* 1967 – Film critic Roger Ebert published his very first film review in the Chicago Sun-Times.

Love received critical acclaim, a Golden Globe nomination for Best Actress, and a New York Film Critics Circle Award for Best Supporting Actress, for what film critic Roger Ebert called " quite a performance ; Love proves she is not a rock star pretending to act, but a true actress ".

Film critic David Thomson has stated: " Marker told me himself that Mongolia is correct.

" Film critic Matthew Hays notes that " no other persona better signifies the lost idealism of the 1960s than that of Dennis Hopper.

Film critic Roger Ebert gave the film three-and-a-half stars out of four, calling it " delightful and sly ", and directed with " light-hearted enchantment " by Newell.

Film critic John Raeburn discusses an early Capra film, American Madness ( 1932 ), as an example of how he had mastered the movie medium and expressed a unique style:

Film critic John Belton called the film Hawks's " most organic comedy.

Film critic Robin Wood has said if he " were asked to choose a film that would justify the existence of Hollywood ... it would be Rio Bravo.

Film critic David Thomson wrote of Hawks in The New Biographical Dictionary of Film " Far from the the meek purveyor of Hollywood forms, he always chose to turn them upside down, To Have and Have Not and The Big Sleep, ostensibly an adventure and a thriller, are really love stories.

" Indeed, his relationship with the hermit has been interpreted as a same-sex marriage that heterosexual society will not tolerate: " No mistake — this is a marriage, and a viable one ", writes cultural critic Gary Morris for Bright Lights Film Journal.

Before going into film-making, Anderson was a prominent film critic writing for the influential Sequence magazine ( 1947 – 52 ), which he co-founded with Gavin Lambert and Karel Reisz ; later writing for the British Film Institute's journal Sight and Sound and the left-wing political weekly the New Statesman.

" Film critic Raja Sen describes Dixit as " the industry's numero uno in every sense.

Her performance was well received by critics, with BBC film critic Brandon Graydon saying that Cruz " is an enchanting screen presence ," and Ethan Alter of the Film Journal International noting that Cruz and her co-star Cruise were " able to generate some actual chemistry.

A Film Daily critic commented, " This is a pearl of a horror picture which exhibits all the earmarks of a sleeper.

Film critic Roger Ebert speculates in his review that the sequence introducing the leader Kambei ( in which the samurai shaves off his topknot, a sign of honor among samurai, in order to pose as a monk to rescue a boy from a kidnapper ) could be the origin of the practice, now common in action movies, of introducing the main hero with an undertaking unrelated to the main plot.

Film critic Roger Ebert gave the film four out of four stars, calling it " an amazingly entertaining thriller " and " one of the best films so far this year ", with a " wonderful " ending.

Film critic Roger Ebert lauded the film, stating that Brando and Kazan changed acting in American movies forever and then adding it to his " Great Movies " list.

" Film critic David Richard Jones adds that Kazan, during the 1940s and 1950s, was one of America's foremost Stanislavskians, and " influenced thousands of contemporaries " in the theatre, film, and the Actors Studio that he helped found.

Film critic David Shipman called Muni " an actor of great integrity " and he prepared for his roles meticulously.

Film critic Roger Ebert wrote that the book was " banal ," and that " The Little Engine That Could is, by comparison, a work of some depth and ambition.

Film critic Paul Rotha said that it " definitely established the film as an independent medium of expression ... Everything that had to be said ... was said entirely through the camera ... The Last Laugh was cine-fiction in its purest form ; exemplary of the rhythmic composition proper to the film.

Film critic Bosley Crowther wrote, " Mr. Tracy and Miss Hepburn are the stellar performers in this show and their perfect compatibility in comic capers is delightful to see.

* Michael Winner, Film director and producer, restaurant critic

* Lachelle Marie, Adult Film star was born in Prairie Grove November 24, 1981

Each year, the Marie Dressler Foundation Vintage Film Festival is held, with screenings in Cobourg and in Port Hope, Ontario.

Briggs has been mentioned numerous times in conspiracy theories and fiction regarding the disappearance of the Mary Celeste, including the 1935 Hammer Film Productions The Mystery of the Marie Celeste, which starred Bela Lugosi.

Bush flying in Canada is commemorated by the Canadian Bushplane Heritage Centre in Sault Ste Marie, Ontario as well as two National Film Board of Canada documentary films, Bush Pilot: Reflections on a Canadian Myth ( 1980 ) and Bush Pilot-Into the Wild Blue Yonder ( 2000 ).

