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Page "Dicaearchus" ¶ 14
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is and probably
`` Now that Bruno Walter is virtually in retirement and my dear friend Dimitri Mitropoulos is no longer with us, I am probably the only one -- with the possible exception of Leonard Bernstein -- who has this special affinity for and champions the works of Bruckner and Mahler ''.
This is an unsolved problem which probably has never been seriously investigated, although one frequently hears the comment that we have insufficient specialists of the kind who can compete with the Germans or Swiss, for example, in precision machinery and mathematics, or the Finns in geochemistry.
There is probably some significance in the fact that two of the best incest stories I have encountered in recent years are burlesques of the incest myth.
He is probably our most original composer ; ;
To Adams that age in which religion exercised power over the entire culture of the race was one of imagination, and it is largely the admiration he so obviously held for such eras that betrays a peculiar religiosity -- a sentiment he would have probably denied.
If man is actually the product of his environment and if science can discover the laws of human nature and the ways in which environment determines what people do, then someone -- a someone probably standing outside traditional systems of values -- can turn around and develop completely efficient means for controlling people.
The 15th Street deposit is not to be confused with the nearby famous Mayflower Hotel cypress swamp on 17th Street reported in The Washington Post, August 2, 1955, which was probably formed during the second interglacial period and is therefore much younger.
Pauling's estimate of 200 megatons yield from the present series of Russian tests will probably turn out to be too high, but a total of 100 megatons is a distinct possibility.
Some government scientists say privately that the figure probably is closer to 80 megatons, and that the full 50-megaton bomb that Khrushchev mentioned may still be detonated.
`` Fanny and Mrs. Godwin will probably be glad to hear that Mary has safely recovered from a very favorable confinement, and that her child is well ''.
Of all advantages, probably none is more important than the elimination of tax anticipation notes.
It has been correctly pointed out by well-informed people in the industry that it is probably unrealistic to expect a continuation of the yearly growth of 15% or better that characterized the decade of the 1950's, and that our military markets may be entering upon a new phase in which procurement of multiple weapons systems will give way to concentration of still undeveloped areas of our defense capability.
You name it, our industry is producing it, and it probably is made in different models.
Richard S. Allen is the authority for the statement that the northern section was probably roofed by 1810.
It is well to bear in mind that gasoline will cost from $.80 to $.90 for the equivalent of a United States gallon and while you might prefer a familiar Ford, Chevrolet or even a Cadillac, which are available in some countries, it is probably wiser to choose the smaller European makes which average thirty, thirty-five and even forty miles to the gallon.
For example, probably very few people know that the word `` visrhanik '' that is bantered about so much today stems from the verb `` bouanahsha '': to salivate.
Now, you probably share the widespread Western belief that the Lord Buddha is the most compassionate of the gods, much more so than Jehovah and Allah and the rest.
The elasticity is a parameter of fluids which is not subject to simple measurement at present, and it is a parameter which is probably varying in an unknown manner with many commercial materials.

