Later Helion wrote of this phase: `` For years I built for myself a subtle instrument of relationships -- colors and forms without a name.

And she wrote the libretto for an oratorio on the subject of Judas Maccabeus performed at the Hanukkah festival which came in December.

But both were high-spirited and vivacious, both had tempers to control, both loved languages, especially English and German, both were good teachers and wrote for publication.

She wrote gay plays about the girls for family entertainments, like `` Oh, What Fun!!

Lloyd Lewis wrote that when he first knew Carl in 1916, Sandburg was making $27.50 a week writing features for the Day Book and eating sparse luncheons in one-arm restaurants.

The day passed eventfully enough, with a constant stream of visitors, some stopping only to say hello, others getting into serious conversations, such as one Andre Fuchs, a free-lance journalist from Strasbourg who wrote an article for the Nouvelle Alsatian in highly sympathetic terms.

Consequently, on October 31, 1896, Mrs. King wrote to Thompson, quite against her daughter's wishes, asking him not to `` recommence a correspondence which I believe has been dropped for some weeks ''.

It is difficult to say what Thompson expected would come of their relationship, which had begun so soon after his emotions had been stirred by Maggie Brien, but when Katie wrote on April 11, 1900, to tell him that she was to be married to the Rev. Godfrey Burr, the vicar of Rushall in Staffordshire, the news evidently helped to deepen his discouragement over the failure of his hopes for a new volume of verse.

In `` My Song's Young Virgin Date '', for example, Thompson wrote: `` Yea, she that had my song's young virgin date Not now, alas, that noble singular she, I nobler hold, though marred from her once state, Than others in their best integrity.

He was especially popular with women, for, like the romantic poetry he wrote, he was personally gracious, gallant, and chivalrous.

The Commissioners at Boston wrote the victims to see their misdeeds and repent or they should `` look upon them as men prepared for slaughter ''.

When Quiney and William Parsons wrote to Greville in 1593 asking his consent in the election for bailiff, they sent the letter to Mr. William Sawnders, attendant on the worshipful Mr. Thomas Bushell at Marston.

Sturley wrote to Quiney that Sir Edward `` gave his allowance and liking thereof, and affied unto us his best endeavour, so that his rights be preserved '', and that `` Sir Edward saith we shall not be at any fault for money for prosecuting the cause, for himself will procure it and lay it down for us for the time ''.

`` If you can firmly make the good knight sure to pleasure our Corporation '', Sturley wrote, `` besides that ordinary allowance for your diet you shall have 20 for recompence ''.

He had been in London for several weeks when he wrote to Shakespeare on October 25.

Richard Quiney the younger, a schoolboy of eleven, wrote a letter in Latin asking his father to buy copybooks ( `` chartaceos libellos ) '' ) for him and his brother.

Baker wrote: `` I tooke order with Sr. E. Grevile for the payment of Ceartaine monei beefore his going towardes London.

The chancellor of the Exchequer wrote on the petition: `` in myn opinion it is very resonable and conscionable for hir maiestie to graunt in relief of this towne twise afflicted and almost wasted by fire ''.

No one, he wrote, took any corn of Greville's, for his bailiff of husbandry `` swore a greate oathe thatt who soe came to put hys hande into hys sackes for anye corne shuld leave hys hande behynde hym ''.

Sir Stafford Cripps, George Bernard Shaw, Henry Irving and other stage grandees, Lord Lytton and other eminent people of the era also wrote positive appreciations of his work after taking lessons with Alexander.

Stephen Sondheim wrote lyrics for the " Night Waltz " theme (" Love Takes Time ") and wrote an entirely new version of " The Glamorous Life ", which has been incorporated into several subsequent productions of the stage musical.

He wrote sentimental plays, Le Fils naturel ( 1757 ) and Le Père de famille ( 1758 ), accompanying them with essays on theatrical theory and practice, including " Les Entretiens sur Le Fils Naturel " ( Conversations on The Natural Son ), in which he announced the principles of a new drama: the ' serious genre ', a realistic midpoint between comedy and tragedy that stood in opposition to the stilted conventions of the classical French stage.

Hopkins later directed a film version of the stage play, to which he also wrote the musical score.

During his career he wrote poetry, prose, and stage plays ; his last novel was Kenelm Chillingly, which was in course of publication in Blackwood ’ s Magazine at the time of his death in 1873.

Bradbury, far from being displeased by this, was so happy with the new ending that he wrote it into his later stage edition.

In addition he painted, wrote plays, and designed metalwork and stage sets.

Lenin wrote extensively on the matter and famously declared that Imperialism was the highest stage of capitalism.

One of the most important American theatre composers of the early 20th century, he wrote more than 700 songs, used in over 100 stage works, including such classics as " Ol ' Man River ", " Can't Help Lovin ' Dat Man ", " A Fine Romance ", " Smoke Gets in Your Eyes ", " All the Things You Are ", " The Way You Look Tonight ", " Long Ago ( and Far Away )" and " Who ?".

But Orton, still on an absolute high, proceeded over the next ten months to revise The Ruffian on the Stair and The Erpingham Camp for the stage as a double called Crimes of Passion ; wrote Funeral Games ; wrote the screenplay Up Against It for the Beatles ; and worked on What the Butler Saw.

It was mainly as a schoolmaster in Weimar that he wrote his papers on the distribution of the parts, on the masks and dresses, and on the machinery of the ancient stage, as well as a dissertation on the masks of the Furies in 1801.

He wrote thirteen novel sequels, nine other fantasy novels, and a host of other works ( 55 novels in total, plus four " lost " novels, 83 short stories, over 200 poems, an unknown number of scripts, and many miscellaneous writings ), and made numerous attempts to bring his works to the stage and screen.

Peake also wrote poetry and literary nonsense in verse form, short stories for adults and children ( Letters from a Lost Uncle ), stage and radio plays, and Mr Pye, a relatively tightly-structured novel in which God implicitly mocks the evangelical pretensions and cosy world-view of the eponymous hero.

Sullivan wrote only one grand opera, Ivanhoe ( following the efforts of a number of young English composers beginning about 1876 ), but he claimed that even his light operas constituted part of a school of " English " opera, intended to supplant the French operettas ( usually performed in bad translations ) that had dominated the London stage from the mid-19th century into the 1870s.

Whilst still at university, Cook wrote for Kenneth Williams, for whom he created an entire West End comedy revue called One Over the Eight, before finding prominence in his own right in a four-man group satirical stage show, Beyond the Fringe, with Jonathan Miller, Alan Bennett and Dudley Moore.

John Milton wrote Samson Agonistes as verse drama, and indeed had at an early stage contemplated writing Paradise Lost in that form.

Director Jim Sharman collaborated on the screenplay with O ' Brien, who wrote both the book and lyrics for the stage.

In 1992 Simon Corble wrote a stage version with medieval songs and music for The Midsommer Actors ' Company.

However, he wrote a completely new song entitled " The Glamorous Life " to take the place of the song by the same name from the stage version.

She funded the film, which was written by Adam Carl and based on a stage play he wrote in 2003.

In 1995, he wrote the book for the stage musical adaptation of Victor / Victoria, also starring Andrews.

He also wrote poetry that reflected his emotion and a stage in his life collectively.

George Templeton Strong noted in his diary: " People say the plot's immoral, but I don't see that it's so much worse than many others, not to speak of Don Giovanni, which as put on the stage is little but rampant lechery ", while the Evening Post critic wrote: " Those who have quietly sat through the glaring improprieties of Don Giovanni will hardly blush or frown at anything in La traviata.