* 1967 – Film critic Roger Ebert published his very first film review in the Chicago Sun-Times.

Love received critical acclaim, a Golden Globe nomination for Best Actress, and a New York Film Critics Circle Award for Best Supporting Actress, for what film critic Roger Ebert called " quite a performance ; Love proves she is not a rock star pretending to act, but a true actress ".

Film critic David Thomson has stated: " Marker told me himself that Mongolia is correct.

" Film critic Matthew Hays notes that " no other persona better signifies the lost idealism of the 1960s than that of Dennis Hopper.

Film critic Roger Ebert gave the film three-and-a-half stars out of four, calling it " delightful and sly ", and directed with " light-hearted enchantment " by Newell.

Film critic John Raeburn discusses an early Capra film, American Madness ( 1932 ), as an example of how he had mastered the movie medium and expressed a unique style:

Film critic John Belton called the film Hawks's " most organic comedy.

Film critic Robin Wood has said if he " were asked to choose a film that would justify the existence of Hollywood ... it would be Rio Bravo.

Film critic David Thomson wrote of Hawks in The New Biographical Dictionary of Film " Far from the the meek purveyor of Hollywood forms, he always chose to turn them upside down, To Have and Have Not and The Big Sleep, ostensibly an adventure and a thriller, are really love stories.

" Indeed, his relationship with the hermit has been interpreted as a same-sex marriage that heterosexual society will not tolerate: " No mistake — this is a marriage, and a viable one ", writes cultural critic Gary Morris for Bright Lights Film Journal.

Before going into film-making, Anderson was a prominent film critic writing for the influential Sequence magazine ( 1947 – 52 ), which he co-founded with Gavin Lambert and Karel Reisz ; later writing for the British Film Institute's journal Sight and Sound and the left-wing political weekly the New Statesman.

" Film critic Raja Sen describes Dixit as " the industry's numero uno in every sense.

Her performance was well received by critics, with BBC film critic Brandon Graydon saying that Cruz " is an enchanting screen presence ," and Ethan Alter of the Film Journal International noting that Cruz and her co-star Cruise were " able to generate some actual chemistry.

A Film Daily critic commented, " This is a pearl of a horror picture which exhibits all the earmarks of a sleeper.

Film critic Roger Ebert speculates in his review that the sequence introducing the leader Kambei ( in which the samurai shaves off his topknot, a sign of honor among samurai, in order to pose as a monk to rescue a boy from a kidnapper ) could be the origin of the practice, now common in action movies, of introducing the main hero with an undertaking unrelated to the main plot.

Film critic Roger Ebert gave the film four out of four stars, calling it " an amazingly entertaining thriller " and " one of the best films so far this year ", with a " wonderful " ending.

Film critic Roger Ebert lauded the film, stating that Brando and Kazan changed acting in American movies forever and then adding it to his " Great Movies " list.

" Film critic David Richard Jones adds that Kazan, during the 1940s and 1950s, was one of America's foremost Stanislavskians, and " influenced thousands of contemporaries " in the theatre, film, and the Actors Studio that he helped found.

Film critic Marie Brenner writes that " for De Niro, it is a role that surpasses even his brilliant and daring portrayal of Vito Corleone in The Godfather, part II, ... performance deserves to be compared with the very finest.

Film critic David Shipman called Muni " an actor of great integrity " and he prepared for his roles meticulously.

Film critic Roger Ebert wrote that the book was " banal ," and that " The Little Engine That Could is, by comparison, a work of some depth and ambition.

Film critic Paul Rotha said that it " definitely established the film as an independent medium of expression ... Everything that had to be said ... was said entirely through the camera ... The Last Laugh was cine-fiction in its purest form ; exemplary of the rhythmic composition proper to the film.

Film critic Bosley Crowther wrote, " Mr. Tracy and Miss Hepburn are the stellar performers in this show and their perfect compatibility in comic capers is delightful to see.

* Michael Winner, Film director and producer, restaurant critic

Other programming produced solely by the BBC News channel includes the BBC News at Five with Huw Edwards ( including Film 24 with Mark Kermode at 17: 45 on Fridays, Sportsday ( at 18: 45, except on Fridays and Saturdays when it is from 18: 30, plus 22: 30 every weekday ) and Newswatch ( Friday 20: 45, Saturday 07: 45 ).

