She drives away in a tearful huff, and Alvin, who had started to run short of food, cooks and eats the deer, then mounts the antlers above the rear doorway of his trailer as a tribute to the deer and the human sustenance it had provided.

She drives Willy Jack home to Tennessee and then continues to Maine to find Forney at college.

She drives around searching and rear-ends a car stopped at an intersection and is slightly injured and hospitalized.

She then drives away with Jim and Selena.

She was greatly interested in the building of Mason Temple and she kept her national building fund drives functioning until she knew the building was ready for dedication.

She uses the metaphor of a plant root to represent culture, describing that it drives organizations rather than vice versa.

" She frequently drives him to different places and he sometimes tutors her in go.

She drives a dark-faded red 1995 Nissan 240SX S14.

She is also a very skilled driver and drives an aqua-blue 1998 1997 Acura Integra Type R.

She has something of an inferiority complex which drives her to be the absolute best, and she can't tolerate seeing others better than her.

She usually drives him to the point of obsession and exhaustion, so that he is incapable of making rational decisions.

She drowns the child by throwing it into the lake, which drives her lover to commit suicide.

She has also participated in AIDS awareness drives and campaigns to clean up Mumbai.

She finally sabotages his car in the hope of killing him so that he will join her in the spirit world, but it is Ruth rather than Charles who drives off and is killed.

She defined sex education as the pedagogic tool to teach the individual to subject sexual drives to the will of an instructed, conscientious, and responsible intellect ( Luisi 1950: 82-83 in Little 1975: 394 ).

She immediately drives to the hospital where she recovers.

She drives off into the same lake Norman pushed Madison's car into.

She romances Clay Fallmont but their family rivalry drives him into the arms of Steven's ex-wife Sammy Jo.

She runs to Piggly Wiggly and Pete's house, then drives furiously towards Richmond to overtake her heartbroken friend.

She takes the fetal death of her third child as a punishment from God, which drives her further into a religious depression.

In chapter 7 " Social Life ", Beauvoir describes a woman's clothes, her girlfriends and her relationships with priests, doctors, famous performers, and lovers, concluding that "... adultery, friendships, and social life are but diversions within married life ...." She also thinks, " marriage, by frustrating women's erotic satisfaction, denies them the freedom and individuality fo their feelings, drives them to adultery ...." In chapter 8 " Prostitutes and Hetaeras ", Beauvoir describes prostitutes and their relationships with pimps and with other women, as well as hetaeras.

She drives a Ford Transit: " I'm colossally uninterested in cars ... but vans are different.

She helps Wolfsbane deal with the traumatic return of her lycanthropic powers, but an ill-thought romantic liaison between Wolfsbane and Elixir drives a deep wedge between the two women.

She travels around Toronto by bicycle but drives when in Los Angeles because it is " a harder town to cycle in.

Throughout the novel, Sonya is an important source of moral strength and rehabilitation for Raskolnikov, and in some interpretations, even considered a Christ-like figure. She is forced to prostitute herself to provide for her family.

She remained there until May 1944 when, together with three other captured female SOE agents, Vera Leigh, Sonya Olschanezky and Diana Rowden, Borrel was shipped to the Natzweiler-Struthof concentration camp in the Vosges Mountains of Alsace.

She, being happy that he's talking to her again, readily gives him her last pair of new stockings to ease his pain, which he then gives to Sonya for sexual favours.

She was an inspiration for the video game character Sonya Blade

She played Sonya in Uncle Vanya opposite Donald Sinden at the Theatre Royal, Haymarket in 1982.

She was played by Jane Merrow in the 1968 film adaptation, by Yuliya Vysotskaya in the 2003 TV adaptation and by Sonya Cassidy in the 2011 London theatre production.

She is best known for portraying Sonya Blade in several incarnations of the game beginning with Mortal Kombat 3 and toured the United States and Europe portraying Sonya Blade in the Mortal Kombat: Live Tour, appearing at venues like Radio City Music Hall.

She crouched aside as bullets beat at the portal, chewing into the planks.

She locked the ignition, removed the keys, stepped out of the car and went into the house.

She would return this symbol to the mountain, as one pours seed back into the soil every Spring or as ancient fertility cults demand annual human sacrifice.

She had to get away from here before this demoniac possession swallowed up the liquid of her eyes and sank into the fibers of her brain, depriving her of reason and sight.

She softly let herself into the bed, and took her regular side, away from the door, where she slept better because Keith was between her and the invader.

She asked, taking him and Juanita into the parlor where the shutters were closed against the afternoon sun.

She turned and walked stiffly into the parlor to the dainty-legged escritoire, warped and cracked now from fifty years in an atmosphere of sea spray.

`` She didn't mention bringing Myra '', Mark said, maneuvering the car into the next lane.

She went into the living room and turned on three lamps, then back into the kitchen where she turned on the ceiling light and the switch that lit the floods on the barn, illuminating the driveway.

She stood still over the leg of lamb, rubbing herbs into it, quite suddenly conscious of a nausea in her stomach and a feeling of wrath, a sensation of violence that started her shivering.

She also banks into a turn like a fine runabout -- not digging in on the outside to throw passengers all over the boat like many a small cabin cruiser.

She patronized Greenwich Village artists for awhile, then put some money into a Broadway show which was successful ( terrible, but successful ).

She was biting into a small red radish ; ;

She had talked her `` boy friend '' into sending her to New York to take a screen test.

She quickly moved into cafe society, possibly easing her conscience by talking constantly of her desire to be in show business.

She took refuge on a tongue of land extending into a gully, crouched at the base of a thorn tree, and waited for them to come up.

Here '' -- She thrust a bundle of keys strung on a thick red cord into Sarah's hand.

She went downstairs and received another curious shock, for when Glendora flapped into the dining room in her homemade moccasins, Sarah asked her when she had brought coffee to her room and Glendora said she hadn't.

She paused at the kitchen door, caught her breath, told herself firmly that the opium was only an attempt to frighten her and went into the kitchen, where Glendora was eyeing the chickens dismally and Maude was cleaning lamp chimneys.

She was wearing a brown cotton dress, cut across the hips in a way that was supposed to make her look slimmer, a yoke set into the skirt and flaring pleats below.

She slapped the receiver into its holder and stepped away.

She wanted him to get into trouble.

She cut the engines and slowly the cruiser swung around on the end of its lines until its bow was pointing into the wind and the cockpit faced toward the shore.

She pushed wartorn and poverty-stricken nations into prosperity, but she failed to lead them into unity and world peace.