 – 52 ), which he co-founded with Gavin Lambert and Karel Reisz ; later writing for the British Film Institute's journal Sight and Sound and the left-wing political weekly the New Statesman.

" Film critic Raja Sen describes Dixit as " the industry's numero uno in every sense.

Her performance was well received by critics, with BBC film critic Brandon Graydon saying that Cruz " is an enchanting screen presence ," and Ethan Alter of the Film Journal International noting that Cruz and her co-star Cruise were " able to generate some actual chemistry.

A Film Daily critic commented, " This is a pearl of a horror picture which exhibits all the earmarks of a sleeper.

Film critic Roger Ebert speculates in his review that the sequence introducing the leader Kambei ( in which the samurai shaves off his topknot, a sign of honor among samurai, in order to pose as a monk to rescue a boy from a kidnapper ) could be the origin of the practice, now common in action movies, of introducing the main hero with an undertaking unrelated to the main plot.

Film critic Roger Ebert gave the film four out of four stars, calling it " an amazingly entertaining thriller " and " one of the best films so far this year ", with a " wonderful " ending.

Film critic Roger Ebert lauded the film, stating that Brando and Kazan changed acting in American movies forever and then adding it to his " Great Movies " list.

" Film critic David Richard Jones adds that Kazan, during the 1940s and 1950s, was one of America's foremost Stanislavskians, and " influenced thousands of contemporaries " in the theatre, film, and the Actors Studio that he helped found.

Film critic Marie Brenner writes that " for De Niro, it is a role that surpasses even his brilliant and daring portrayal of Vito Corleone in The Godfather, part II, ... performance deserves to be compared with the very finest.

Film critic David Shipman called Muni " an actor of great integrity " and he prepared for his roles meticulously.

Film critic Roger Ebert wrote that the book was " banal ," and that " The Little Engine That Could is, by comparison, a work of some depth and ambition.

Film critic Paul Rotha said that it " definitely established the film as an independent medium of expression ... Everything that had to be said ... was said entirely through the camera ... The Last Laugh was cine-fiction in its purest form ; exemplary of the rhythmic composition proper to the film.

Film critic Bosley Crowther wrote, " Mr. Tracy and Miss Hepburn are the stellar performers in this show and their perfect compatibility in comic capers is delightful to see.

* Michael Winner, Film director and producer, restaurant critic

Around this time Marker met and befriended many members of what would be called the Left Bank Film Movement, including Alain Resnais, Agnès Varda, Henri Colpi, Armand Gatti and the novelists Marguerite Duras and Jean Cayrol.

After viewing the rushes, Alain Poiré, the director of the Gaumont Film Company, signed Marceau to a long-term contract.

The film was refused entry to the Cannes Film Festival because the director, Alain Resnais, had signed Jean-Paul Sartre's Manifesto of the 121 against the Algeria War.

After leaving the Rank Organisation in the early 1960s, Bogarde abandoned his heart-throb image for more challenging parts, such as barrister Melville Farr in Victim ( 1961 ), directed by Basil Dearden ; decadent valet Hugo Barrett in The Servant ( 1963 ), which garnered him a BAFTA Award, directed by Joseph Losey and written by Harold Pinter ; The Mind Benders ( 1963 ), a film ahead of its times in which Bogarde plays an Oxford professor conducting sensory deprivation experiments at Oxford University ( precursor to Altered States ( 1980 )); the anti-war film King & Country ( 1964 ), playing an army lawyer reluctantly defending deserter Tom Courtenay, directed by Joseph Losey ; a television broadcaster-writer Robert Gold in Darling ( 1965 ), for which Bogarde won a second BAFTA Award, directed by John Schlesinger ; Stephen, a bored Oxford University professor, in Losey's Accident, ( 1967 ) also written by Pinter ; Our Mother's House ( 1967 ), an off-beat film-noir directed by Jack Clayton in which Bogarde plays an n ' er do well father who descends upon " his " seven children on the death of their mother, British entry at the Venice Film Festival ; German industrialist Frederick Bruckmann in Luchino Visconti's La Caduta degli dei, The Damned ( 1969 ) co-starring Ingrid Thulin ; as ex-Nazi, Max Aldorfer, in the chilling and controversial Il Portiere di notte, The Night Porter ( 1974 ), co-starring Charlotte Rampling, directed by Liliana Cavani ; and most notably, as Gustav von Aschenbach in Morte a Venezia, Death in Venice ( 1971 ), also directed by Visconti ; as Claude, the lawyer son of a dying, drunken writer ( John Gielgud ) in the well-received, multi-dimensional French film Providence ( 1977 ), directed by Alain Resnais ; as industrialist Hermann Hermann who descends into madness in Despair ( 1978 ) directed by Rainer Werner Fassbinder ; and as Daddy in Bertrand Tavernier's Daddy Nostalgie, ( aka These Foolish Things ) ( 1991 ), co-starring Jane Birkin as his daughter, Bogarde's final film role.

In 1963 Il Gattopardo was made into a film, directed by Luchino Visconti and starring Burt Lancaster, Alain Delon and Claudia Cardinale, and which won the Palme d ' Or at the Cannes Film Festival.