* Marie Windsor interview with The Perfect Vision magazine at Modern Times Classic Film Pages

The Port Townsend Film Festival founders were called Jim Ewing, Rocky Friedman, Jim Westall, and Linda Marie Yakush, all of them veteran attendees at the Telluride Film Festival in Telluride, Colorado.

Film critic Paul Brenner wrote, " Preminger transforms a second rate James M. Cain murder plot, re-orchestrating this textbook tale of passion and murder into a haunting and haunted refrain.

The film was nominated for 11 Academy Awards: Best Actor in a Supporting Role ( Mikhail Baryshnikov ), Best Actress in a Leading Role ( Anne Bancroft ), Best Actress in a Leading Role ( Shirley MacLaine ), Best Actress in a Supporting Role ( Leslie Browne ), Best Art Direction-Set Decoration ( Albert Brenner, Marvin March ), Best Cinematography, Best Director, Best Film Editing, Best Picture, Best Sound ( Theodore Soderberg, Paul Wells, Douglas O. Williams and Jerry Jost ) and Best Writing, Screenplay Written Directly for the Screen.

" Film scholar Simon Louvish writes that the film showed the character becoming more fragile and melancholy.

Film scholar Linda Williams writes: " Marlon Brando the quintessential American male sex symbol of the late fifties and early sixties ".

Film historian David Bordwell writes that in his films, " Vacations, parties and artistic pursuits are vain efforts to conceal the characters ' lack of purpose and emotion.

However, Annette Insdorf, in her book Indelible Shadows: Film and the Holocaust, writes that " There was something curiously appropriate about the little tramp impersonating the dictator, for by 1939 Hitler and Chaplin were perhaps the two most famous men in the world.

" Finally, in A Distant Technology: Science Fiction Film and the Machine Age, J. P. Telotte writes that " The little tramp figure is here reincarnated as the Jewish barber ".

Film critic Pauline Kael adopts a more neutral stance, while Time magazine film critic Richard Schickel writes " The nostalgia surrounding Rogers-Astaire tends to bleach out other partners.

R. C. Lamont writes that " Film deals with the apprenticeship to death, the process of detaching oneself from life.

Even less equivocally defending it as an allegory, Aleksander Kwiatkowski in the book Swedish Film Classics, writes

Film historian Jeremy Byman writes that up until 1946 studios were selling movie tickets at record numbers, but the entire film industry then fell into " a financial abyss ," with ticket sales falling 75 percent during the following years.

Film critic Dwight Macdonald writes that its " small army of actors — 105 speaking roles — inflict mayhem on each other with cars, planes, explosives and other other devices.

Film historian Michael Barson writes that Donner had " emerged as one of Hollywood's most reliable makers of action blockbusters.

Film score composer is a general term referring to an individual who writes music for film.

In his review of To's 2008 film Sparrow for the website of Tisch Film Review, Ignatiy Vishnevetsky writes: " To has directed some of the best movies of the last two decades ; he is more astounding than almost any other director working today.

Film commentator Hal Erickson writes Bright Eyes is " arguably the best of Shirley Temple's 1930s vehicles ", and thinks Jane Withers " terrific " as the film ’ s villainess.

Skinn now writes a column called " The Skinny " for Future plc ’ s comics trade magazine Comic Heroes and because of his strong beliefs in education through entertainment and the increasing world levels in illiteracy, he has recently begun working with the Abu Dhabi Music and Arts Foundation, initially chairing a discussion there on Comics and Literacy in the Middle East which has led to his becoming curator of the newly-created Middle East Film and Comic Con.

He is fond of the cinema, and indeed at one point writes a film scenario, which he successfully sells to the Super-Ultra-Art Film Company for $ 1000.

He sometimes writes for the British Film Institute's Sight and Sound magazine.

Film critic Walter Chaw writes of the DVD releases of The Big Sleep and To Have and Have Not ( 1944 ), " The fullscreen transfer of The Big Sleep is generally good but, again, not crystalline, though the grain that afflicts the earlier picture is blissfully absent.

Film critic Roger Ebert, who writes for the Chicago Sun-Times, considers the film a classic, and wrote, " Pixote stands alone in Babenco's work, a rough, unblinking look at lives no human being should be required to lead.

Miller writes a regular column for Film Quarterly called “ Second Time Around .”

Lewis Beale, of Film Journal International, writes, " It's a very Mediterranean atmosphere, in which everyone seems to love hard, hate with intensity and speak at the top of their lungs.

Alain Silver and Elizabeth Ward's listing of the movie in the book Film Noir: An Encyclopedic Reference to the American Style writes that the film is impressive because of its emphasis on style: " Jack Lambert as the blackmailed killer lies in bed smoking.