* 1967 – Film critic Roger Ebert published his very first film review in the Chicago Sun-Times.

Love received critical acclaim, a Golden Globe nomination for Best Actress, and a New York Film Critics Circle Award for Best Supporting Actress, for what film critic Roger Ebert called " quite a performance ; Love proves she is not a rock star pretending to act, but a true actress ".

Film critic David Thomson has stated: " Marker told me himself that Mongolia is correct.

" Film critic Matthew Hays notes that " no other persona better signifies the lost idealism of the 1960s than that of Dennis Hopper.

Film critic Roger Ebert gave the film three-and-a-half stars out of four, calling it " delightful and sly ", and directed with " light-hearted enchantment " by Newell.

Film critic John Raeburn discusses an early Capra film, American Madness ( 1932 ), as an example of how he had mastered the movie medium and expressed a unique style:

Film critic John Belton called the film Hawks's " most organic comedy.

Film critic Robin Wood has said if he " were asked to choose a film that would justify the existence of Hollywood ... it would be Rio Bravo.

Film critic David Thomson wrote of Hawks in The New Biographical Dictionary of Film " Far from the the meek purveyor of Hollywood forms, he always chose to turn them upside down, To Have and Have Not and The Big Sleep, ostensibly an adventure and a thriller, are really love stories.

" Indeed, his relationship with the hermit has been interpreted as a same-sex marriage that heterosexual society will not tolerate: " No mistake — this is a marriage, and a viable one ", writes cultural critic Gary Morris for Bright Lights Film Journal.

Before going into film-making, Anderson was a prominent film critic writing for the influential Sequence magazine ( 1947 – 52 ), which he co-founded with Gavin Lambert and Karel Reisz ; later writing for the British Film Institute's journal Sight and Sound and the left-wing political weekly the New Statesman.

" Film critic Raja Sen describes Dixit as " the industry's numero uno in every sense.

Her performance was well received by critics, with BBC film critic Brandon Graydon saying that Cruz " is an enchanting screen presence ," and Ethan Alter of the Film Journal International noting that Cruz and her co-star Cruise were " able to generate some actual chemistry.

A Film Daily critic commented, " This is a pearl of a horror picture which exhibits all the earmarks of a sleeper.

Film critic Roger Ebert speculates in his review that the sequence introducing the leader Kambei ( in which the samurai shaves off his topknot, a sign of honor among samurai, in order to pose as a monk to rescue a boy from a kidnapper ) could be the origin of the practice, now common in action movies, of introducing the main hero with an undertaking unrelated to the main plot.

Film critic Roger Ebert gave the film four out of four stars, calling it " an amazingly entertaining thriller " and " one of the best films so far this year ", with a " wonderful " ending.

Film critic Roger Ebert lauded the film, stating that Brando and Kazan changed acting in American movies forever and then adding it to his " Great Movies " list.

" Film critic David Richard Jones adds that Kazan, during the 1940s and 1950s, was one of America's foremost Stanislavskians, and " influenced thousands of contemporaries " in the theatre, film, and the Actors Studio that he helped found.

Film critic Marie Brenner writes that " for De Niro, it is a role that surpasses even his brilliant and daring portrayal of Vito Corleone in The Godfather, part II, ... performance deserves to be compared with the very finest.

Film critic David Shipman called Muni " an actor of great integrity " and he prepared for his roles meticulously.

Film critic Roger Ebert wrote that the book was " banal ," and that " The Little Engine That Could is, by comparison, a work of some depth and ambition.

Film critic Paul Rotha said that it " definitely established the film as an independent medium of expression ... Everything that had to be said ... was said entirely through the camera ... The Last Laugh was cine-fiction in its purest form ; exemplary of the rhythmic composition proper to the film.

Film critic Bosley Crowther wrote, " Mr. Tracy and Miss Hepburn are the stellar performers in this show and their perfect compatibility in comic capers is delightful to see.

* Michael Winner, Film director and producer, restaurant critic

* He appeared in An Alan Smithee Film: Burn Hollywood Burn.

Film, directed by Alan Schneider written by Samuel Beckett and starring Buster Keaton also uses POV extensively, switching between the main character's point of view and the view of the camera as a way to illustrate Berkeley's quote " to be is to be perceived and to perceive ".

He played the central role in Samuel Beckett's Film ( 1965 ), directed by Alan Schneider.

In 1998, the film An Alan Smithee Film: Burn Hollywood Burn was released, in which a man named Alan Smithee ( Eric Idle ) wishes to disavow a film he has directed, but is unable to do so because the only pseudonym he is permitted to use is his own name.

* An Alan Smithee Film: Burn Hollywood Burn ( 1998 )

* Best Film Editing — Alan Heim

It won the ASCAP Award from ASCAP Film and Television Music Awards for " Top Box Office Films "-- the recipient was Alan Silvestri, it received a Saturn Award nomination for " Best Fantasy Film " from the Academy of Science Fiction, Fantasy & Horror Films, USA.

Another filmed version of Play was directed by Anthony Minghella for the Beckett on Film project, starring Alan Rickman, Kristin Scott Thomas and Juliet Stevenson.

* On Directing Samuel Beckett ’ s Film – Alan Schneider

* Taylor, Alan, We, the Media: Pedagogic Intrusion into U. S. Mainstream Film and Television News Broadcasting Rhetorics ISBN 3-631-51852-8

* BBC reporter Alan Whicker was at Anzio as a member of the British Army Film and Photo Unit.

In the mid-1980s, he became a screenwriter / director at The Wing Scope Co. and In-gear Film Production Company, the production houses owned by renowned Hong Kong actor / movie producer Alan Tang.

An Alan Smithee Film: Burn Hollywood Burn ( the onscreen title is simply Burn Hollywood Burn ) is a 1997 comedy film and is regarded as one of the worst films of all time, scooping five awards ( including Worst Picture ) at the 1998 Golden Raspberry Awards.

* An Alan Smithee Film: Burn Hollywood Burn ( 1997 )

# REDIRECT An Alan Smithee Film: Burn Hollywood Burn

Evans plays himself in the movie An Alan Smithee Film Burn Hollywood Burn ( 1998 ).

The films were produced by Colgan and Alan Moloney for the Irish broadcaster RTÉ, the British broadcaster Channel 4 and the Irish Film Board.

* Gilda Live ( with Gilda Radner, Lorne Michaels, Anne Beatts, Rosie Shuster, Alan Zweibel, Marilyn Suzanne-Miller, Paul Shaffer and Don Novello ) ( 1980 ) ( Stage / Film )

Alan Thicke at a Canadian Film Centre & Variety-hosted reception for the Telefilm Canada Features Comedy Lab, in March 2012

* Listen to Alan Cobham speaking in To Australia and Back in Six Minutes on the National Film and Sound Archive of Australia's website: ' Our Heroes of the Air '

* An Alan Smithee Film: Burn Hollywood Burn ( 1998 )

** Won: Gold Hugo – Best Film ( Alan Rickman )

** Nominated: Best Foreign Language Film ( Alan Rickman )