French philosopher and writer Alain Finkielkraut, a supporter of the Croatian nationalist leader Franjo Tuđman, denounced the Cannes Film Festival's jury award, saying,

He is best known for his bestselling book Film as a Subversive Art ( 1974 ) and as the founder of the New York City avantgarde ciné-club Cinema 16 ( 1947 – 1963 ), where he was the first programmer to present films by Roman Polanski, John Cassavetes, Nagisa Oshima, Jacques Rivette and Alain Resnais as well as early and important screenings by American avant-gardists of the time like Stan Brakhage, Maya Deren, James Broughton, Kenneth Anger, Sidney Peterson, Bruce Conner, Carmen D ' Avino and many others.

* After Dark, My Sweet at Film Noir of the Week by film historian Alain Silver

Nice Time is a 1957 documentary film made by Alain Tanner and Claude Goretta in Britain and included in the third Free Cinema programme at the National Film Theatre, London in May 1957.

* Alain Silver and James Ursini ( 2010 ) The Vampire Film ( 4th edition ) ISBN 0-87910-380-9

In the book Film Noir: An Encyclopedic Reference to the American Style edited by Alain Silver and Elizabeth Ward, Robinson's performance is summed up like this:

Film Noir: An Encyclopedic Reference to the American Style by Alain Silver and Elizabeth Ward notes: " Phantom Lady excepted, The Chase is the best cinematic equivalent of the dark, oppressive atmosphere that characterizes most of Cornell Woolrich's best fiction.

Alain Silver and Elizabeth Ward's listing of the movie in the book Film Noir: An Encyclopedic Reference to the American Style writes that the film is impressive because of its emphasis on style: " Jack Lambert as the blackmailed killer lies in bed smoking.

Greetings was entered into the 19th Berlin International Film Festival, where it won a Silver Bear award.

In 1999, Cronenberg was inducted onto Canada's Walk of Fame and was awarded with the Silver Bear Award at the 49th Berlin International Film Festival.

* Jury Grand Prix Silver Bear at the 2008 Berlin Film Festival for Standard Operating Procedure

He won the Silver Bear at the Venice Film Festival for Ugetsu.

Three films have so far received international recognition by being selected to compete in major film festivals: Caterpillar by Kōji Wakamatsu was in competition for the Golden Bear at the 60th Berlin International Film Festival and won the Silver Bear for Best Actress, Outrage by Takeshi Kitano was in competition for the Palme d ' Or at the 2010 Cannes Film Festival and Himizu, by Sion Sono was in competition for the Golden Lion at the 68th Venice International Film Festival.

** Venice Film Festival Silver Lion

** Venice Film Festival Silver Lion

** Italian National Syndicate of Film Journalists Silver Ribbons for Best Cinematography in B & W ( Gianni Di Venanzo ), Best Director ( Federico Fellini ), Best Original Story ( Fellini and Flaiano ), Best Producer ( Angelo Rizzoli ), Best Score ( Nino Rota ), Best Screenplay ( Fellini, Pinelli, Flaiano, Rondi ), and Best Supporting Actress ( Sandra Milo )

" For her work, she won the Best Actress Silver Ombú category award at the 2002 Mar del Plata Film Festival.

This film won the Silver Medal at the Venice Film Festival.

He also won the Silver Bear for Best Actor at the 15th Berlin International Film Festival.

** 3 Silver Ribbons awarded by the Italian National Syndicate of Film Journalists Best Cinematography, Best Costume Design, Best Production Design

** Venice Film Festival Silver Lion Winner

The Film Festival's principal awards are the Leone d ' Oro ( Golden Lion ), which is awarded to the best film screened in competition at the festival, the Leone d ' Argento ( Silver Lion ) for the Best Director, and the Coppa Volpi ( Volpi Cup ), which is awarded to the best actor and actress.

Von Gierke won Film Award in Gold for The Enigma of Kaspar Hauser during German Film Awards and Silver Bear for an outstanding single achievement for Nosferatu, at the 29th Berlin International Film Festival.

These include ( but are not limited to ) Amblin Entertainment, The Zanuck Company, Morgan Creek Productions Regency Enterprises ( now working with 20th Century Fox ), Village Roadshow Pictures, Icon Productions, Legendary Pictures, Heyday Films, Alcon Entertainment, Lakeshore Entertainment, Malpaso Productions, Virtual Studios, Silver Pictures ( including Dark Castle Entertainment ), The Ladd Company, Castle Rock Entertainment and The Geffen Film Company.

Antonioni received numerous awards and nominations throughout his career, including the Cannes Film Festival Jury Prize ( 1960, 1962 ), Palme d ' Or ( 1966 ), and 35th Anniversary Prize ( 1982 ); the Venice Film Festival Silver Lion ( 1955 ), Golden Lion ( 1964 ), FIPRESCI Prize ( 1964, 1995 ), and Pietro Bianchi Award ( 1998 ); the Italian National Syndicate of Film Journalists Silver Ribbon eight times ; and an honorary Academy Award in 1995.