She has referenced this independence from major labels in song more than once, including " The Million You Never Made " ( Not A Pretty Girl ), which discusses the act of turning down a lucrative contract, " The Next Big Thing " ( Not So Soft ), which describes an imagined meeting with a label head-hunter who evaluates the singer based on her looks, and " Napoleon " ( Dilate ), which sympathizes sarcastically with an unnamed friend who did sign with a label.

An early work, She ' iltot (" Questions ") by Achai of Shabcha ( c. 752 ), discusses over 190 Mitzvot — exploring and addressing various questions on these.

She discusses his newly found fame, but he denies being a hero and drops her off for free.

She discusses how antecedent genres place powerful constraints on the rhetor and may cause them to become " bound by the manacles of the antecedent genre " ( Jamieson 414 ).

She discusses problems that arise when children pose as adults online.

She discusses the death of her former employer, while her conversation with Tintin is recorded by a reel-to-reel tape recorder hidden under the counter.

She has contributed to the feminist movement with such works as her memoir The Woman Warrior, which discusses gender and ethnicity and how these concepts affect the lives of women.

She subsequently became a journalist as well as a social worker and discusses " The Night of the Meek " at length in her partially autobiographical book about child actors, Pretty Babies, published in 1983 by McGraw-Hill.

She discusses both the cancer and hepatitis diagnoses in further depth in her second memoir, Memories, Dreams and Reflections.

She discusses how mothers are continually making trade-offs between quality and quantity " and weighing the best possible actions for both her and her infant.

She also discusses the connections between feminism and vegetarianism, and patriarchy and meat eating, historically and through the reading of literary texts.

She discusses a wish for people to feel that they are loved by God.

She has a weekly program entitled In Bed with Susie Bright distributed through audible. com, where she discusses a variety of social, freedom of speech and sex-related topics.

She discusses the struggles of Jeannette Corbiere Lavell and Yvonne Bédard in the early 1970s, two women who had both lost their Indian status for marrying white men.

She discusses her experience as an " orphan " in an interview published by the Irish Independent in January 1999.

" She also discusses her relationship with her partner, Heather Poe.

She discusses Picasso and his mistress Fernande.

She next discusses spending the summer with Gertrude in Fiesole while Picasso goes to Spain.

She tells her friend Liz ( Marisa Tomei ) and discusses her bad luck with men.

She discusses the conflicts that some women may face in this journey to self-actualization, including their own fears and resistance from others.

She finds that early Christianity was uncomfortably zealous and apocalyptic ; and, after a brutal rape by a Roman soldier, discusses the role of government and its duties to abused citizens with Roman Emperor Marcus Aurelius.

She also discusses the advance of the Islamic Ottoman Empire into Europe, ending in the disastrous Battle of Nicopolis.

She discusses Hilton Kramer's objection to the piece as an extension of Modernist ideas about art, stating, " the piece blatantly subverts modernist value systems, which privilege the ‘ pure ’ aesthetic object over the debased sentimentality of the domestic and popular arts ".

She discusses her psychoanalytic sessions with Rene Allendy and Otto Rank at length.

She lay there, making no effort to get back on her feet.

She began it deliberately, so that none of her words would be lost on him.

She jerked the coat back on and squeezed it around her again, but not soon enough.

She went on:

She placed her palms, fingers outspread, on the desk in an odd gesture as if to say, `` Now, what next ''??

She set the dipper on the edge of the deck, leaving it for him to stretch after it while she looked on scornfully.

She was sitting on the edge of the bed again, back in the same position where the snake had found her.

She munched little ginger cakes called mulatto's belly and kept her green, somewhat hypnotic eyes fixed on a light-colored male who was prancing wildly with a 5-foot king snake wrapped around his bronze neck.

She was nude to the waist and her tumbled abundance of black hair did not conceal the knife slashes on her back.

She remained squatting on her heels all the time we were there ; ;

She read everything else she could get her hands on, including an article ( she thinks it was in the Atlantic Monthly ) by Mark Twain on `` White Slavery ''.

She wrote in her journal, `` I have not heard the least profane language since I have been on board the vessel.

She kept the dolls on the Lincoln bed.

She would often go up on the roof to see the attendant take down the flag in the evening.

She opened the boxes with a tear in her eye and a sad smile on her face.

She had to clean the glass on the display cases in the butcher shop, help her brother scrub the cutting tables with wire brushes, mop the floors, put down new sawdust on the floors and help check the outgoing orders.

She smoothed the covers on Scotty's bed and picked things up from the floor.

She had even steeled herself to keep Juanita upstairs in the nurse's room off the empty nursery, although the girl tried to insist on moving back to the quarters to spare Kate remembrance of the baby's death.

She came to the ballroom and stood on the two carpeted steps that led down to it.

She was still laughing when I grabbed her and started rolling her on the bed.

She was told by the manservant who opened the door that his lordship was engaged on work from which he had left strict orders he was not to be disturbed.

She signed the letters quickly, stamped them, and placed them on the hall table for Raphael to mail in town.