* With You Film: The Mark Bingham Story

* Chan Is Missing: A Film By Wayne Wang, With Introduction and Screen Notes by Diane Mei Lin Mark ( Honolulu: Bamboo Ridge Press, 1984 ), ISBN 0-910043-06-X

In May 2012, Harvey composed two songs, " Horse " and " Bobby Don't Steal ," for Mark Cousins ' film What is This Film Called Love ?, which also features " To Bring You My Love.

The New York City scale model set was designed by Micheal J. McAlister and Mark Stetson, with further effects provided by The Computer Film Company.

* César Awards: Best Foreign Film ( Mark Rydell )

* Film: The Musketeer starring Mena Suvari, Rock Star starring Mark Wahlberg and Jennifer Aniston, Soul Survivors starring Melissa Sagemiller and Casey Affleck, Two Can Play That Game starring Vivica A.

Many people were involved in the production, most notably: Nicholas Negroponte, founder and director of the Architecture Machine Group, who found support for the project from the Cybernetics Technology Office of DARPA ; Andrew Lippman, principal investigator ; Bob Mohl, who designed the map overlay system and ran user studies of the efficacy of the system for his PhD thesis ; Richard Leacock ( Ricky ), who headed the MIT Film / Video section and shot along with MS student Marek Zalewski the Cinéma vérité interviews placed behind the facades of key buildings ; John Borden, of Peace River Films in Cambridge, MA, who designed the stabilization rig ; Kristina Hooper of UCSC ; Rebecca Allen ; Scott Fisher, who matched the photos of Aspen in the silver-mining days from the historical society to the same scenes in Aspen in 1978 and who experiment with anamorphic imaging of the city ( using a Volpe lens ); Walter Bender, who designed and built the interface, the client / server model, and the animation system ; Steve Gregory ; Stan Sasaki, who built much of the electronics ; Steve Yelick, who worked on the laserdisc interface and anamorphic rendering ; Eric " Smokehouse " Brown, who built the metadata encoder / decoder ; Paul Heckbert worked on the animation system ; Mark Shirley and Paul Trevithick, who also worked on the animation ; Ken Carson ; Howard Eglowstein ; and Michael Naimark, who was at the Center for Advanced Visual Studies and was responsible for the cinematography design and production.

* Mark Herbert, ( Film Studies 1991-94 ) film producer, and head of Sheffield-based Warp Films

was nominated for more than forty awards, including ten Primetime Emmy Award and five Golden Globe Award nominations, winning one each ; Katherine Helmond received the 1989 Golden Globe Award for Best Supporting Actress – Series, Miniseries or Television Film, while Mark J. Levin was awarded the 1989 Emmy Award for Outstanding Lighting Direction for a Comedy Series for his work on the episode " Two on a Billboard.

' Shining a Light: 50 Years of the Australian Film Institute ' by Lisa French and Mark Poole ( published by ATOM, November, 2009 )

" Hello to Jason Isaacs " has become a much-mentioned phrase on Simon Mayo's and Mark Kermode's BBC Radio Five Film Review.

On April 30, 1912, in New York, Carl Laemmle of IMP, Pat Powers of Powers Motion Picture Company, Mark Dintenfass of Champion Film Company, William Swanson of Rex Motion Picture Company, David Horsley of Nestor Film Company and Charles Baumann and Adam Kessel of the New York Motion Picture Company merged their studios and the Universal Film Manufacturing Company was incorporated.

At the 1984 Brussels International Festival of Fantasy Film it tied with Bloodbath at the House of Death for Best Science-Fiction Film and Mark Irwin received a CSC Award for Best Cinematography in a Theatrical Feature.

Film critic Mark Kermode's band The Railtown Bottlers was the show's house band.

'" Mark Goodall, author of Sweet & Savage: The World Through the Shockumentary Film Lens, also contends the film's message is "... the rape of the natural world by the unnatural ; the exploitation of ' primitive ' cultures for western entertainment.

Mark Goodall, author of Sweet & Savage: The World Through the Documentary Film Lens, and David Slater and David Kerekes, authors of Killing for Culture: An Illustrated History of Death Film from Mondo to Snuff, have also suggested that Deodato was attempting to comment on the documentary works of Climati with his film.

It was directed by John Roberts and written by Laurie Craig, and it was produced by Mark Gordon, Gary Levinsohn, and Allyson Lyon Segan for Mutual Film Company and DreamWorks.

Pavlou and his business partner Mark Aldridge showcased their idea at the Cannes Film Festival in France which lead to film development company Focus Films offering funding for development.

It also hosts the Washington, DC events of the annual 48 Hour Film Project, which was founded by Mark Ruppert in Washington.