is and same
Let me pass over the trip to Sante Fe with something of the same speed which made Mrs. Roebuck `` wonduh if the wahtahm speed limit '' ( 35 m.p.h. ) `` is still in ee-faket ''.
The content is not the same, however: rather than individual security, it is the security and continuing existence of an `` ideological group '' -- those in the `` free world '' -- that is basic.
The stink is all the same to me, but I really think they can make one another out blindfolded ''.
I knew that a conversation with the author would not settle such questions, because a man is not the same as his writing: in the last analysis, the questions had to be settled by the work itself.
At the same time, he is plainly sympathetic, clearly friendly.
How is the beat poet to achieve unity of form when he is at the same time engaged in a systematic derangement of senses.
Robert Penn Warren puts it this way in `` Brother To Dragons '': `` The recognition of complicity is the beginning of innocence '', where innocence, I think, means about the same thing as redemption.
One is that they were established, or gained eminence, under pressure provided by these same immigrants, from whom the old families wished to segregate their children.
At the same time, because the personal code of the detective coincides with the legal dictates of his society, because he likes to catch criminals, he is in middle class eyes a virtuous man.
The same command is repeated as many times as there are levels in rank from general to corporal.
And it is clearly argued by Lord Percy of Newcastle, in his remarkable long essay, The Heresy Of Democracy, and in a more general way by Voegelin, in his New Science Of Politics, that this same Rousseauan idea, descending through European democracy, is the source of Marx's theory of the dictatorship of the proletariat.
It is to say rather, I believe, that he has brought to bear on the history, the traditions, and the lore of his region a critical, skeptical mind -- the same mind which has made of him an inveterate experimenter in literary form and technique.
At the same time, I am aware that my recoil could be interpreted by readers of the tea leaves at the bottom of my psyche as an incestuous sign, since theirs is a science of paradox: if one hates, they say it is because one loves ; ;
This is a problem to be solved not by America alone, but also by every nation cherishing the same ideals and in position to provide help.
No matter how earnest is our quest for guaranteed peace, we must maintain a high degree of military effectiveness at the same time we are engaged in negotiating the issue of arms reduction.
It is not the same dress as the one on her manikin in the Smithsonian.
She had stood at the bottom of the stairs, as usual, when Mrs. Coolidge came down, in the same dress that is now in the Smithsonian, to greet her guests.
In this domain the simple fact of coexistence in the same local, national, and world community is enough to guarantee that we cannot refrain from having some effect, large or small, upon Gentile-Jewish relations.
The symposium provides an opportunity to confront the self with specific statements which were made at particular times by identifiable communicators who were addressing definite audiences -- and throughout several hundred pages everyone is talking about the same key symbol of identification.
It is true that this distinction between style and idea often approaches the arbitrary since in the end we must admit that style and content frequently influence or interpenetrate one another and sometimes appear as expressions of the same insight.

is and work
It is possible, although highly doubtful, that he killed none at all but merely let his reputation work for him by privately claiming every unsolved murder in the state.
But in this approach it is the artist's ultimate insight, rather than his immediate impressions, that gives form to the work.
The `` approximate '' is important, because even after the order of the work has been established by the chance method, the result is not inviolable.
If a work is divided into several large segments, a last-minute drawing of random numbers may determine the order of the segments for any particular performance.
Beckett's own work is an example.
If he thus achieves a lyrical, dreamlike, drugged intensity, he pays the price for his indulgence by producing work -- Allen Ginsberg's `` Howl '' is a striking example of this tendency -- that is disoriented, Dionysian but without depth and without Apollonian control.
It is worth dwelling in some detail on the crisis of this story, because it brings together a number of characteristic elements and makes of them a curious, riddling compound obscurely but centrally significant for Mann's work.
In the work of every artist, I suppose, there may be found one or more moments which strike the student as absolutely decisive, ultimately emblematic of what it is all about ; ;
When I try to work out my reasons for feeling that this passage is of critical significance, I come up with the following ideas, which I shall express very briefly here and revert to in a later essay.
And if I have gone into so much detail about so small a work, that is because it is also so typical a work, representing the germinal form of a conflict which remains essential in Mann's writing: the crude sketch of Piepsam contains, in its critical, destructive and self-destructive tendencies, much that is enlarged and illuminated in the figures of, for instance, Naphta and Leverkuhn.
The presence of genuine mimesis in art is marked by the persistence with which the work demands attention and compels valuation even though it is but vaguely understood.
Was it supposed, perchance, that A & M ( vocational training, that is ) was quite sufficient for the immigrant class which flooded that part of the New England world in the post-Civil War period, the immigrants having been brought in from Southern Europe, to work in the mills, to make up for the labor shortage caused by migration to the West??
`` The man's true reputation is his work ''.
On the one hand, he does not work for a large agency, but is almost always self-employed.
He catches criminals not merely because he is paid to do so ( frequently he does not receive a fee at all ), but because he enjoys his work, because he firmly believes that murder must be punished.
The rocking, I realized, is the single element in the story that carries the erotic message, the unspoken and unconscious undercurrent that would mar the innocence of a child's fantasy and disturb the effects of the work if it were made explicit.

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